Sixteen Grand Studies for Oboe is the third book in our A.M.R. Barret reprint series. Newly engraved, it provides excellent supplemental material for the student or professional oboist. These studies were originally part of the Complete Oboe Method. Kalmus Editions are primarily reprints of Urtext Editions, reasonably priced and readily available. They are a must for students, teachers, and performers.

The first in a series of three new Kalmus publications by A.M.R. Barret, the Complete Oboe Method, long a standard text for oboists, will ensure ease of play for advancing oboists. Copyright © Libri GmbH. All rights reserved.

"This volume contains interviews with twenty-six of the most prominent oboists from around the world. The chapters are in prose format and highlight different aspects of each musician's career, focusing on musicianship and pedagogy in ways that are applicable to all musicians. The interviews contain topics such as creating musical interpretations and shaping phrases, the relationship of vocal to instrumental music, taking orchestral auditions and being a good ensemble player/colleague. The subjects describe their pedagogy and their thoughts on breathing and support on wind instruments, developing finger technique and creating a useful warm-up routine. The oboists discuss their ideals in reedmaking, articulation and vibrato. They also share stories from their life and careers. The oboists and English hornists profiled from North America profiled are Pedro Diaz, Elaine Douvas and Nathan Hughes (Metropolitan Opera Orchestra), John Ferrillo (Boston Symphony Orchestra), Carolyn Hove (LA Philharmonic), Richard Killmer (Eastman School), Nancy Ambrose King (University of Michigan), Frank Rosenwein and Robert Walters (Cleveland Orchestra), Humbert Lucarelli (soloist), Grover Schiltz (formerly Chicago Symphony), Eugene Izotov (Chicago Symphony, originally from Russia), Allan Vogel (LA Chamber Orchestra), David Weiss (formerly LA Philharmonic), Randall Wolfgang (New York City Ballet and formerly Orpheus Chamber Orchestra), Alex Klein (Brazil, formerly Chicago Symphony and currently Calgary, CA), and Sarah Jeffrey, Toronto Symphony Orchestra. The performers based in Europe are Neil Black, Nicholas Daniel, and Gordon Hunt (England); Maurice Bourgue, and David Walter (France); Thomas Indermühle (Switzerland); László Hadady (Hungary and France); and Omar Zoboli (Italy). From Australia is Diana Doherty of the Sydney Symphony Orchestra"--

This book is an introduction to critical approaches to terrorism studies. While there is a growing body of Critical Terrorism Studies (CTS) literature devoted to empirical examples and conceptual development, very little has been written about how to systematically carry out this kind of research. Critical Terrorism Studies fills this gap by addressing three key themes: The position of terrorism studies and critical terrorism studies in the discipline of International Relations (IR) Theoretical and methodological elaborations of critical approaches to the study of terrorism Empirical illustrations of those approaches. Drawing upon a range of engaging material, the volume reviews a series of non-variable based methodological approaches. It then goes on to provide empirical examples that illustrate how these approaches have been and can be utilized by students, teachers, and postgraduate researchers alike to critically and rigorously study terrorism. This textbook will be of much interest to students of terrorism studies, sociology, critical security studies, and IR in general.

The studies presented in this collection are concerned most particularly with the material conditions of life in the mature Ottoman state of the 16th-18th centuries. They range from the evaluation of sources of livelihood and conditions in the workplace on the one hand, to notions of domesticity and organization of the private sphere on the other, and deal with the provinces, in both the Balkans and in Asia, as much as with Istanbul. At the same time the volume aims to illuminate Ottoman imperial institutional forms and norms as they existed in the high imperial era before the rapid change and transformation associated with late imperial times when the empire was more exposed both to global economic forces and external political pressures. This concentration on the relatively stable conditions that prevailed in the empire throughout the bulk of the early modern era (ca. 1450-ca. 1750) provides the reader with an opportunity to assess Ottoman institutional development and observe social and economic organization in their relatively 'pure' state before the double impact of industrialization and increasing Westernization in the late nineteenth century.