Monika Fludernik presents a detailed analysis of free indirect discourse as it relates to narrative theory, and the crucial problematic of how speech and thought are represented in fiction. Building on the insights of Ann Banfield's Unspeakable Sentences, Fludernik radically extends Banfield's model to accommodate evidence from conversational narrative, non-fictional prose and literary works from Chaucer to the present. Fludernik's model subsumes earlier insights into the forms and functions of quotation and aligns them with discourse strategies observable in the oral language. Drawing on a vast range of literature, she provides an invaluable resource for researchers in the field and introduces English readers to extensive work on the subject in German as well as comparing the free indirect discourse features of German, French and English. This study effectively repositions the whole area between literature and linguistics, opening up a new set of questions in narrative theory.

Fully updated to include the most recent research and theoretical developments in the field, the third edition of Identity in Adolescence examines the two way interaction of individual and social context in the process of identity formation. Setting the developmental tradition in context, Jane Kroger begins by providing a brief overview of the theoretical approaches to adolescent identity formation currently in use. This is followed by a discussion of five developmental models which reflect a range of attempts from the oldest to among the most recent efforts to describe this process and include the work of Erik Erikson, Peter Blos, Lawrence Kohlberg, Jane Loevinger, and Robert Kegan. Although focussing on each theorist in turn, this volume also goes on to compare and integrate the varied theoretical models and research findings and sets out some of the practical implications for social response to adolescents. Different social and cultural conditions and their effect on the identity formation process are also covered as are contemporary contextual, narrative, and postmodern approaches to understanding and researching identity issues. The book is ideal reading for students of adolescence, identity and developmental psychology.

An essential collection of short stories and essays from the multi-award-winning author of Deathbird Stories. “Arguably the best and most prolific author of novellas and novelettes that Anglophone letters has produced.” —Norman Spinrad, author of Bug Jack Barron, from his Foreword Despite the awards and accolades that categorize Harlan Ellison as a science fiction writer, his canon of work spans a diverse range of categories across fiction and nonfiction. He is, first and foremost, a writer of the human condition, whether he’s richly imagining characters’ experiences and adventures or commenting on the foibles and follies of those he had the misfortune to meet and observe. Over the Edge brings together ten of Ellison’s stories and three of his essays. From a sheriff’s ignoble end in an Old West town to a conspiracy on the steel beams of a construction site and an astronaut’s lonely existence and descent into madness, Ellison’s fiction resides in a genre of his own creation. Meanwhile, his commentary about topics such as writing for Star Trek and interactions with fans captures real human behavior more bizarre and horrifying than anything his imagination can conjure. Includes: “Pennies, Off a Dead Man’s Eyes,” “The End of the Time of Leinard,” “3,” “Faces of Fear: An Essay,” “Blind Lightning,” “Walk the High Steel,” “Shadow Play,” “The Words in Spock’s Mouth: An Essay,” “From a Great Height,” “Night Vigil,” “Xenogenesis: An Essay,” “Rock God,” “Ah-Wegh Thogha,” “Ernest and the Machine God”

A collection of ten stories, the first written in 1923 and the last in 1988. These will be arranged in chronological order reversed and there will be a short preface by the author. These stories have been previously published in a selection of magazines and newspapers (the two most recently in the 'Independent').