This title presents a handbook of the potent skinhead cult. It traces the development of the skinhead movement in England, describes the characteristics and behaviour of these gangs, and explains their attitudes towards school, the police, and the government.

Autobiography of a Recovering Skinhead is Frank Meeink's raw telling of his descent into America's Nazi underground and his ultimate triumph over drugs and hatred. Frank's violent childhood in South Philadelphia primed him to hate, while addiction made him easy prey for a small group of skinhead gang recruiters. By 16 he had become one of the most notorious skinhead gang leaders on the East Coast and by 18 he was doing hard time. Teamed up with African-American players in a prison football league, Frank learned to question his hatred, and after being paroled he defected from the white supremac.

Moore emphasizes throughout the American identity of skinheadism.

'Skinheads' is the story of a way of life, told through three generations of a family - Terry English, original ska-loving skinhead and boss of a mini-cab firm; Nutty Ray, street-punk skin and active football hooligan; and Lol, son of Terry, nephew of Ray, a 15-year-old kid just starting out.

When Feral House first published the award-winning Lords of Chaos: The Bloody Rise of the Satanic Metal Underground, little was known about the "black metal" genre of music, or how many of its members were involved in the murder of citizens, the torching of churches, or its link to Fascist ideas. We've all heard about the racist form of skinhead punk music, but little do we know of the groups involved, and how they got involved in right-wing political movements. The White Nationalist Skinhead Movement is the first book to provide much more than mere photographs of the scene, documenting the bands, their members, the releases, shows, and infamous events. Robert Forbes and Eddie Stampton can authoritatively speak of the movement, obtaining first-hand material from members of the scene. This book covers both British and American bands, and even if you revile the movement, its ideas, and its music, this is an important piece of pop culture history. Feral House's controversial Lords of Chaos has sold over one hundred thousand copies.

The recipient of the call was Jonathan Atwood, the bright young grandson of Peter Atwood, one of the most influential people in America. It was his grandfather who raised him, who taught him to be proud of the Atwood family name. But that was all before: before the detective called from faraway Seattle, telling him an anonymous man was dying -- and that his last request was to see Jonathan. Before Jonathan agreed to go and flew first-class across the country. Before he met beautiful Jenny, with her mysterious scar. And before the deadly, dangerous, racist Skinheads began to threaten him, aiming their guns, ready and willing to kill him to keep a secret alive....

Sixteen-year-old Joe Hawkins is the anti-hero's anti-hero. His life is ruled by clothes, beer, football and above all violence - violence against hippies, authority, racial minorities and anyone else unfortunate enough to get in his way. Joe is a London skinhead - a member of a uniquely British subculture which arose rapidly in the late 1960's. While other skins were driven mainly by music, fashion and working-class pride, Joe and his mob use their formidable street style as a badge of aggressive rage, even while Joe dreams of making a better life for himself. Lacerating in its depiction of violence and sex, often shocking by today's standards, Skinhead is also a provocative cross-section of urban British society. It doesn't spare the hypocrisy, corruption or excessive permissiveness which, the author believed, allowed the extremist wing of skinhead culture to flourish. Skinhead, first published in 1970 and a huge cult bestseller, is now available for the first time in ebook form, with a new introduction by Andrew Stevens. Nearly fifty years on, it remains one of the most potent artefacts of British popular culture ever committed to print. "I did happen to read the book when it came out and I was quite interested in the whole Richard Allen cult... suedeheads and skinheads and smoothies were very much part of daily life. There was a tremendous air of intensity... something interesting grabbed me about the whole thing." Morrissey "(Richard Allen's) work shouldn't require a theoretical summing up, once enough of those to whom it appeals understand its attraction we will have superceded this society." Stewart Home