(Book One of the Seven Gods) By the King's Edict, men have been banned from performing on stage. Everyone else is still out for blood. Sabajan Hollant, director and co-founder of the celebrated Lord Chancellor's Players, has one resolution: This time they're going to do it right. If they want to keep their noble patron-hell, if they want to stay in the theater business at all-they're going to have to keep their hands clean. No accidents, no rising to other troupes' provocations and taunts, and certainly no more duelling in the streets. But their arch-rivals have different plans, and soon enough, Saba and her troupe are caught up once again in an escalating drama of revenge, betrayal, and outright sabotage. The men may have started this war-but Saba and her remaining players are going to end it.

Love blooms when you least expect it . . . Juliet Shakespeare is done with love. With a growing floristry business and an adorable daughter to raise, life after separating from her husband is complicated enough. But when handsome single father, Ryan Sutherland, arrives in town, everything changes. As much as she tries to distract herself, Juliet can't help but be drawn to the easy-going Romeo next door and the way he makes her feel. Photographer Ryan is only back in his hometown for a few months. But he didn't account for Juliet - the intriguing and beautiful woman next door. And in her, he might just have found everything he ever wanted . . .

Many of us are so busy that we might be tempted to think we don’t have time to be patient. However, that idea involves a serious underestimation of what patience is and why it matters. In On Patience, Matthew Pianalto revives a richer understanding of what patience is and why it is centrally important in both virtue theory and everyday life. Drawing from a wide range of philosophical and religious sources, Pianalto shows that our contemporary tendency to equate patience with waiting fails to do justice to other aspects of patience such as tolerance, perseverance, and the opposition of patience to anger. With this broader understanding of patience, Pianalto further shows how patience supports the development of other moral strengths, such as courage, justice, love, and hope. In these ways, On Patience sheds light on Franz Kafka’s remark that, “Patience is the master key to every situation,” and Gregory the Great’s perhaps surprising claim that, “Patience is the root and guardian of all the virtues.” This first book-length contemporary philosophical examination of patience will be of interest to students and scholars not just of virtue ethics, but also of moral philosophy more broadly.

"Twenty-three years ago, four year old Elizabeth Banner witnessed her mother's brutal murder in her home in Virtue Falls, Washington, but has no memory of it. Her father was convicted of the crime, but he was innocent and the killer is still out there. And her investigation could provoke another bloody murder--her own"--

After sacrificing herself to protect a young boy from a death threat, Taylor endures a ruined life in the wilderness before seeking the help of an unlikely ally to defeat a man who would prevent her from reclaiming her life.

"That Measure for Measure, a work of the dramatist's maturity, remains the focus of unresolved controversy calls into question the adequacy of Shakespeare criticism to be answerable to "what he hath left us." This book illustrates a way to conduct eclectic and historical criticism capable of manifesting this problematic play's coherence. It closely studies as drama, according to the conventions demonstrably presupposed, the play indicated by the text when construed as Shakespeare's extant provisions for its performance." "Analysis shows that Measure for Measure's principal interest cannot be character as such, but rather the searching play of thought, about a rich nexus of issues radical to our humanity, projected through the staged action it informs. To apprehend it, attention to structure, dramaturgy, and methods of representation is as essential as studying how Shakespeare uses ideas received from his co-creating culture." "Through this study, Measure for Measure emerges as a great play; uniquely daring in conception, scope, and comic purgation; humanely wise and balanced in outlook; brilliant in dramaturgical wit; exhilaratingly entertaining; and perhaps Shakespeare's most sophisticated work, though its coherence has often previously been clouded by misconstrual."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

For a century and a half, the artists and intellectuals of Europe have scorned the bourgeoisie. And for a millennium and a half, the philosophers and theologians of Europe have scorned the marketplace. The bourgeois life, capitalism, Mencken’s “booboisie” and David Brooks’s “bobos”—all have been, and still are, framed as being responsible for everything from financial to moral poverty, world wars, and spiritual desuetude. Countering these centuries of assumptions and unexamined thinking is Deirdre McCloskey’s The Bourgeois Virtues, a magnum opus that offers a radical view: capitalism is good for us. McCloskey’s sweeping, charming, and even humorous survey of ethical thought and economic realities—from Plato to Barbara Ehrenreich—overturns every assumption we have about being bourgeois. Can you be virtuous and bourgeois? Do markets improve ethics? Has capitalism made us better as well as richer? Yes, yes, and yes, argues McCloskey, who takes on centuries of capitalism’s critics with her erudition and sheer scope of knowledge. Applying a new tradition of “virtue ethics” to our lives in modern economies, she affirms American capitalism without ignoring its faults and celebrates the bourgeois lives we actually live, without supposing that they must be lives without ethical foundations. High Noon, Kant, Bill Murray, the modern novel, van Gogh, and of course economics and the economy all come into play in a book that can only be described as a monumental project and a life’s work. The Bourgeois Virtues is nothing less than a dazzling reinterpretation of Western intellectual history, a dead-serious reply to the critics of capitalism—and a surprising page-turner.