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Originally published by Weidenfeld and Nicholson in 1979, an illustrated narrative of the Boer War, written by the author of SCRAMBLE FOR AFRICA.

The Anglo-Boer War (1899-1902) is one of the most intriguing conflicts of modern history. It has been labeled many things: the first media war, a precursor of the First and Second World Wars, the originator of apartheid. The difference in status and resources between the superpower Great Britain and two insignificant Boer republics in southern Africa was enormous. But, against all expectation, it took the British every effort and a huge sum of money to win the war, not least by unleashing a campaign of systematic terror against the civilian population. In The Boer War, winner of the Netherland's 2013 Libris History Prize and shortlisted for the 2013 AKO Literature Prize, the author brings a completely new perspective to this chapter of South African history, critically examining the involvement of the Netherlands in the war. Furthermore, unlike other accounts, Martin Bossenbroek explores the war primarily through the experiences of three men uniquely active during the bloody conflict. They are Willem Leyds, the Dutch lawyer who was to become South African Republic state secretary and eventual European envoy; Winston Churchill, then a British war reporter; and Deneys Reitz, a young Boer commando. The vivid and engaging experiences of these three men enable a more personal and nuanced story of the war to be told, and at the same time offer a fresh approach to a conflict that shaped the nation state of South Africa.

The second Boer War is the most important war in South African history; indeed, without it, South Africa would likely have not existed. But itÕs also one of the least understood conflicts of the era. Over a century of Leftist bleating and insidious, self-serving revisionism, first by Afrikaner nationalists and then by the apartheid regime, has left the layman with a completely skewed view of the war. Incredibly, most people will tell you that the British attacked the Boers to steal their gold, and that when the clueless, red-jacketed Tommies advanced under orders of bumptious, incompetent British generals they were mowed down in their thousands. Others think of the conflict in terms of ÔBritain against South AfricaÕ and many believe that the Boers actually won the war; the marginally more enlightened explain away the Boer defeat by claiming it took millions of British troops to beat them, or that it was only the ÔgenocideÕ of the concentration camps which forced the plucky Boers to throw in the towel. Ê ItÕs all bosh. This book will take everything you thought you ÔknewÕ about the war and turn it on its head. From KrugerÕs expansionist dream of an Afrikaans empire Ôfrom the Zambesi to the CapeÕ, to the murder and devastation wrought on Natal by his invading commandos, to the savage massacres of thousands of blacks committed by the ÔgallantÕ bitter-einders, the reader will have his eyes opened to the brutal realities of the conflict, and be forced to reassess previously held notions of the rights and wrongs of the war. Hard-hitting and uncomfortable reading for those who do not want their bubble of ignorance burst, Kruger, Kommandos & Kak exposes that side of the Boer War which the apartheid propaganda machine didnÕt want you to know about.

Explores how the Anglo-Boer War shaped South Africa s future and how it has come to be remembered in a post-apartheid South Africa.

The authors in this volume explore the interconnected issues of intergenerational trauma and traumatic memory in societies with a history of collective violence across the globe. Each chapter’s discussion offers a critical reflection on historical trauma and its repercussions, and how memory can be used as a basis for dialogue and transformation. The perspectives include, among others: the healing journey of three generations of a family of Holocaust survivors and their dialogue with third generation German students over time; traumatic memories of the British concentration camps in South Africa; reparations and reconciliation in the context of the historical trauma of Aboriginal Australians; and the use of the arts as a strategy of dialogue and transformation.