This volume analyses the important structural changes and mobility that occurred in Hungary from the middle of the 19th to the end of the 20th centuries by using rich statistical and narrative sources, sometimes reaching to certain social stata. The period extending to WWI was the time of the establishment of the capital market economy, which went with the change of the occupational structure, the hierarchy of the status, and the culture. During the period between the two world wars, the territory and the population of the country greatly diminshed. This was also a reason of the slackening of the social mobility and the rigidity of the structure. After WWII, especially during the period of socialism, the political-led change of structure became determinant. All of these made possible the so-called "goulash communism," a change of life-style, from the sixties. From 1989 on, the return of the market capitalism has been forming the structure.

During the last few decades there has been a growing recognition of the great role that remembering and collective memory play in forming the historical awareness. In addition, the dominant national form of history writing also met some challenges on the side of a transnational approach to the past. In A Nation Divided by History and Memory, a prominent Hungarian historian sheds light on how Hungary’s historical image has become split as a consequence of the differences between the historian’s conceptualisation of national history and its diverse representations in personal and collective memory. The book focuses on the shocking experiences and the intense memorial reactions generated by a few key historical events and the way in which they have been interpreted by the historical scholarship. The argument of A Nation Divided by History and Memory is placed into the context of an international historical discourse. This pioneering work is essential and enlightening reading for all historians, many sociologists, political scientists, social psychologists and university students.

Ever since its first publication in 1992, the New York Times bestselling The End of History and the Last Man has provoked controversy and debate. "Profoundly realistic and important...supremely timely and cogent...the first book to fully fathom the depth and range of the changes now sweeping through the world." —The Washington Post Book World Francis Fukuyama's prescient analysis of religious fundamentalism, politics, scientific progress, ethical codes, and war is as essential for a world fighting fundamentalist terrorists as it was for the end of the Cold War. Now updated with a new afterword, The End of History and the Last Man is a modern classic.

From the 1860s onward, Habsburg Hungary attempted a massive project of cultural assimilation to impose a unified national identity on its diverse populations. In one of the more quixotic episodes in this “Magyarization,” large monuments were erected near small towns commemorating the medieval conquest of the Carpathian Basin—supposedly, the moment when the Hungarian nation was born. This exactingly researched study recounts the troubled history of this plan, which—far from cultivating national pride—provoked resistance and even hostility among provincial Hungarians. Author Bálint Varga thus reframes the narrative of nineteenth-century nationalism, demonstrating the complex relationship between local and national memories.

Recent collection of essays discusses the historical event and the multifarious consequences of the 1867 Compromise (Ausgleich, Settlement), conducted between the Habsburg monarch, Francis Joseph and the Hungarian political ruling class. The whole story has usually been narrated from a plainly Cisleithanian viewpoint. The present volume, the product of Hungarian historians, gives an insight into both the domestic and the international historical discourses about the Dual Monarchy. It also reveals the process of how the 1867 Compromise was conducted, and touches upon several of the key issues brought about by establishing a constitutional dual state in place of the absolutist Habsburg Monarchy. The emphasis is laid not on describing and explaining the path leading to the final and "inevitable" break-up of the Dual Monarchy, but on what actually held it together for half a century. The local outcomes of self-maintaining mechanisms were no less obvious in the Hungarian part of the Dual Monarchy, despite the many manifestations of an overt adversity toward it. The Creation of the Austro-Hungarian Monarchy will appeal to historians dealing especially with 19th-century European history, and is also essential reading for university students.

This book examines Soviet agriculture in post-1945 Hungary. It demonstrates how the agrarian lobby, a development following the 1956 revolution, led to contact with the West which allowed for the creation of an effective agricultural system. The author argues that this ‘Hungarian agricultural miracle,’ a hybrid of American technology and Soviet structures, was fundamental to the success of Hungarian collectivization.

Cover -- Title -- Copyright -- Contents -- Introduction to Comparative Hungarian Cultural Studies -- Part One: History, Theory, and Methodology for Comparative Hungarian Cultural Studies -- The Study of Hungarian Culture as Comparative Central European Cultural Studies -- Literacy, Culture, and History in the Work of Thienemann and Hajnal -- Vámbéry, Victorian Culture, and Stoker's Dracula -- Memory and Modernity in Fodor's Geographical Work on Hungary -- The Fragmented (Cultural) Body in Polcz's Asszony a fronton (A Woman on the Front) -- Part Two: Comparative Hungarian Cultural Studies of Literature and Culture -- Contemporary Hungarian Literary Criticism and the Memory of the Socialist Past -- The Absurd as a Form of Realism in Hungarian Literature -- On the German and English Versions of Márai's A gyertyák csonkig égnek (Die Glut and Embers) -- Exile, Homeland, and Milieu in the Oral Lore of Carpatho-Rusyn Jews -- Part Three: Comparative Hungarian Cultural Studies and the Other Arts -- Nation, Gender, and Race in the Ragtime Culture of Millennial Budapest -- Jewish (Over)tones in Viennese and Budapest Operetta -- Curtiz, Hungarian Cinema, and Hollywood -- Lost Dreams and Sacred Visions in the Art of Ámos -- Art Nouveau and Hungarian Cultural Nationalism -- Part Four: Comparative Hungarian Cultural Studies and Gender Studies -- Hungarian Political Posters, Clinton, and the (Im)possibility of Political Drag -- The Cold War, Fashion, and Resistance in 1950s Hungary -- Sándor/Sarolta Vay, a Gender Bender in Fin-de-Siècle Hungary -- Women Managers Communicating Gender in Hungary -- Part Five: Comparative Hungarian Cultural Studies of Contemporary Hungary -- Commemoration and Contestation of the 1956 Revolution in Hungary -- About the Jewish Renaissance in Post-1989 Hungary -- Aspects of Contemporary Hungarian Literature and Cinema.