As America debates its most famous kidnapping case of the 1970s, a divided family in North Carolina copes with its own missing person. Lily Stokes searches for her half sister with help from her mother's boyfriend, a freewheeling man who likes Lily a little too much. While keeping secrets at home and then escaping into an odd marriage, Lily takes an imaginative look at her mother's notorious past and her sister's surprising future. Sleeping with Patty Hearst is a gripping coming-of-age story with edge and heart.

A National Bestseller From New Yorker staff writer and bestselling author of The Nine and The Run of His Life: The People v. O. J. Simpson, the definitive account of the kidnapping and trial that defined an insane era in American history On February 4, 1974, Patty Hearst, a sophomore in college and heiress to the Hearst Family fortune, was kidnapped by a ragtag group of self-styled revolutionaries calling itself the Symbonese Liberation Army. The weird turns that followed in this already sensational take are truly astonishing--the Hearst family tried to secure Patty's release by feeding the people of Oakland and San Francisco for free; bank security cameras captured "Tania" wielding a machine gun during a roberry; the LAPD engaged in the largest police shoot-out in American history; the first breaking news event was broadcast live on telelvision stations across the country; and then there was Patty's circuslike trial, filled with theatrical courtroom confrontations and a dramatic last-minute reversal, after which the term "Stockholm syndrome" entered the lexicon. Ultimately, the saga highlighted a decade in which America seemed to be suffering a collective nervous breakdown. American Heiress portrays the electrifying lunacy of the time and the toxic mic of sex, politics, and violence that swept up Patty Hearst and captivated the nation.

The critically acclaimed, national bestseller—a gripping story of the strife and tragedy that led to San Francisco’s ultimate rebirth and triumph. In a kaleidoscopic narrative, New York Times–bestselling author and Salon founder David Talbot tells the gripping story of San Francisco in the turbulent years between 1967 and 1982. The emergence of a diverse cast of characters—Harvey Milk, Janis Joplin, Jim Jones, Bill Walsh—ushered in a transformative new era in the city’s history. Season of the Witch is the first book to fully capture the dark magic of San Francisco in this breathtaking period, when the city radically changed itself—and then revolutionized the world. “An enthralling—and harrowing—account of how the 1967 Summer of Love gave way to 20 or so winters of discontent.” —The Washington Post “A sprawling, ambitious history . . . Talbot’s energetic, highly entertaining storytelling conveys the exhilaration of ‘60s counterculture as well as the gathering ugliness that would mark the city in the ‘70s.” —The Boston Globe “Exhaustive research yields penetrating character studies . . . In exhilarating fashion, Talbot clears the rainbow mist and brings San Francisco into sharp focus.” —Publishers Weekly (starred review) “A gritty corrective to our rosy memories . . . enthralling, news-driven history . . . smart and briskly paced . . . I found it hard to put down.” —San Francisco Chronicle “An ambitious, labor-of-love illumination of a city’s soul, celebrating the uniqueness of San Francisco without minimizing the price paid for the city’s free-spiritedness.” —Kirkus Reviews (starred review) “Talbot presents gripping accounts of both crime sprees and football showdowns.” —Booklist

1974: A tiny band of self-styled urban guerrillas, calling itself the Symbionese Liberation Army, abducts a newspaper heiress, who then abruptly announces that she has adopted the guerrilla name "Tania" and chosen to remain with her former captors. Has she been brainwashed? Coerced? Could she be sincere? Why would such a nice girl disavow her loving parents, her adoring fiancé, her comfortable home? Why would she suddenly adopt the SLA's cri de coeur, "Death to the Fascist Insect that Preys Upon the Life of the People"? Soon most of the SLA are dead, killed in a suicidal confrontation with police in Los Angeles, forcing Tania and her two remaining comrades--the pompous and abusive General Teko and his duplicitous lieutenant, Yolanda--into hiding, where they will remain for the next sixteen months. Trance, Christopher Sorrentino's mesmerizing and brilliant second novel, traces this fugitive period, leading the reader on a breathtaking, hilarious, and heartbreaking underground tour across a beleaguered America, in the company of scam artists, visionaries, cultists, and a mismatched gang of middle-class people who typify the guiding conceit of their time, that of self-renovation. Along the way he tells the story of a nation divided against itself--parents and children, men and women, black and white; a story of hidebound tradition and radical change, of truth and propaganda, of cynicism and idealism; a story as transfixing and relevant today as it was then. Insightful, compassionate, scathingly funny, and moving, Trance is a virtuoso performance, placing Christopher Sorrentino in the first rank of American novelists. Trance is a 2005 National Book Award Finalist for Fiction.

2:12 a.m. is an insomniac's tour of counterproductive bedtime stories, Vegas weddings, Southern funerals, Nevada's nuclear testing grounds, Patty Hearst, Marina Oswald, sleepwalking murderers, Louise Bourgeois's Insomnia Drawings and more, revealing what wakeful nights conjure for a North Carolinian turned Californian, a farm child turned suburbanite, a 1960s romantic turned fatalist and a once-but-no-longer "gifted" sleeper. The collection, comprised of Best American Essays notables, Pushcart Prize nominees and the winner of Drunken Boat's Editors' Choice nonfiction award, mixes the strictly autobiographical with voice-driven reportage and includes essays that are factual, meditative, investigatory and lyrical to take full advantage of the versatility of the form. 2:12 a.m. is a book for all who revisit the past and brood on the future--a book about the dislocations of contemporary life, the hauntings of memory, and the perennial search, late night or otherwise, for meaning in existence.

WINNER OF THE NATIONAL BOOK AWARD FOR FICTION NATIONAL BESTSELLER “Electrifying” (People) • “Masterly” (The Guardian) • “Dramatic and memorable” (The New Yorker) • “Magic” (TIME) • “Ingenious” (The Financial Times) • "A gonzo literary performance” (Entertainment Weekly) • “Rare and splendid” (The Boston Globe) • “Remarkable” (USA Today) • “Delicious” (The New York Times) • “Book groups, meet your next selection" (NPR) In an American suburb in the early 1980s, students at a highly competitive performing arts high school struggle and thrive in a rarified bubble, ambitiously pursuing music, movement, Shakespeare, and, particularly, their acting classes. When within this striving “Brotherhood of the Arts,” two freshmen, David and Sarah, fall headlong into love, their passion does not go unnoticed—or untoyed with—by anyone, especially not by their charismatic acting teacher, Mr. Kingsley. The outside world of family life and economic status, of academic pressure and of their future adult lives, fails to penetrate this school’s walls—until it does, in a shocking spiral of events that catapults the action forward in time and flips the premise upside-down. What the reader believes to have happened to David and Sarah and their friends is not entirely true—though it’s not false, either. It takes until the book’s stunning coda for the final piece of the puzzle to fall into place—revealing truths that will resonate long after the final sentence. As captivating and tender as it is surprising, Susan Choi's Trust Exercise will incite heated conversations about fiction and truth, and about friendships and loyalties, and will leave readers with wiser understandings of the true capacities of adolescents and of the powers and responsibilities of adults.

The paths of two women from different walks of life intersect amid counterculture of the 1960s in this haunting and provocative novel from the National Book Award-winning author of The Friend Named a Best Book of the Year by the San Francisco Chronicle and the Christian Science Monitor Sigrid Nunez's The Last of Her Kind introduces two women who meet as freshmen on the Columbia campus in 1968. Georgette George does not know what to make of her brilliant, idealistic roommate, Ann Drayton, and her obsessive disdain for the ruling class into which she was born. She is mortified by Ann's romanticization of the underprivileged class, which Georgette herself is hoping college will enable her to escape. After the violent fight that ends their friendship, Georgette wants only to forget Ann and to turn her attention to the troubled runaway kid sister who has reappeared after years on the road. Then, in 1976, Ann is convicted of murder. At first, Ann's fate appears to be the inevitable outcome of her belief in the moral imperative to "make justice" in a world where "there are no innocent white people." But, searching for answers to the riddle of this friend of her youth, Georgette finds more complicated and mysterious forces at work. The novel's narrator Georgette illuminates the terrifying life of this difficult, doomed woman, and in the process discovers how much their early encounter has determined her own path, and why, decades later, as she tells us, "I have never stopped thinking about her."