The ninth book in Harper Design’s deluxe classic illustrated series—a beautiful and inventive fresh take on the Grimm Brothers’ fairy tales, including “Snow White,” with stunning full-color artwork and interactive features created by MinaLima, the award-winning design studio behind the graphics for the Harry Potter film franchise. Snow White and Other Grimms’ Fairy Tales includes twenty-three of the most popular tales penned by German brothers Jacob and Wilhelm Grimm, taken from their original collection Children’s and Household Tales, first published in 1812. Here are beloved characters, including Snowdrop (Snow White), Briar Rose (Sleeping Beauty), Ashputtel (Cinderella), Rapunzel, Hansel and Gretel, Rumpelstiltskin, The Elves and The Shoemaker, all reimagined by the brilliant award-winning designers at MinaLima. This deluxe edition is illustrated with specially commissioned artwork and includes nine extraordinary interactive features ranging from a pop-up forest and pull-tab mirror for Snow White and a wall of thorns encasing Sleeping Beauty to a three-dimensional ball gown for Cinderella and a pop-up tower for Rapunzel. Filled with marvels, this beautiful edition will enchant readers of every age and is sure to become a treasured keepsake.

A beautiful retelling of the classic Brothers Grimm tale with lavish full-color oil paintings. New in paperback. Red Rose and Snow White are as different as two sisters can be. Even so, they get along and, together with their mother, make a cozy life in their cottage in the woods. Then one night, Rose Red answers a knock at the door and finds a huge shaggy bear who gruffly asks for a warm place to sleep! Although alarmed at first, mother and daughters alike are soon charmed by the bear and happily shelter him from winter nights. When spring arrives, the girls sadly watch their friend lumber off. Soon after he disappears, they make a new acquaintance. Was this the little man the bear warned them of before he left?

Once upon a time in a fairy tale world, There were magical mirrors and golden slippers;Castles and fields and mountains of glass,Houses of bread and windows of sugar.Frogs transformed into handsome Princes,And big bad wolves into innocent grandmothers.There were evil queens and wicked stepmothers;Sweethearts, true brides, and secret lovers. In the same fairy world, A poor boy has found a golden key and an iron chest, and " We must wait until he has quite unlocked it and opened the lid . . ." A classic collection of timeless folk tales by Grimm Brothers, Grimm' s Fairy Tales are not only enchanting, mysterious, and amusing, but also frightening and intriguing. Delighting children and adults alike, these tales have undergone several adaptations over the decades. This edition with black-and-white illustrations is a translation by Margaret Hunt.

“Mirror, mirror on the wall, Who in this land is fairest of all?” Undoubtedly the most famous of the Brothers Grimm fairytales, Snow White is the story of a girl—as white as snow, as red as blood, and as black as ebony—who is the victim of her mother, the jealous Queen, but with the help of seven dwarfs she just might be able to live happily ever after... In these new translations, the original and final versions of Snow White—from the first and seventh editions of the Brothers Grimm’s Children's and Household Tales—are brought to life for an English readership to enjoy one after the other, complete with black and white illustrations by Franz Jüttner. [Folklore Type: ATU-709 (Snow White)]

These classic Brothers Grimm tales of princesses and dwarfs, wicked queens and gentle bears have delighted children and adults alike for two centuries. Their unique magic and wonder make them inspiring reading for children everywhere. Each story is accompanied by charming illustrations by Anastasiya Archipova, illustrator of dozens of children's books. This gift edition of Grimm's tales is designed for little hands and will make a beautiful addition to any bookshelf. Table of Contents Cinderella Rumpelstiltskin Puss in Boots Snow White and the Seven Dwarfs Rapunzel The Golden Goose The Princess and the Frog The Town Musicians of Bremen Little Red Riding Hood Mother Holle Hansel and Gretel Sleeping Beauty Snow White and Rose Red

Ever since almost exactly a hundred years ago the Grimms produced their Fairy Tale Book, folk-lorists have been engaged in making similar collections for all the other countries of Europe, outside Germany, till there is scarcely a nook or a corner in the whole continent that has not been ransacked for these products of the popular fancy. The Grimms themselves and most of their followers have pointed out the similarity or, one might even say, the identity of plot and incident of many of these tales throughout the European Folk-Lore field. Von Hahn, when collecting the Greek and Albanian Fairy Tales in 1864, brought together these common formul of the European Folk-Tale. These were supplemented by Mr. S. Baring-Gould in 1868, and I myself in 1892 contributed an even fuller list to the Hand Book of Folk-Lore. Most, if not all of these formul, have been found in all the countries of Europe where folk-tales have been collected. In 1893 Miss M. Roalfe Cox brought together, in a volume of the Folk-Lore Society, no less than 345 variants of Cinderella and kindred stories showing how widespread this particular formula was throughout Europe and how substantially identical the various incidents as reproduced in each particular country. It has occurred to me that it would be of great interest and, for folk-lore purposes, of no little importance, to bring together these common Folk-Tales of Europe, retold in such a way as to bring out the original form from which all the variants were derived. I am, of course, aware of the difficulty and hazardous nature of such a proceeding; yet it is fundamentally the same as that by which scholars are accustomed to restore the Ur-text from the variants of different families of MSS. and still more similar to the process by which Higher Critics attempt to restore the original narratives of Holy Writ. Every one who has had to tell fairy tales to children will appreciate the conservative tendencies of the child mind; every time you vary an incident the children will cry out, That was not the way you told us before.? The Folk-Tale collections can therefore be assumed to retain the original readings with as much fidelity as most MSS. That there was such an original rendering eminating from a single folk artist no serious student of Miss Cox's volume can well doubt. When one finds practically the same ?tags? of verse in such different dialects as Danish and Romaic, German and Italian, one cannot imagine that these sprang up independently in Denmark, Greece, Germany, and Florence. The same phenomenon is shown in another field of Folk-Lore where, as the late Mr. Newell showed, the same rhymes are used to brighten up the same children?s games in Barcelona and in Boston; one cannot imagine them springing up independently in both places. So, too, when the same incidents of a fairy tale follow in the same artistic concatenation in Scotland, and in Sicily, in Brittany, and in Albania, one cannot but assume that the original form of the story was hit upon by one definite literary artist among the folk. What I have attempted to do in this book is to restore the original form, which by a sort of international selection has spread throughout all the European folks.

The famous fairy tales of the Brothers Grimm - stories like Snow White , Red Riding Hood , and Rumplestiltskin - are know to millions of people around the world and are deeply embedded in the collective psyche. In this charming account, writer and scholar Valerie Paradiz reveals the true story of how the fairy tales came to be. Jacob and Wilhelm Grimm, collectors and editors of more than 200 folk stories, were major German intellects of the nineteenth century, contemporaries of Goethe and Schiller. But as Paradiz reveals here, the romantic image of the two brothers traveling the countryside, transcribing tales told to them by peasants, is a far cry from the truth. In fact, more than half the fairy tales the Grimm brothers collected were actually contributed by their educated female friends from the bourgeois and aristocratic classes. While German folkloric scholars-all of them male-fancied themselves the keepers of the cultural flame, it was a handful of women who ensured that millions would know the stories of Sleeping Beauty and Cinderella by heart. Set against the backdrop of the chaotic Napoleonic wars and the years of high German romanticism, Clever Maids chronicles one of the most fascinating literary collaborations in European history and brilliantly captures the intellectual spirit of the men and women of the age. Even more, it illuminates the ways in which the Grimm tales, with their mythic portrayals of courage, sacrifice, and betrayal, still speak so powerfully to us today.