Devices. Jolie’s got tons of them. Coping mechanisms that ensure she’s not falling victim to the mental illness that’s taken hold of both her brother and father. Helping the homeless gives Jolie much needed consistency. But when a stranger struts into her Jersey Shore creperie, writing cryptic songs on napkins and then disappearing, her world becomes anything but routine. Reed can play the soul out of his saxophone, but he’s hiding something. Why else would he reveal so little about himself, or plan one secluded, albeit eccentric, date after another? And what’s in that backpack he carries everywhere? Then again, with her distressed brother missing, an estranged mother returning home, and a feisty grandmother acting weirder than usual, Jolie can’t decipher whether her suspicions are valid or dangerous delusions. When inexplicable slashings of the homeless occur in her otherwise safe town, Jolie’s devices begin to fail.

Abortion remains legal in the US, but access has been slowly eroded since prohibition was ruled unconstitutional nearly fifty years ago. Simultaneously abortion remains culturally stigmatised – it is kept secret and presumed shameful. But feminist activists are working to increase access and challenge this stigma. Numerous organisations and campaigns are challenging abortion stigma using the internet and social media and intersectional feminist sensibilities. From A Whisper to a Shout takes a closer look at four of these organisations – #ShoutYourAbortion, Lady Parts Justice, #WeTestify, and The Abortion Diary – and how they are integrating feminist tactics, social media, and political strategies to challenge abortion stigma and promote abortion access.

A collection of twenty-one essays from well-known writers who reflect on the relationship between faith and writing.

Daring and original stories set in New Testament times, from a rising young Norwegian author Lars Petter Sveen’s Children of God recounts the lives of people on the margins of the New Testament; thieves, Roman soldiers, prostitutes, lepers, healers, and the occasional disciple all get a chance to speak. With language free of judgment or moralizing, Sveen covers familiar ground in unusual ways. In the opening story, a group of soldiers are tasked with carrying out King Herod’s edict to slaughter the young male children in Bethlehem but waver in their resolve. These interwoven stories harbor surprises at every turn, as the characters reappear. A group of thieves on the road to Jericho encounters no good Samaritan but themselves. A boy healed of his stutter will later regress. A woman searching for her lover from beyond the grave cannot find solace. At crucial moments an old blind man appears, urging the characters to give in to their darker impulses. Children of God was a bestseller in Norway, where it won the Per Olov Enquist Literary Prize and gathered ecstatic reviews. Sveen’s subtle elevation of the conflict between light and dark focuses on the varied struggles these often-ignored individuals face. Yet despite the dark tone, Sveen’s stories retain a buoyancy, thanks to Guy Puzey’s supple and fleet-footed translation. This deeply original and moving book, in Sveen’s restrained and gritty telling, brings to light stories that reflect our own time, from a setting everyone knows.

A collection of poems on different subjects and in different styles, that lend themselves to memorization.

Bohemia has been variously defined as a mythical country, a state of mind, a tavern by the wayside on the road of life. The editors of this volume prefer a leaner definition: an attitude of dissent from the prevailing values of middle-class society, one dependent on the existence of caf life. But whatever definition is preferred, this rich and long overdue collective portrait of Bohemian life in a large variety of settings is certain to engage and even entrance readers of all types: from the student of culture to social researchers and literary figures n search of their ancestral roots. The work is international in scope and social scientific in conception. But because of the special nature of the Bohemian fascination, the volume is also graced by an unusually larger number of exquisite literary essays. Hence, one will find in this anthology writings by Malcolm Cowely, Norman Podhoretz, Norman Mailer, Theophile Gautier, Honore de Balzac, Mary Austin, Stefan Zweig, Nadine Gordimer, and Ernest Hemingway. Social scientists are well represented by Cesar Grana, Ephraim Mizruchi, W.I. Thomas, Florian Znaniecki, Harvey Zorbaugh, John R. Howard, and G. William Domhoff, among others.The volume is sectioned into major themes in the history of Bohemia: social and literary origins, testimony by the participants, analysis by critics of and crusaders for the bohemian life, the ideological characteristics of the bohemians, and the long term prospect as well as retrospect for bohemenianism as a system, culture and ideology. The editors have provided a framework for examining some fundamental themes in social structure and social deviance: What are the levels of toleration within a society? Do artists deserve and receive special treatment by the powers that be? And what are the connections between bohemian life-styles and political protest movements?This is an anthology and not a treatise, so the reader is free to pick and choose not only wha