Uncle Charlie, as he is known among his own color and the white people who know him, told the writer he was born at Petersburg Va., and his parents, Aaron and Louisa, were owned by a Mr. J.H. White, who had a store in the city, but no plantation. His parents had three children, two boys and one girl, and when Uncle Charlie was about ten years of age, he was sold by Mr. White to a speculator named Jones who brought him to Mobile. He recalled being placed on the block, at the slave mart on Royal and State streets, and the anxiety of hearing the different people bidding for him, and being finally sold to a Mr. Jason Harris, who lived near Newton Station in Jasper County, Miss. Uncle Charlie never saw or heard of his parents or brother and sister again and never knew what became of them. Uncle Charlie said Mr. Harris was a pretty rough master, and somewhat close. All rations were weighed out and limited. He had a white overseer and a negro driver, who was the meanest of all. Mr. Jason Harris had about sixty slaves, and a large plantation of a hundred acres, the men and women worked in the fields from six to six, except on Saturday, when they had half day holiday to clean up generally. The home of the Harris family was a large two story house and the quarters were the regular log cabins with clay chimneys. They cooked in their cabins, but during the busy season in the fields their dinners were sent out to them each slave having his own tin pail marked with his name. Water would be sent out in a barrel mounted on an ox cart.

"I was born in Chickashaw County, Mississippi. Ely Abbott and Maggie Abbott was our owners. They had three girls and two boys—Eddie and Johnny. We played together till I was grown. I loved em like if they was brothers. Papa and Mos Ely went to war together in a two-horse top buggy. They both come back when they got through. "There was eight of us children and none was sold, none give way. My parents name Peter and Mahaley Abbott. My father never was sold but my mother was sold into this Abbott family for a house girl. She cooked and washed and ironed. No'm, she wasn't a wet nurse, but she tended to Eddie and Johnny and me all alike. She whoop them when they needed, and Miss Maggie whoop me. That the way we grow'd up. Mos Ely was 'ceptionly good I recken. No'm, I never heard of him drinkin' whiskey. They made cider and 'simmon beer every year. "Grandpa was a soldier in the war. He fought in a battle. I don't know the battle. He wasn't hurt. He come home and told us how awful it was. "My parents stayed on at Mos Ely's and my uncle's family stayed on. He give my uncle a home and twenty acres of ground and my parents same mount to run a gin. I drove two mules, my brother drove two and we drove two more between us and run the gin. My auntie seen somebody go in the gin one night but didn't think bout them settin' it on fire. They had a torch, I recken, in there. All I knowed, it burned up and Mos Ely had to take our land back and sell it to pay for four or five hundred bales of cotton got burned up that time. We stayed on and sharecropped with him. We lived between Egypt and Okolona, Mississippi. Aberdeen was our tradin' point.

The groundbreaking, bestselling history of slavery, with a new foreword by Pulitzer Prize–winning historian Annette Gordon-Reed With the publication of the 1619 Project and the national reckoning over racial inequality, the story of slavery has gripped America’s imagination—and conscience—once again. No group of people better understood the power of slavery’s legacies than the last generation of American people who had lived as slaves. Little-known before the first publication of Remembering Slavery over two decades ago, their memories were recorded on paper, and in some cases on primitive recording devices, by WPA workers in the 1930s. A major publishing event, Remembering Slavery captured these extraordinary voices in a single volume for the first time, presenting them as an unprecedented, first-person history of slavery in America. Remembering Slavery received the kind of commercial attention seldom accorded projects of this nature—nationwide reviews as well as extensive coverage on prime-time television, including Good Morning America, Nightline, CBS Sunday Morning, and CNN. Reviewers called the book “chilling . . . [and] riveting” (Publishers Weekly) and “something, truly, truly new” (The Village Voice). With a new foreword by Pulitzer Prize–winning scholar Annette Gordon-Reed, this new edition of Remembering Slavery is an essential text for anyone seeking to understand one of the most basic and essential chapters in our collective history.

Rachel Adams' two-room, frame house is perched on the side of a steep hill where peach trees and bamboo form dense shade. Stalks of corn at the rear of the dwelling reach almost to the roof ridge and a portion of the front yard is enclosed for a chicken yard. Stepping gingerly around the amazing number of nondescript articles scattered about the small veranda, the visitor rapped several times on the front door, but received no response. A neighbor said the old woman might be found at her son's store, but she was finally located at the home of a daughter. Rachel came to the front door with a sandwich of hoecake and cheese in one hand and a glass of water in the other. "Dis here's Rachel Adams," she declared. "Have a seat on de porch." Rachel is tall, thin, very black, and wears glasses. Her faded pink outing wrapper was partly covered by an apron made of a heavy meal sack. Tennis shoes, worn without hose, and a man's black hat completed her outfit. Rachel began her story by saying: "Miss, dats been sich a long time back dat I has most forgot how things went. Anyhow I was borned in Putman County 'bout two miles from Eatonton, Georgia. My Ma and Pa was 'Melia and Iaaac Little and, far as I knows, dey was borned and bred in dat same county. Pa, he was sold away from Ma when I was still a baby. Ma's job was to weave all de cloth for de white folks. I have wore many a dress made out of de homespun what she wove. Dere was 17 of us chillun, and I can't 'member de names of but two of 'em now—dey was John and Sarah. John was Ma's onliest son; all de rest of de other 16 of us was gals. "Us lived in mud-daubed log cabins what had old stack chimblies made out of sticks and mud. Our old home-made beds didn't have no slats or metal springs neither. Dey used stout cords for springs. De cloth what dey made the ticks of dem old hay mattresses and pillows out of was so coarse dat it scratched us little chillun most to death, it seemed lak to us dem days. I kin still feel dem old hay mattresses under me now. Evvy time I moved at night it sounded lak de wind blowin' through dem peach trees and bamboos 'round de front of de house whar I lives now.

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"Marse Glenn had 64 slaves. On Sat'day night, de darkies would have a little fun on de side. A way off from de big house, down in de pastur' dar wuz about de bigges' gully what I is ebber seed. Dat wuz de place whar us collected mos' ev'ry Sa'day night fer our lil' mite o' fun frum de white folks hearin'. Sometime it wuz so dark dat you could not see de fingers on yo' han' when you would raise it fo' your face. Dem wuz sho' schreechy nights; de schreechiest what I is ever witnessed, in all o' my born natu'al days. Den of cose, dar wuz de moonlight nights when a darky could see; den he see too much. De pastur' wuz big and de trees made dark spots in it on de brightest nights. All kind o' varmints tuck and hollered at ye as ye being gwine along to reach dat gully. Cose us would go in droves sometime, and den us would go alone to de gully sometime. When us started together, look like us would git parted 'fo we reach de gully all together. One of us see som'tin and take to runnin'. Maybe de other darkies in de drove, de wouldn't see nothin' jes den. Dats zactly how it is wid de spirits. De mout (might) sho de'self to you and not to me. De acts raal queer all de way round. Dey can take a notion to scare de daylights outtin you when you is wid a gang; or dey kin scare de whole gang; den, on de other hand, dey kin sho de'self off to jes two or three. It ain't never no knowin' as to how and when dem things is gwine to come in your path right fo your very eyes; specially when you is partakin' in some raal dark secret whar you is planned to act raal sof' and quiet like all de way through. "Dem things bees light on dark nights; de shines de'self jes like dese 'lectric lights does out dar in dat street ever' night, 'cept dey is a scaird waary light dat dey shines wid. On light nights, I is seed dem look, furs dark like a tree shad'er; den dey gits raal scairy white. T'aint no use fer white folks to low dat it ain't no haints, an' grievements dat follows ye all around, kaise I is done had to many 'spriences wid dem. Den dare is dese young niggers what ain't fit to be called darkies, dat tries to ac' eddicated, and says dat it ain't any spe'rits dat walks de earth. When dey lows dat to me, I rolls my old eyes at dem an' axes dem how comes dey runs so fas' through de woods at night. Yes sirree, dem fool niggers sees dem jes as I does. Raaly de white folks doesn't have eyes fer sech as we darkies does; but dey bees dare jes de same.

Slaves an dInformants interviewed by Maude Barragan, Edith Bell Love, Ruby Lorraine Radford etc. Telfair, Georgia Thomas, Cordelia Thomas, Ike Toombs, Jane Mickens Town, Phil Upson, Neal Van Hook, John F. Vinson, Addie Virgel, Emma Walton, Rhodus Ward, William Washington, Lula Willbanks, Green Williamson, Eliza Willingham, Frances Willis, Adeline Willis, Uncle Winfield, Cornelia Womble, George Wright, Henry Young, Dink Walton Adeline Eugene Mary Rachel Laura Matilda Easter Carrie Malinda Amelia Ellen Campbell Rachel Sullivan Eugene Wesley Smith Willis Bennefield Uncle Willis Emmaline Heard Rosa and Jasper Millegan Camilla Jackson Anna Grant Emmaline Heard Richmond County Folklore Conjuration Folk Remedies and Superstitions Mistreatment of Slaves Slavery Work, Play, Food, Clothing, Marriage, etc.