Bringing together more than a thousand unpublished letters as well as all the widely scattered published ones, these four volumes represent the first attempt at a complete edition of the letters of Edward Fitzgerald (1809-1883). Originally published in 1980. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Collected here are the biographies which revealed aspects of their subjects that the more favourable "official" accounts tended to hide. The life of the author of each text is described, and their relation to the writers they portray is sketched in.

'The Moving Finger writes; and, having writ Moves on: nor all thy Piety nor Wit Shall lure it back to cancel half a line Nor all thy tears wash out a word of it.' In the 'rubáiyát' (short epigrammatic poems) of the medieval Persian poet, mathematician, and philosopher Omar Khayyám, Edward FitzGerald saw an unflinching challenge to the illusions and consolations of mankind in every age. His version of Omar is neither a translation nor an independent poem; sceptical of divine providence and insistent on the pleasure of the passing moment, its 'Orientalism' offers FitzGerald a powerful and distinctive voice, in whose accents a whole Victorian generation comes to life. Although the poem's vision is bleak, it is conveyed in some of the most beautiful and haunting images in English poetry - and some of the sharpest- edged. The poem sold no copies at all on its first appearance in 1859, yet when it was 'discovered' two years later its first admirers included Dante Gabriel Rossetti, Swinburne, and Ruskin. Daniel Karlin's richly annotated edition does justice to the scope and complexity of FitzGerald's lyrical meditation on 'human death and fate'. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

'[Edward] FitzGerald (1809-1883) won a small piece of immortality with his translation-adaptation of The Rubaiyat of Omar Khayyam... but in every other way he seems to have successfully avoided fulfilment. A godless Epicurean, he lived in permanent virginity, never pressing his homosexual desires beyond a number of sentimental crushes... The son of a fabulously rich heiress, he rarely travelled... Though he had many friends he also had a perverse penchant for alienating them... [Robert Bernard] Martin argues that FitzGerald's greatest achievement, outside the Rubaiyat, is his letters, which certainly have grace and a wistful charm.' Kirkus Review 'There is [] something sad about the life of this loving and never quite satisfied man... Mr. Martin's biography is splendid reading, and it is a real credit to it that he makes us feel the sadness.' New York Times

Christopher Decker's critical edition of the Rubaiyat is the first to publish all extant states of the poems and to unearth a full record of its complicated textual evolution.