Sixteen-year-old Jack, nicknamed "Bones," won't eat. His roommate in the eating disorder ward has the opposite problem and proudly goes by the nickname "Lard." They become friends despite Bones's initial reluctance. When Bones meets Alice, a dangerously thin dancer who loves to break the rules, he lets his guard down even more. Soon Bones is so obsessed with Alice that he's willing to risk everything–even his recovery.

FROM THE AUTHOR OF SEE HOW THEY RUN AND ALL FALL DOWN On a cold January morning, a nightmare awaits in a sleepy Sussex village. A deranged young man goes on the rampage, shooting everyone in his path before taking his own life. It’s a senseless, tragic event. Only Julia Trent – believed to be the sole survivor – knows that there was a second man involved. But after being shot and badly injured, her account of the massacre is ignored. Together with Craig Walker, the son of one of the victims, Julia sets out to find the truth before she’s silenced for good. As they peel back the layers of a dark and dangerous conspiracy, they discover the slaughter didn't begin on that bitter day in January. And worst of all, it won't end there.

SKIN & BONES SELLS EVERYTHING FROM ANACONDA SKINS TO OSTRICH SKELETONS—BUT SOMEONE’S TRYING TO TRASH THE BUSINESS! Cody Chang’s San Francisco store could be considered creepy—Skin & Bones sells animal skulls, fish skeletons, reptile skins, and more. Business is booming, but when Frank and Joe visit the shop, Cody tells them he’s been the victim of a string of burglaries, computer thefts, and threatening messages. The Hardys immediately pinpoint a suspect—a criminal who was once caught in a sting by Cody’s father, a policeman. Now there’s danger everywhere for Frank and Joe, from a cable car accident, to the dense redwood forests of Muir Woods, to the foggy, ice-cold waters off Alcatraz. The brothers are running hard and thinking fast—and up against a smart, desperate enemy ready to skin them alive!

These poems offer a vision of history, Indian and colonial; stories of contemporary Indian life as current as headlines; and family poems emphasizing the rich cultural mix of the author's Laguna Pueblo-Sioux-Lebanese-Scots background. Allen always brings to her work a characteristic combination of rich discernment and critical intelligence.

Since the mid-1990s Lupa, artist, author and neoshaman, has worked with animal parts in her artwork and spiritual practice. From leather and fur to skulls and bones, she incorporates them into ritual tools, jewelry, and other sacred items. Not only does her practice involve the physical remains, but she also works with the spirits of the animals themselves. In this book she expands upon the information provided in her earlier book, Fang and Fur, Blood and Bone: A Primal Guide to Animal Magic. You'll find information on how to select animal remains based on not only your needs but those of the spirits themselves; how to work with the animal spirits, including in shapeshifting and other rituals; proper care for the physical remains; and other practices. Plus you'll find detailed, illustrated guides on how to make ritual tools ranging from bone-handled knives to fur pouches, skull rattles to dancing skins; and much more! Based on Lupa's decade-and-change of intensive experience, this is an absolutely indispensable guide to the spiritual and magical use of animal parts in neopagan, occult, and other traditions. Whether you only have a single feather to work with, or an entire ritual room full of spirits embodied in hides and bones, there's plenty of material in this non-dogmatic text for you to integrate into your own practice as you see fit

Skin & Bones is the first-ever collection of lyrics by songwriter / artist Jeff Mellin. Named for a lyric from his "tour de force"* album Jeff Mellin Saves the World (Stereorrific, 1999), the book covers songs from Mellin's bare-bones coffeehouse days to his later, more fleshed-out power-pop material. "While it's often difficult to gauge the worth of pop lyrics printed on the page without musical accompaniment, it's remarkable how well Skin and Bones reads, as lyrics in the poetic sense," says critic and poet Garrett Caples. "Jeff's lyrics considered as poetry at their best evoke the only-just stylistically-belated, yet entirely individual and intense poems of Weldon Kees; even at their least effective, they have the readable lightness of Edward Arlington Robinson, and everyone knows Paul Simon made 'Richard Corey' a better song than it ever was a poem, which illustrates my point nicely." Also features photographs by the award-winning photographer John Soares.

"Our intimate connection with the world, skin protects us while advertising our health, our identity, and our individuality. This synthetic overview, written with a poetic touch and taking many intriguing side excursions, is a guidebook to the pliable covering that makes us who we are. This book celebrates the evolution of three unique attributes of human skin: its naked sweatiness, its distinctive sepia rainbow of colors, and its remarkable range of decorations. Author Jablonski begins with a look at skin's structure and functions and then tours its three-hundred-million-year evolution, delving into such topics as the importance of touch and how the skin reflects and affects emotions. She examines the modern human obsession with age-related changes in skin, especially wrinkles, then turns to skin as a canvas for self-expression, exploring our use of cosmetics, body paint, tattooing, and scarification"--Publisher's description.