Men's adventure magazines were a form of pulp publishing which flourished in 1950s and 1960s America, pandering to the cruelty and lust of young men with luridly illustrated stories of war, sleaze and savagery. They arose partly in response to the inauguration of the Comics Code in 1954, as a way of circumventing censorship by presenting material in a new, "adults-only" format. The prime years of the men's adventure magazine unleashed a visual and verbal deluge of exposed and tormented flesh, bloody mayhem and sexual delinquency, representing a unique cultural phenomenon in US publishing and art. SOFT NUDES FOR THE DEVIl'S BUTCHER is a new anthology which collects some prime examples of text and artwork from a range of men's adventure magazines published during the prime years of the genre. The book is divided into two main sections: FEATURES includes a selection of sensationalistic, semi-factual confessions and case histories on such subjects as rape in Soviet prisons, Hitler's secret sex life, prostitution, the persecution of witches, and other aberrations; and FICTION collects vivid examples of garishly illustrated short pulp fiction, with categories including war, white slavery, Nazi horror, jungle savagery, Red menace, Devil worship, torture, sadism and erotic carnage. The book also features numerous examples of interior art from classic men's magazines, and includes 35 features and stories, with more than 50 full-size illustrations, and 16 pages of full color, with work by such classic pulp artists as Norm Eastman, Norman Saunders and John Duillo. Features and stories include: I ESCAPED FROM THE SOVIET HELL CAMP; CHAINED NUDES FOR THE DEVIl'S DUNGEON; CRUSHED BY THE CONGO MONSTERS; VIRGIN BRIDES FOR SATAN'S LUST ORGIES; PASSION SLAVE OF THE WHIP GODDESS; NAZI MADHOUSE ZOO OF RAVAGED WOMEN; TEENAGE NAZI WEREWOLVES OF BERLIN; SECRET HORROR CAGES OF THE NAZI DWARF; HANDMAIDENS OF HORROR OF THE KEMPEITAI; 1,000 NAKED BEAUTIES FOR THE DEVIl'S PLAGUE; SOFT BODIES FOR THE NAZI'S HALL OF THE LIVING DEAD; and many others. Pulp Mayhem is a new illustrated book series of vintage pulp fiction, art and pop culture.

Men's adventure magazines were a form of pulp publishing which flourished in 1950s and 1960s America, pandering to the cruelty and lust of young men with luridly illustrated stories of war, sleaze and savagery. They arose partly in response to the inauguration of the Comics Code in 1954, as a way of circumventing censorship by presenting material in a new, "adults-only" format. The prime years of the men's adventure magazine unleashed a visual and verbal deluge of exposed and tormented flesh, bloody mayhem and sexual delinquency, representing a unique cultural phenomenon in US publishing and art. SOFT FLESH AND ORGIES OF DEATH is a new anthology which collects some prime examples of text and artwork from a range of men's adventure magazines published between 1955 and 1963. The Feature section includes a selection of semi-factual confessions and case histories on sensationalistic subjects ranging from psychotropic drugs, carnival freaks and nude gladiators to prostitution, devil worship and cannibal death cults; the Fiction section includes numerous examples of garishly illustrated short pulp fiction, with categories including war, white slavery, Nazi horror, jungle curses, pirates, Red menace, mobsters, torture, sadism, and erotic carnage. Cover art is also included, in full color and in detail. The book includes more than 30 features and stories, more than 100 illustrations, and 32 pages of full colour, with work by such classic pulp artists as Norm Eastman, Norman Saunders and John Duillo. Features and stories include: HANDMAIDENS OF HORROR FOR THE DEVILS BLOOD ORGIES; THE UNHOLY NAKED GERMAN WITCH CULTS; JUKEBOX GOONS EXPLODED MY GUTS ; DEATH ORGY OF THE LEOPARD WOMEN; SOFT FLESH FOR SATANS BUBBLING CAULDRON; HITLERS DEATH GAME; NYMPHO TIGER QUEEN OF LAOS; CHAINED NUDES FOR THE DEVILS SEAT IN HELL: LUST REVENGE OF THE DEPRAVED NAZI CAT MASTER; SHACKLED NUDES FOR THE BUTCHERS FLAYING KNIFE; SOFT BRIDE FOR THE SLITHERING MONSTER FROM HELL; and NUDE LUST SLAVES OF HITLERS RUSSIAN MONSTER. Pulp Mayhem is a new illustrated book series of vintage pulp fiction, art and pop culture.

Like music, art is a universal language. Although looking at works of art is a pleasurable enough experience, to appreciate them fully requires certain skills and knowledge." --Carol Strickland, from the introduction to The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern * This heavily illustrated crash course in art history is revised and updated. This second edition of Carol Strickland's The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern offers an illustrated tutorial of prehistoric to post-modern art from cave paintings to video art installations to digital and Internet media. * Featuring succinct page-length essays, instructive sidebars, and more than 300 photographs, The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern takes art history out of the realm of dreary textbooks, demystifies jargon and theory, and makes art accessible-even at a cursory reading. * From Stonehenge to the Guggenheim and from Holbein to Warhol, more than 25,000 years of art is distilled into five sections covering a little more than 200 pages.

In this pathbreaking book, a well-known feminist and sociologist--who is also the Founding Editor of Gender & Society--challenges our most basic assumptions about gender. Judith Lorber views gender as wholly a product of socialization subject to human agency, organization, and interpretation. In her new paradigm, gender is an institution comparable to the economy, the family, and religion in its significance and consequences. Drawing on many schools of feminist scholarship and on research from anthropology, history, sociology, social psychology, sociolinguistics, and cultural studies, Lorber explores different paradoxes of gender: --why we speak of only two "opposite sexes" when there is such a variety of sexual behaviors and relationships; --why transvestites, transsexuals, and hermaphrodites do not affect the conceptualization of two genders and two sexes in Western societies; --why most of our cultural images of women are the way men see them and not the way women see themselves; --why all women in modern society are expected to have children and be the primary caretaker; --why domestic work is almost always the sole responsibility of wives, even when they earn more than half the family income; --why there are so few women in positions of authority, when women can be found in substantial numbers in many occupations and professions; --why women have not benefited from major social revolutions. Lorber argues that the whole point of the gender system today is to maintain structured gender inequality--to produce a subordinate class (women) that can be exploited as workers, sexual partners, childbearers, and emotional nurturers. Calling into question the inevitability and necessity of gender, she envisions a society structured for equality, where no gender, racial ethnic, or social class group is allowed to monopolize economic, educational, and cultural resources or the positions of power.

Hèléne Cixous -- author, playwright and French feminist theorist -- is a key figure in twentieth-century literary theory. Stigmata brings together her most recent essays for the first time. Acclaimed for her intricate and challenging writing style, Cixous presents a collection of texts that get away -- escaping the reader, the writers, the book. Cixous's writing pursues authors such as Stendhal, Joyce, Derrida, and Rembrandt, da Vinci, Picasso -- works that share an elusive movement in spite of striking differences. Along the way these essays explore a broad range of poetico-philosophical questions that have become characteristic of Cixous' work: * love's labours lost and found * feminine hours * autobiographies of writing * the prehistory of the work of art Stigmata goes beyond theory, becoming an extraordinary writer's testimony to our lives and times.

The autobiography of the early radical leader and her participation in communist, anarchist, and feminist activities