After a summit in Belgrade in September 1961, socialist Yugoslavia, led by President Josip Broz Tito until his death in 1980, initiated a movement with states in the Global South. The Non-Aligned Movement not only offered an alternative to the Cold War polarization between NATO and the Warsaw Pact but also expressed the hopes of a world emerging from colonial domination. Socialist Yugoslavia and the Non-Aligned Movement investigates the Non-Aligned Movement both as a top-down, interstate initiative and as a site for transnational exchange in science, art and culture, architecture, education, and industry. Re-invigorating older debates by consulting newly available sources, the volume challenges studies that marginalize the role of socialist Yugoslavia in the Non-Aligned Movement. Contributors address topics such as women’s involvement, antifascism and anti-imperialism, cultural and educational exchange, tensions in Yugoslav diplomacy, competing understandings of economic development, the role of the Yugoslav construction company Energoprojekt, Yugoslav relations with Latin America and Africa, and contemporary support for refugees and asylum seekers as a kind of practical and affective afterlife of Yugoslavia’s non-aligned commitments. Socialist Yugoslavia and the Non-Aligned Movement offers an innovative approach to one of the twentieth century’s most important international movements and confronts issues of economic, social, and cultural rights that remain relevant today.

In less than half a century, the Socialist Federal Republic of Yugoslavia successfully defeated Fascist occupation, fended off dominating pressures from the Eastern and Western blocs, built a modern society on the ashes of war, created its own form of socialism, and led the formation of the Nonaligned Movement. This country's principles and its continued battles, fought against all odds, provided the basis for dynamic and exceptional forms of art. Drawing on archival materials, postcolonial theory, and Eastern European socialist studies, Nonaligned Modernism chronicles the emergence of late modernist artistic practices in Yugoslavia from the end of the Second World War to the mid-1980s. Situating Yugoslav modernism within postcolonial artistic movements of the twentieth century, Bojana Videkanic explores how cultural workers collaborated with others from the Global South to create alternative artistic and cultural networks that countered Western hegemony. Videkanic focuses primarily on art exhibitions along with examples of international cultural exchange to demonstrate that nonaligned art wove together politics and aesthetics, and indigenous, Western, and global influences. An interdisciplinary book, Nonaligned Modernism highlights Yugoslavia's key role in the creation of a global modernist ethos and international postcolonial culture.

Yugoslavia's importance to the evolution of nonalignment is emphasized as Alvin Z. Rubinstein examines the domestic and foreign determinants shaping Yugoslavia's turn to the new nations of Asia and Africa and its role in pioneering nonalignment. He discusses the policies of Yugoslav leaders in their search for security and international influence and traces the many ways in which Yugoslavia established close ties to the nonaligned nations to become the only European country prominent among the nonaligned. He analyzes the relationship between Tito and Nasser, Belgrade's role in the Moscow-Peking rift, the interaction between Yugoslavia and the nonaligned countries in the United Nations, and nonalignment's changing role in the international relations of the postwar era. Originally published in 1970. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The history of sport in socialist Yugoslavia is a peculiar lens through which to examine the country’s social, cultural and political transformations. Sport is represented as one of the most popular and engaging cultural phenomena of social life. Sport both embodied the social dynamics of the socialist period as well as revealing questions of the everyday lives of the Yugoslav people. Ultimately, sport was closely intertwined with the country’s overall destiny. This volume offers an introduction into the myriad social functions that sport served in the Yugoslav socialist project. It illustrates how sport was central to the establishment of Yugoslavia’s physical and leisure culture in the early post-Second World War period, an international promotional tool for Yugoslav communists championing the ideological superiority of the ‘Brotherhood and Unity’ and the Non-Aligned Movement, as well as a social field in which the ideological contradictions of Yugoslav socialism became increasingly apparent. The chapters expand the existing knowledge of the processes that defined Yugoslav sport and contribute to a more nuanced understanding of socialist Yugoslavia in the years between 1945 and 1991. This book was originally published as a special issue of The International Journal of the History of Sport.

In The Non-Aligned Movement: Genesis, Organization and Politics (1927-1992) Jürgen Dinkel examines the history of the NAM since the interwar period as a special reaction of the “Global South” to changing global orders.