Derek Jarman's "Smiling in slow motion" concludes the journey started in "Modern nature", these previously unpublished journals stretch from May 1991 until a fortnight before his death in February 1994. Part diary, part observation, part memoir, Jarman writes with his familiar honesty, wry humour and acuity. Friends, collaborators and enemies are catalogued as he races through his last year painting, film-making, gardening, and annoying his targets through his involvement in radical politics. Writing from his Charing Cross Road flat, on his visits to international film festivales, his world famous garden at Dungeness in Kent, and finally from hios bed in St Bartholomew's Hospital, Jarman illuminates an era which seems more ephemeral and out-of-grasp with each passing day. "Smiling in slow motion" is not a document of illness, regret and resignation, but one of endeavour, remembrance and love.

Originally published: Woodstock, N.Y.: Overlook Press, 1994.

Jesus was not in a hurry. He had only three years of public ministry—three years to heal and teach and change the world—but the Bible never tells us he was rushing through them. We are the ones who rush through them. Catching the gist of this parable. Smiling at the punch line in that dialogue. We can race through the Gospels in hours, fully briefed on Christ’s life, but hardly changed. Until we sit down with Mike Nappa’s God in Slow Motion. Nappa hasn’t carved up the Gospels for quick review or sliced them into tiny pieces for academic study. He has taken ten important moments from the life of Christ and reveled in them, chewing on their words, relating them to life, comparing them with modern culture, allowing the Spirit to work, and letting Christ change him. The result is a rich, personal, and biblical narrative about Jesus and how His purposes unfold, then and now. See how God is sneaky about his glory. How he presents evidence for belief. How he can be comforting and terrifying at once. This is the “good news” in all its many-splendored wonder: the life of Christ, frame by frame. And it is worth every minute because it will change you too.

Luminous presence: Derek Jarman's life-writing is the first book to analyse the prolific writing of queer icon Derek Jarman. Although he is well known for his avant-garde filmmaking, his garden, and his AIDS activism, he is also the author of over a dozen books, many of which are autobiographical. Much of Jarman's exploration of post-war queer identity and imaginative response to HIV/AIDS can be found in his books, such as the lyrical AIDS diaries Modern Nature and Smiling in Slow Motion. This book fully explores, for the first time, the remarkable range and depth of Jarman’s writing. Spanning his career, Alexandra Parsons argues that Jarman’s self-reflexive response to the HIV/AIDS crisis was critical in changing the cultural terms of queer representation from the 1980s onwards. Luminous presence is of great interest to students, scholars and readers of queer histories in literature, art and film.

Luminous presence: Derek Jarman's life-writing is the first book to analyse the prolific writing of queer icon Derek Jarman. Much of Jarman's powerful, imaginative response to HIV/AIDS can be found in his remarkable books, which Alexandra Parsons argues were critical in changing the cultural terms of queer representation in the 1980s and 1990s.

What does it mean to read queerly? The Edinburgh Companion to Queer Reading upholds intersectional thinking to recognise the wide currency and appeal of queer studies for a new generation of scholars, activists, students and interested allies. Its four interconnecting parts - 'transing queer readings', 'reading queer ecologies', 'queer reading as practice' and 'reading queer futures' - speak to, and help to critique and foreground, expansive queer epistemologies. Contributors evocatively explore the relationships between queerness and genders, embodiments, race, narrative, methodology, history, literature, media and art. Bringing together emerging and established queer theorists, this timely collection demonstrates how germane queer readings, theories and companions are to the livelihood of interdisciplinary research and humanistic inquiry in the 2020s.