A quiet country road A desperate search A missing man A promise At an isolated farmhouse, Edie Doyle stumbles upon a gravely injured man. Suddenly she’s neck deep in trouble—again. When the man begs for help, she can’t refuse, but how can she keep her promise when he disappears before she even learns his name? The police don’t believe her, the surly farmer doesn’t want her help, and the only witness isn’t talking. Can she find the missing man before it’s too late, and before anyone else gets hurt? Her search will take her beyond the sun-drenched fields into dark woods—and even darker shadows—but Edie will keep her promise. Unless someone stops her first. Somewhere in a Dark Wood is the second Edie Doyle Mystery. For fans of golden age mysteries and small town cozies. Don’t miss the first book in the series, Too Far to Fall.

When FBI Agent Piper Woods taps her tracking prowess to hunt a killer who uses frozen caves, each victim offers Piper a glimpse into a frigid labyrinth of death. Will Piper be able to decipher the signs? Or is she heading right into a trap? “Molly Black has written a taut thriller that will keep you on the edge of your seat… I absolutely loved this book and can’t wait to read the next book in the series!” —Reader review for Girl One: Murder ⭐⭐⭐⭐⭐ SOMEWHERE DARK is book #7 in a long anticipated new series by critically-acclaimed and #1 bestselling mystery and suspense author Molly Black, whose books have received over 2,000 five-star reviews and ratings. The series begins with SOMEWHERE SAFE (book #1). A page-turning and harrowing crime thriller featuring a brilliant and tortured FBI agent, the Piper Woods series is a riveting mystery, packed with non-stop action, suspense, twists and turns, revelations, and driven by a breakneck pace that will keep you flipping pages late into the night. Fans of Rachel Caine, Teresa Driscoll and Robert Dugoni are sure to fall in love. Future books in the series will soon be available. “I binge read this book. It hooked me in and didn't stop till the last few pages… I look forward to reading more!” —Reader review for Found You ⭐⭐⭐⭐⭐ “I loved this book! Fast-paced plot, great characters and interesting insights into investigating cold cases. I can't wait to read the next book!” —Reader review for Girl One: Murder ⭐⭐⭐⭐⭐ “Very good book… You will feel like you are right there looking for the kidnapper! I know I will be reading more in this series!” —Reader review for Girl One: Murder ⭐⭐⭐⭐⭐ “This is a very well written book and holds your interest from page 1… Definitely looking forward to reading the next one in the series, and hopefully others as well!” —Reader review for Girl One: Murder ⭐⭐⭐⭐⭐ “Wow, I cannot wait for the next in this series. Starts with a bang and just keeps going.” —Reader review for Girl One: Murder ⭐⭐⭐⭐⭐ “Well written book with a great plot, one that will keep you up at night. A page turner!” —Reader review for Girl One: Murder ⭐⭐⭐⭐⭐ “A great suspense that keeps you reading… can't wait for the next in this series!” —Reader review for Found You ⭐⭐⭐⭐⭐ “Sooo soo good! There are a few unforeseen twists… I binge read this like I binge watch Netflix. It just sucks you in.” —Reader review for Found You ⭐⭐⭐⭐⭐

Elisabeth Tonnard's In This Dark Wood is a study of urban alienation in America. In a haunting, modern-gothic style, it pairs images of people walking alone in nighttime city streets with 90 different English translations, collected by Tonnard, of the famous first lines of Dante's Inferno: "Nel mezzo del cammin di nostra vita / mi ritrovai per una selva oscura / ché la diritta via era smarrita." ("In the middle of the journey of our life / I found myself in a dark wood / for the straight way was lost"). The images were selected from the Joseph Selle collection at the Visual Studies Workshop in Rochester, New York, which contains over a million negatives from a company of street photographers who worked in San Francisco from the 1940s to the 70s. This edition is a reprint of a work originally self-published in 2008.

A weekend away deep in the English countryside takes a sinister turn in this suspenseful and compulsive debut psychological thriller. Sometimes the only thing to fear...is yourself. Leonora (Lee to some, Nora to others) is a reclusive writer, but when an old friend unexpectedly invites her to a weekend away in an eerie glass house, she reluctantly agrees to make the trip. But a haunting realization creeps in to the party: they are not alone in the woods. Forty-eight hours later, Nora wakes up in a hospital bed with the knowledge that someone is dead. Wondering not “what happened?” but “what have I done?” she tries to piece together the events of the past weekend. In order to uncover secrets and reveal motives, Nora must revisit parts of herself that she’d rather leave buried where they belong: in the past. In the vein of The Girl on the Train and Gone Girl, this gripping thriller will have readers on the edge of their seats until the very last page.

A story of love and grief. ‘I became a widower and a father on the same day’ says Joseph Luzzi. His book tells how Dante’s ‘The Divine Comedy’ helped him to endure his grief, raise their infant daughter, and rediscover love.

Exploring lives on the brink of disaster, R. J. Jacobs returns with another compulsively readable novel of suspense for fans of B. A. Paris and Mary Kubica. Do the mistakes of the past mark us as guilty for life? After a childhood marred by neglect, Jessie Duval's finally got it together. With an apartment in Nashville and a job with a catering company, she's thriving. But all that changes when Jessie works an event where celebrities will be in attendance--including the one person from her past she must avoid at all costs: singer Shelly James. Jessie doesn't hate Shelly. Quite the opposite. One summer, she followed Shelly's tour everywhere. Only, Shelly wasn't flattered; she was terrified by Jessie's devotion--especially after Jessie was arrested. But after a year of therapy, Jessie understands what happened. She's not the same person anymore. Jessie keeps her head down, but when Shelly is found dead, Jessie's troubled past comes tumbling out and she quickly becomes a suspect in the high-profile murder. As the police close in on her, ignoring other credible leads, Jessie realizes Shelly's murder will be pinned on her--the perfect scapegoat--unless she finds the real killer. And no one knows Shelly's life and inner circle better than her. But she will have to go deeper into the dark--if ever she wants to find her way out.

Film noir is more than a cinematic genre. It is an essential aspect of American culture. Along with the cowboy of the Wild West, the denizen of the film noir city is at the very center of our mythological iconography. Described as the style of an anxious victor, film noir began during the post-war period, a strange time of hope and optimism mixed with fear and even paranoia. The shadow of this rich and powerful cinematic style can now be seen in virtually every artistic medium. The spectacular success of recent neo-film noirs is only the tip of an iceberg. In the dead-on, nocturnal jazz of Charlie Parker and Miles Davis, the chilled urban landscapes of Edward Hopper, and postwar literary fiction from Nelson Algren and William S. Burroughs to pulp masters like Horace McCoy, we find an unsettling recognition of the dark hollowness beneath the surface of the American Dream. Acclaimed novelist and poet Nicholas Christopher explores the cultural identity of film noir in a seamless, elegant, and enchanting work of literary prose. Examining virtually the entire catalogue of film noir, Christopher identifies the central motif as the urban labyrinth, a place infested with psychosis, anxiety, and existential dread in which the noir hero embarks on a dangerously illuminating quest. With acute sensitivity, he shows how technical devices such as lighting, voice over, and editing tempo are deployed to create the film noir world. Somewhere in the Night guides us through the architecture of this imaginary world, be it shot in New York or Los Angeles, relating its elements to the ancient cultural archetypes that prefigure it. Finally, Christopher builds an explanation of why film noir not only lives on but is currently enjoying a renaissance. Somewhere in the Night can be appreciated as a lucid introduction to a fundamental style of American culture, and also as a guide to film noir's heyday. Ultimately, though, as the work of a bold talent adeptly manipulating poetic cadence and metaphor, it is itself a superb aesthetic artifact.