Solidarity Forever is the definitive account of the musical journey of the music legend of Disciples of Soul, Bruce Springsteen’s E Street Band, and anti-apartheid project Sun City fame, Little Steven Van Zandt. Following Van Zandt’s unforgettable sixty-year (and counting!) career from his beginnings with the Asbury Jukes and Springsteen to leading the Disciples of Soul, from touring, arranging, and producing timeless music to playing an onscreen gangster in The Sopranos and Lilyhammer, Solidarity Forever is packed with a level of detail that will impress devotees and enchant new fans. Every song, every album, every single, live shows; bootlegs, production credits, covers, activism—everything is covered here and presented alongside fascinating interviews of over forty past and present band members and Van Zandt himself. A stunning work of music journalism and love letter to rock ‘n’ roll, Solidarity Forever delivers Little Steven’s story and the timeless messages of his music like never before. “This is no time to be fighting each other What we need, what we need is solidarity.”

Music, and folk music in particular, is often embraced as a form of political expression, a vehicle for bridging or reinforcing social boundaries, and a valuable tool for movements reconfiguring the social landscape. Reds, Whites, and Blues examines the political force of folk music, not through the meaning of its lyrics, but through the concrete social activities that make up movements. Drawing from rich archival material, William Roy shows that the People's Songs movement of the 1930s and 40s, and the Civil Rights Movement of the 1950s and 60s implemented folk music's social relationships--specifically between those who sang and those who listened--in different ways, achieving different outcomes. Roy explores how the People's Songsters envisioned uniting people in song, but made little headway beyond leftist activists. In contrast, the Civil Rights Movement successfully integrated music into collective action, and used music on the picket lines, at sit-ins, on freedom rides, and in jails. Roy considers how the movement's Freedom Songs never gained commercial success, yet contributed to the wider achievements of the Civil Rights struggle. Roy also traces the history of folk music, revealing the complex debates surrounding who or what qualified as "folk" and how the music's status as racially inclusive was not always a given. Examining folk music's galvanizing and unifying power, Reds, Whites, and Blues casts new light on the relationship between cultural forms and social activity.

An oral history of North American folk music revivals that draws on more than 150 interviews to explore the musical, political, and social aspects of the folk revival movement.

The New York City Labor Chorus (NYCLC) was the first group of its kind when it formed in 1991 with members of different unions joining together in song. Song, Struggle and Solidarity: The New York City Labor Chorus in Its Twenty-fifth Year is the product of Mark Abendroth’s ethnography on the NYCLC during its calendar year from fall 2016 to spring 2017. Abendroth was in his sixth year as an active member of the chorus at that time. He kept field notes of nearly every NYCLC performance and weekly rehearsal during the year. He also interviewed twenty-eight of the approximately eighty-five members and studied documents in the group’s history. Chapters include a history of singing in the labor movement in the United States, a history of the NYCLC in its first twenty-four years, and a focus on developments during the group’s twenty-fifth year. The book ends with the author’s conclusions on the NYCLC’s accomplishments, challenges, and possibilities.

Perhaps no other song has held such a profoundly significant—and contradictory—place in America's history and cultural memory than "The Battle Hymn of the Republic." In this sweeping study, John Stauffer and Benjamin Soskis show how this Civil War tune has become an anthem for cause after radically different cause in our nation's history.