This title presents a uniquely human perspective on the quest to explore space and to understand the universe through the lens of the arts, humanities, and social sciences. It considers early stories about the universe in various cultures; recent space fiction; the origins and cultural rationale for the space age; experiences of humans in space and their emerging interactions with robots and artificial intelligence; how humans should treat environments and alien life; and the alternative futures of space exploration and settlement.

This title presents a uniquely human perspective on the quest to explore space and to understand the universe through the lens of the arts, humanities, and social sciences. It considers early stories about the universe in various cultures; recent space fiction; the origins and cultural rationale for the space age; experiences of humans in space and their emerging interactions with robots and artificial intelligence; how humans should treat environments and alien life; and the alternative futures of space exploration and settlement.

More than 50 years after the Mariner 4 flyby on 15 July 1965, Mars still represents the next frontier of space explorations. Of particular focus nowadays is crewed missions to the red planet. Over three sections, this book explores missions to Mars, in situ operations, and human-rated missions. Chapters address elements of design and possible psychological effects related to human-rated missions. The information contained herein will allow for the development of safe and efficient exploration missions to Mars.

Human migration to space will be the most profound catalyst for evolution in the history of humankind, yet this has had little impact on determining our strategies for this next phase of exploration. Habitation in space will require extensive technological interfaces between humans and their alien surroundings and how they are deployed will critically inform the processes of adaptation. As humans begin to spend longer durations in space—eventually establishing permanent outposts on other planets—the scope of technological design considerations must expand beyond the meager requirements for survival to include issues not only of comfort and well‐being, but also of engagement and negotiation with the new planetary environment that will be crucial to our longevity beyond Earth. Approaching this question from an interdisciplinary approach, this dissertation explores how the impact of interior space architecture can meet both the physical and psychological needs of future space colonists and set the stage for humankind to thrive and grow while setting down new roots beyond Earth.

Why do people put indelible marks on their bodies in an era characterized by constant cultural change? How do tattoos as semiotic resources convey meaning? What goes on behind the scenes in a tattoo studio? How do people negotiate the informal career of tattoo artist? The Social Semiotics of Tattoos is a study of tattoos and tattooing at a time when the practice is more artistic, culturally relevant, and common than ever before. By discussing shifts within the practices of tattooing over the past several decades, Martin chronicles the cultural turn in which tattooists have become known as tattoo artists, the tattoo gun turns into the tattoo machine, and standardized tattoo designs are replaced by highly expressive and unique forms of communication with a language of its own. Revealing the full range of meaning-making involved in the visual, written and spoken elements of the act, this volume frames tattoos and tattooing as powerful cultural expressions, symbols, and indexes and by doing so sheds the last hints of tattooing as a deviant practice. Based on a year of full-time ethnographic study of a tattoo studio/art gallery as well as in-depth interviews with tattoo artists and enthusiasts, The Social Semiotics of Tattoos will be of interest to academic researchers of semiotics as well as tattoo industry professional and artists.

This book is an argument for moving beyond culturally/historically/ethnically/biologically-grounded identity as the necessary foundation of an authentic self. It highlights examples of people who are attempting to inhabit identities they feel are more appropriate to themselves, by deploring the damage done via claims about authentic identity. The sole theme of this book is “becoming beyond identity”. We are not fixed human beings but rather perpetually-dynamic human becomings. As intelligence is enabled or recognized beyond the merely human, we should welcome our continuing evolution from homosapiens, sapiens, into many varieties of intelligences on Earth and the cosmos. This book builds from tiny ripples into a tsunami of examples from conventional identity studies, to Confucian human becomings, to apotemnophilia, to DIY biohacking, to cyborgs, to artilects, to hiveminds, to intelligence in animals, plants and fungi from the Holocene through the beginnings of the precarious, climate change-driven Anthropocene Epoch, with hints far beyond and throughout the cosmos. From a lifetime of work in future studies, anticipation science and space studies, the author balances frank tales of his own experiences and beliefs concerning his uncertain and fluid identities with those of others who tell their stories. In addition to material from academic and popular sources, a few poems further illuminate the scene.