“Breathless pace. Touches effortlessly on identity, love, alcohol, and the cynicism of the business world.”—Les Echos Who hasn’t wanted to become “someone else”? Over a drink in Paris, two men give each other three years to see which one can more radically alter his life. Blin becomes a private detective. He takes on a new identity, even a surgically altered face. Gredzinski, a self-effacing corporate executive, discovers liquor that evening and rapidly yields to the sensuality and self-confidence induced by alcoholism. Things get complicated when Blin is hired by an ex-lover to find himself and when Gredzinski secretly follows his girlfriend to her home. A helter-skelter tale of humor and suspense. Winner of the literary prize RTL-Lire.

In SOMEONE ELSE award-winning essayist John Hughes pays homage to twenty one artists, writers and musicians who have had a formative influence on his imagination. From Chekhov and Borges and Beckett, to Proust, Rothko and Cage - each essay brings its subject to life in unexpected ways. Kafka rewrites the parable of Abraham and Isaac, with no one to stay Abraham's knife. Wittgenstein considers the relationship between turtles and time. Bob Dylan stars in a fantasy of travellers and deserts and women with knives and silver earrings. Just around the corner from where Hughes works, Dostoyevsky fries kidneys in the kitchen of his Stanley Street terrace... Like THE IDEA OF HOME, SOMEONE ELSE uses the essay as a form of autobiography. Here, however, the essays are fictions. Or are they? Hughes tells the stories of the figures who live in his mind by making them tell his stories - and in doing so engages in an art of literary ventriloquism.

“To be someone—to be anyone—is about...not being someone else. Miller’s amused and inspired book is utterly compelling.” —Adam Phillips “A compendium of expressions of wonder over what might have been...Swept up in our real lives, we quickly forget about the unreal ones. Still, there will be moments when, for good or ill, we feel confronted by our unrealized possibilities.” —New Yorker We live one life, formed by paths taken and untaken. Choosing a job, getting married, deciding on a place to live or whether to have children—every decision precludes another. But what if you’d gone the other way? From Robert Frost to Sharon Olds, Virginia Woolf to Ian McEwan, Jane Hirshfield to Carl Dennis, storytellers of every stripe consider the roads not taken, the lives we haven’t led. What is it that compels us to identify with fictional and poetic voices tantalizing us with the shadows of what might have been? Not only poets and novelists, but psychologists and philosophers have much to say on this question. Miller finds wisdom in all of these, revealing the beauty, the allure, and the danger of sustaining or confronting our unled lives. “Miller is charming company, both humanly and intellectually. He is onto something: the theme of unled lives, and the fascinating idea that fiction intensifies the sense of provisionality that attends all lives. An extremely attractive book.” —James Wood “An expertly curated tour of regret and envy in literature...Miller’s insightful and moving book—both in his own discussion and in the tales he recounts—gently nudges us toward consolation.” —Wall Street Journal “I wish I had written this book...Examining art’s capacity to transfix, multiply, and compress, this book is itself a work of art.” —Times Higher Education

"I had a real romance with this book." —Miranda July A highly anticipated collection, from the writer Maggie Nelson has called, “bracingly good...refreshing and welcome,” that explores the myriad ways in which desire and commodification intersect. From graffiti gangs and Grand Theft Auto to sugar daddies, Schopenhauer, and a deadly game of Russian roulette, in these essays, Chelsea Hodson probes her own desires to examine where the physical and the proprietary collide. She asks what our privacy, our intimacy, and our own bodies are worth in the increasingly digital world of liking, linking, and sharing. Starting with Hodson’s own work experience, which ranges from the mundane to the bizarre—including modeling and working on a NASA Mars mission— Hodson expands outward, looking at the ways in which the human will submits, whether in the marketplace or in a relationship. Both tender and jarring, this collection is relevant to anyone who’s ever searched for what the self is worth. Hodson’s accumulation within each piece is purposeful, and her prose vivid, clear, and sometimes even shocking, as she explores the wonderful and strange forms of desire. Tonight I'm Someone Else is a fresh, poetic debut from an exciting emerging voice, in which Hodson asks, “How much can a body endure?” And the resounding answer: "Almost everything."

As in the work of David Lynch, SOMEONE ELSE exposes the underbelly of small town America for all its charm and tragedy. At its core, this novel is a page turner luring the reader into the mind of Sally Tallman whose existential crisis blinds her to the real crises in her midst. Suicide may be the catalyst for change and discovery in SOMEONE ELSE but this is a book that never traffics in easy answers.

The combination of a riveting true story and cutting-edge twin research makes this book an irresistible page-turner. Identical twins Begoña and Delia were born thirty-eight years ago in Spain’s Canary Islands. Due to chaotic conditions at the hospital or simple human error, the unthinkable happened: Delia was unintentionally switched with another infant in the baby nursery. This fascinating story describes in vivid detail the consequences of this unintentional separation of identical twin sisters. The author considers not only the effects on these particular sisters, but the important implications of this and similar cases for questions concerning identity, familial bonds, nature-nurture, and the law.

A hybrid text that deals most urgently in the articulation of growth and grief. After the loss of his mother, Omar Holmon re-learns how to live by immersing himself in popular culture, becoming well-versed in using the many modes of pop culture to spell out his emotions. This book is made up of both poems and essays, drenched in both sadness and unmistakable humor. Teeming with references that are touchable, no matter what you do or don’t know, this book feels warm and inviting.