Essays on contemporary American life reprinted from various magazines.

Science can reveal or conceal the breathtaking wonders of creation. On one hand, knowledge of the natural world can open us up to greater love for the Creator, give us the means of more neighborly care, and fill us with ever-deepening astonishment. On the other hand, knowledge feeding an insatiable hunger for epistemic mastery can become a means of idolatry, hubris, and damage. Crucial to world-respecting science is the role of wonder: curiosity, perplexity, and astonishment. In this volume, philosopher William Desmond explores the relation of the different modes of wonder to modern science. Responding to his thought are twelve thinkers across the domains of science, theology, philosophy, law, poetry, medicine, sociology, and art restoration. Introduction —Paul Tyson The Dearth of Astonishment: On Curiosity, Scientism, and Thinking as Negativity —William Desmond Preparing to Paint the Virgin’s Robe —Spike Bucklow Cultivating Wonder —Steven Knepper The Astonishment of Philosophy: William Desmond and Isabelle Stengers —Simone Kotva 5. Astonishment and the Social Sciences —Paul Tyson Curiosity, Perplexity, and Astonishment in the Natural Sciences —Andrew Davison Scientism as the Dearth of the Nothing —Richard J. Colledge The Determinations of Medicine and the Too-Muchness of Being —Jeffrey Bishop Attending to Infinitude: Law as in-between the Overdeterminate and Practical Judgment —Jonathan Horton Life’s Wonder —Simon Oliver Being in Control —Michael Hanby Wondering about the Science/Scientism Distinction —D. C. Schindler Basil and Desmond on Wonder and the Astonishing Return of Christian Metaphysics —Isidoros C. Katsos The Children of Wonder: On Scientism and Its Changelings —William Desmond

"Published in conjunction with the exhibition 'A Feast of Astonishments: Charlotte Moorman and the Avant-Garde, 1960s-1980s,' Block Museum of Art, Northwestern University, January 16-July 17, 2016; Grey Art Gallery, New York University, September 8-December 10, 2016; [and] Museum der Moderne Salzburg, March 4-June 18, 2017"--Title page verso.

All societies are shaped by arts, media, and other persuasive practices that can awe, captivate, enchant or otherwise seem to cast a spell on the audience. Likewise, scholarship itself often is driven by a sense of wonder and a willingness to be open to what lies beyond the obvious. This book broadens and deepens this perspective. Inspired by Stephen Tyler’s view of ethnography as an art of evocation, international scholars from the fields of aesthetics, anthropology, and rhetoric explore the spellbinding power of elusive meanings as people experience them in daily life and while gazing at works of art, watching films or studying other cultures. The book is divided into three parts covering the evocative power of visual art, the immersion in ritual and performance, and the reading, writing, and interpretation of texts. Taken as a whole, the contributions to the book demonstrate how astonishment and evocation deserve an important place in the conceptual repertoire of the human sciences.

First Place Winner in Non-Fiction from the 2023 Next Generation Indie Book Awards Part literary history, part personal memoir, Alice Brittan's beautifully written The Art of Astonishment explores the rich intellectual, religious, and philosophical history of the gift and tells the interconnected story of grace: where it comes from and what it is believed to accomplish. Covering a remarkable range of materials-from The Epic of Gilgamesh, The Iliad, and the tragedies of Classical Greece, through the brothers Grimm and Montaigne, to C. S. Lewis, Toni Morrison, J. M. Coetzee, Elena Ferrante, Karl Ove Knausgaard, and Jhumpa Lahiri-Brittan moves with ease from personal story to myth, to theology, to literature and analysis, examining the nature of social and communal obligation, the role of the intellectual in times of crisis, and the pleasures of reading. In the 21st century, we might imagine grace as a striking and refined quality that is pleasurable to encounter but certainly not fundamental to anyone's existence or to the beliefs and practices that hold us together or drive us apart. For millennia, though, it has been recognized as essential to the vitality of inner life, as well as to the large-scale shifts in perspective and legislation that improve the way we live as a society. Grace is also astonishing-always-as the enormously insightful readings in The Art of Astonishment show. Brittan reveals the concept's breadth as sacred and secular, ancient and recent, lived and literary. And in so doing, she shows us how the act of reading is like grace-social but personal, pleasurable and essential.

The Wine of Astonishment is a powerful and heart-wrenching story of the persecution of Spiritual Baptists during British colonial rule in Trinidad from 1917 to 1951. The novel, situated in the remote village of Bonasse, is narrated by Eva, a middle-aged peasant and member of the Baptist Church. Her insider view, conveyed in Trinidadian Creole, pulls readers into the communal character of the Church, the oppression of West Indian people, political corruption, and the disparate motivations of community members. Earl Lovelace’s poignant novel placed him in the front ranks of Caribbean writers and established his international reputation. His well-crafted tale of change and perseverance connects us with authentic, complicated characters who struggle to exercise their freedom and retain their identity. Through their experiences of hope, betrayal, and humiliation we gain a better understanding of ethnic and religious strife and West Indian culture.

This examination of the "Psalms of Historical Recital" reviews this portion of scripture's social-political intention and function. Focusing on Psalms 78, 105, 106, and 136, Brueggemann considers these psalms on their own terms and then applies them to the areas of modernity and marginality.