"Panicking never helps." Tuesday's breakfast was interrupted by a stroke, and the only available help is the author's second grader. Launched into a medical crisis, Kimberly Davis Basso (and her brain) respond with wit, wisdom, and wishful thinking. From surviving a stroke to surviving a zombie apocalypse, "I'm a Little Brain Dead" is alarmingly irreverent. No matter how critical or ridiculous the situation, Kimberly abides by their family rule "Panicking never helps." You'll get an inside look at being a middle aged stroke patient as she hosts a neurological event, juggles doctors, undergoes a heart procedure and asks the really big question - how tiny is tiny when it refers to dead tissue? What would you do? Are you prepared to have a medical crisis, unable to speak or walk? Would your kids know what to do? It's time to make an escape plan. Kimberly will walk (or rather shuffle) readers through her experience in an honest, hilarious look at the site of the world's smallest zombie apocalypse - her brain.

A unique illustrated memoir by Sally Wade, the love of George Carlin’s life for ten years, THE GEORGE CARLIN LETTERS: THE PERMANENT COURTSHIP OF SALLY WADE is a collection of never-before-seen writings and artwork by the late great comedian (representing at least 1/3 of the text in the book), woven into Wade’s beautifully told chronicle of the last ten years of their life together. The book provides a rare glimpse into the man behind the legend. George Carlin wrote to Sally daily—notes, postcard, letters…he even started fights on paper; the title is taken from his very last note, which Sally found propped up on her computer upon returning from the hospital the day he died. One of the greatest love stories ever told…hilariously, until the release of this book, no one but Sally has ever seen this side of George Carlin. And everyone is guaranteed to fall in love with both of them.

From head trauma to scientific wonder—a “deeply absorbing . . . fascinating” true story of acquired savant syndrome (Entertainment Weekly). Twelve years ago, Jason Padgett had never made it past pre-algebra. But a violent mugging forever altered the way his brain worked. It turned an ordinary math-averse student into an extraordinary young man with a unique gift to see the world as no one else does: water pours from the faucet in crystalline patterns, numbers call to mind distinct geometric shapes, and intricate fractal patterns emerge from the movement of tree branches, revealing the intrinsic mathematical designs hidden in the objects around us. As his ability to understand physics skyrocketed, the “accidental genius” developed the astonishing ability to draw the complex geometric shapes he saw everywhere. Overcoming huge setbacks and embracing his new mind, Padgett “gained a vision of the world that is as beautiful as it is challenging.” Along the way he fell in love, found joy in numbers, and spent plenty of time having his head examined (The New York Times Book Review). Illustrated with Jason’s stunning, mathematically precise artwork, his singular story reveals the wondrous potential of the human brain, and “an incredible phenomenon which points toward dormant potential—a little Rain Man perhaps—within us all” (Darold A. Treffert, MD, author of Islands of Genius: The Bountiful Mind of the Autistic, Acquired, and Sudden Savant). “A tale worthy of Ripley’s Believe It or Not! . . . This memoir sends a hopeful message to families touched by brain injury, autism, or neurological damage from strokes.” —Booklist “How extraordinary it is to contemplate the bizarre gifts that might lie within all of us.” —People

On the heels of George Carlin's #1 New York Times bestseller Napalm & Silly Putty comes When Will Jesus Bring the Pork Chops? -- infused with Carlin's trademark irreverent humor and biting cultural observations. Here we go again . . . George Carlin's hilarious When Will Jesus Bring the Pork Chops? offers his cutting-edge opinions and observational humor on everything from evasive euphemistic language to politicians to the media to dead people. Nothing and no one is safe! Despite the current climate of political correctness, Carlin is not afraid to take on controversial topics: Carlin on the media: The media comprises equal parts business, politics, advertising, public relations, and show business. Nice combination. Enough bull for Texas to open a chain of branch offices. Carlin on the battle of the sexes: Here's all you have to know about men and women: women are crazy, men are stupid. And the main reason women are crazy is that men are stupid. Carlin on hygiene: When did they pass a law that says the people who make my sandwich have to be wearing gloves? I'm not comfortable with this. I don't want glove residue all over my food; it's not sanitary. Who knows where these gloves have been? Carlin on evasive language: Just to demonstrate how far using euphemisms in language has gone, some psychologists are now actually referring to ugly people as those with "severe appearance deficits." Hey, Doctor. How's that for "denial"? Carlin on politics: No self-respecting politician would ever admit to working in the government. They prefer to think of themselves "serving the nation." To help visualize the service they provide the country, you may wish to picture the things that take place on a stud farm. The thinking person's comic who uses words as weapons, Carlin puts voice to issues that capture the modern imagination. For instance, why are there Ten Commandments? Are UFOs real? What will the future really be like? This brand-new collection tackles all that and more. In When Will Jesus Bring the Pork Chops? Carlin's razor-sharp observations demolish everyday values and leave you laughing out loud--delivering exactly what his countless fans have been waiting for.

Originally published by Viking Penguin, 2014.

This National Book Award-winning debut poetry collection is a "powerfully evocative" (The New York Review of Books) meditation on the black female figure through time. Robin Coste Lewis's electrifying collection is a triptych that begins and ends with lyric poems meditating on the roles desire and race play in the construction of the self. In the center of the collection is the title poem, "Voyage of the Sable Venus," an amazing narrative made up entirely of titles of artworks from ancient times to the present—titles that feature or in some way comment on the black female figure in Western art. Bracketed by Lewis's own autobiographical poems, "Voyage" is a tender and shocking meditation on the fragmentary mysteries of stereotype, juxtaposing our names for things with what we actually see and know. A new understanding of biography and the self, this collection questions just where, historically, do ideas about the black female figure truly begin—five hundred years ago, five thousand, or even longer? And what role did art play in this ancient, often heinous story? Here we meet a poet who adores her culture and the beauty to be found within it. Yet she is also a cultural critic alert to the nuances of race and desire—how they define us all, including her own sometimes painful history. Lewis's book is a thrilling aesthetic anthem to the complexity of race—a full embrace of its pleasure and horror, in equal parts.