Jack Newfield has covered it all: he has documented he unfolding drama of the 1960s; followed the boxing careers of Ali and Tyson; taken on city hall; and kept his integrity intact in the rough world of tabloid politics. Somebody's Gotta Tell It is the clear-eyed memoir of a journalist whose love for his country, and passion for his profession, has never wavered. "Fast-written, rat-a-tat-tat memoir." -Chicago Sun Times "Jack Newfield is an old-fashioned newspaperman, skeptical, passionate, and brave. He really tells it in Somebody's Gotta Tell It-an absorbing and appealing memoir of a life committed to honest politics, honest sport, and honest journalism." -Arthur Schlesinger, Jr. "Newfield has made it his life's mission to uncover and share significant truths about important people and events. No one has done the work better, nor described it as well as he has in this brilliant and engaging memoir. This book is a great telling of American history-music, culture, sports, and civil rights." -Mario Cuomo "We count our blessings in having memorable crusaders for social justice who do not let their zeal override their commitment to professional integrity. In the golden company of Lincoln Steffens and Heywood Broun, let's welcome Jack Newfield. He writes with the sharp eye of the trained observer and the engaged heart of the humanist." -Budd Schulberg "In a time when American journalism is getting its shares of slings and arrows, Jack Newfield stands out as a national treasure. I can't think of anyone among us today, as this book amply demonstrates, who brings a more passionate commitment to his craft." -Peter Maas "He does not stop. He is the loudest liberal voice in a time of timid whispers. Always, Newfield's hands plunge into the muck, to pull out the truth. This fine memoir shows how much Newfield has seen, and been involved in, of what happened in our nation. And he tells it to us in the swift sentences of one who knows what he is writing about." -Jimmy Breslin "Enthralling, moving, and sometimes poignant, this book is a must for anyone who cares about the cutting edge of our times." -Richard North Patterson

This text consists of thirteen short illustrations in story form. They are true autobiographical clips and illustrations that tell the story of how I came to the realization that the time was well overdue for me to confess my sins to God and ask for his forgiveness. I share this with you in hopes that the message contained in these pages is received by you. I also pray that this text will encourage you to decide to change your life, accept Jesus as your lord and personal savior, turn from your wicked ways, and do all that is the will of God. Today is the acceptable time for you to make that individual decision for yourself because there is no guarantee that you will live to see tomorrow. This is my way of telling the world about Jesus, how God continues to love us, how Jesus continues to petition for us, and how the Comforter continues to keep us. And we just walk around daily with not even a simple “Thank you, Lord.”

“50 percent memoir, 50 percent advice manual, and 100 percent heart.” —The New York Times Somebody's Gotta Do It is a humorous (and instructive) memoir about a progressive woman who runs for very small-town elected office in a red county—and wins (yay!)—and then realizes the critical importance of the job. Back in the fall of 2016, before casting her vote for Hillary Clinton, Adrienne Martini, a knitter, a runner, a mom, and a resident of rural Otsego County in snowy upstate New York, knew who her Senators were, wasn’t too sure who her Congressman was, and had only vague inklings about who her state reps were. She’s always thought of politicians as . . . oily. Then she spent election night curled in bed, texting her husband, who was at work, unable to stop shaking. And after the presidential inauguration, she reached out to Dave, a friend of a friend, who was involved in the Otsego County Democratic Party. Maybe she could help out with phone calls or fundraising? But Dave’s idea was: she should run for office. Someone had to do it. And so, in the year that 26,000 women (up from 920 the year before) contacted Emily’s List about running for offices large and small, Adrienne Martini ran for the District 12 seat on the Otsego County Board. And became one of the 14 delegates who collectively serve one rural American county, overseeing a budget of $130 million. Highway repair? Soil and water conservation? Child safety? Want wifi? Need a coroner? It turns out, local office matters. A lot.

What caused the New Left rebellion of the 1960s? In Smoking Typewriters, historian John McMillian argues that the "underground press" contributed to the New Left's growth and cultural organization in crucial, overlooked ways.

I've come to the conclusion that roughly 50 percent of the adults in this country are simply too ignorant and functionally incompetent to be living in a free society. You might think I'm off base, but every day around half the people in this country go out of their way to prove me right.—from Somebody's Gotta Say It Think you've got it all figured out? Think again. Neal Boortz—the Talkmaster, the High Priest of the Church of the Painful Truth—has been edifying, infuriating, and entertaining talk radio audiences for more than three decades with his blend of straight talk and twisted humor. Now, the author of the smash number one bestseller The FairTax Book returns to gore every sacred cow in the pasture, from the subversive agendas behind children's books to the scam artists behind "High Art." In Somebody's Gotta Say It, Boortz warms up for the coming political season with a preemptive strike in "the War on the Individual": "The Democrats' theme for 2008 will be 'The Common Good.' I can't speak for you, but I am an individual. Government exists to protect my rights, not to order my life. And I damn sure don't exist to serve government." He takes on liberal catchphrases like giving back ("Nobody—especially not the evil, wretched rich—actually earns anything anymore. Why do liberals think this way? Because they find it impossible to acknowledge that people work for money"), our rampant civic idiocy ("We are not a democracy. Never were. Weren't supposed to be. And we shouldn't be"), and Big Brother ("We have smoke-free workplaces. We have drug-free school zones. I say let's start establishing government-free oases, where we can be free to leave our seat belts unbuckled, and peel the labels off anything we choose"). And somehow, along the way, he finds room for pop quizzes, cat-chasing contests, and an answer, once and for all, to the eternal question, "Neal, why don't you run for president?"—in a chapter called "No Way in Hell." Full of irresistible wisecracks and irrefutable libertarian wisdom, Somebody's Gotta Say It is one man's response to America at a time when the government overreaches, the people underperform—and the truth hurts.

On April 4, 1968, Senator Robert F. Kennedy, Jr., arrived in Indiana to campaign for the Indiana Democratic presidential primary. As Kennedy prepared to fly from an appearance in Muncie to Indianapolis, he learned that civil rights leader Dr. Martin Luther King, Jr., had been shot outside his hotel in Memphis, Tennessee. Before his plane landed in Indianapolis, Kennedy heard the news that King had died. Despite warnings from Indianapolis police that they could not guarantee his safety, and brushing off concerns from his own staff, Kennedy decided to proceed with plans to address an outdoor rally to be held in the heart of the city's African American community. On that cold and windy evening, Kennedy broke the news of King's death in an impassioned, extemporaneous speech on the need for compassion in the face of violence. It has proven to be one of the great speeches in American political history. Marking the 40th anniversary of Kennedy's Indianapolis speech, this book explains what brought the politician to Indiana that day, and explores the characters and events of the 1968 Indiana Democratic presidential primary in which Kennedy, who was an underdog, had a decisive victory.

The Northeastern United States -- home to abolitionism and a refuge for blacks fleeing the Jim Crow South -- has had a long and celebrated history of racial equality and political liberalism. After World War II, the region appeared poised to continue this legacy, electing black politicians and rallying behind black athletes and cultural leaders. However, as historian Jason Sokol reveals in All Eyes Are Upon Us, these achievements obscured the harsh reality of a region riven by segregation and deep-seated racism. White fans from across Brooklyn -- Irish, Jewish, and Italian -- came out to support Jackie Robinson when he broke baseball's color barrier with the Dodgers in 1947, even as the city's blacks were shunted into segregated neighborhoods. The African-American politician Ed Brooke won a senate seat in Massachusetts in 1966, when the state was 97% white, yet his political career was undone by the resistance to busing in Boston. Across the Northeast over the last half-century, blacks have encountered housing and employment discrimination as well as racial violence. But the gap between the northern ideal and the region's segregated reality left small but meaningful room for racial progress. Forced to reckon with the disparity between their racial practices and their racial preaching, blacks and whites forged interracial coalitions and demanded that the region live up to its promise of equal opportunity. A revelatory account of the tumultuous modern history of race and politics in the Northeast, All Eyes Are Upon Us presents the Northeast as a microcosm of America as a whole: outwardly democratic, inwardly conflicted, but always striving to live up to its highest ideals.