Hauntingly beautiful reproductions of the great Mexican artist's Self-Portrait (1926), The Deceased Dimas (1937), Girl with Death Mask (1938), Self-Portrait with Monkeys (1943), Doña Rosita Morillo (1944), and Still Life with Parrot (1951).

The beautifully illustrated and utterly absorbing biography of one of the twentieth century's most transfixing artists Frida is the story of one of the twentieth century 's most extraordinary women, the painter Frida Kahlo. Born near Mexico City, she grew up during the turbulent days of the Mexican Revolution and, at eighteen, was the victim of an accident that left her crippled and unable to bear children. To salvage what she could from her unhappy situation, Kahlo had to learn to keep still so she began to paint. Kahlo 's unique talent was to make her one of the century 's most enduring artists. But her remarkable paintings were only one element of a rich and dramatic life. Frida is also the story of her tempestuous marriage to the muralist Diego Rivera, her love affairs with numerous, diverse men such as Isamu Noguchi and Leon Trotsky, her involvement with the Communist Party, her absorption in Mexican folklore and culture, and of the inspiration behind her unforgettable art.

""My painting carries within it the message of pain"." Frida Kahlo--born in 1907 near Mexico City--learned about pain at a very early age. She contracted polio at six, and then at eighteen suffered serious and permanent injury to her right leg and pelvis in a terrible bus accident. Young and undaunted, she went on to fall in love with the great mural painter Diego Rivera at a time when their native Mexico was going through a period of thrilling political and cultural upheaval. Rivera and Kahlo were a legendary couple--both were impassioned, lifelong communists while fervently attached to traditional Mexican Indian culture, and both were driven by a relentless artistic ambition that surmounted all the dramas that plagued their marriage. Later, Frida became the friend and lover of Leon Trotsky. She was greatly admired by the Surrealists and sat for some of the greatest photographers of her day. Her art largely consisted of self-portraits, like the famous paintings "The Two Fridas" and "The Broken Column," though she also left many striking still-lives. In "Frida Kahlo: Painting Her Own Reality," Christina Burrus assesses Frida Kahlo's extraordinary work--a maelstrom of cruelty, humor, candor, and insolence reflecting the essence of a free, beautiful, courageous woman who concealed her physical pain behind peals of infectious laughter.

In the tradition of the best-selling Monet's Table, Frida's Fiestas is a personal account in words and pictures of many important and happy events in the life of Mexican artist Frida Kahlo, and a scrapbook, assembled by her stepdaughter, of recipes for more than 100 dishes that Frida served to family and friends with her characteristic enthusiasm for all the pleasures of life. Full-color photographs.

This intimate account offers a new, unexpected understanding of the artist’s work and of the vibrant 1930s surrealist scene. In 1938, just as she was leaving Mexico for her first solo exhibition in New York, Frida Kahlo was devastated to learn from her husband, Diego Rivera, that he intended to divorce her. This latest blow followed a long series of betrayals, most painful of all his affair with her beloved younger sister, Cristina, in 1934. In early 1939, anxious and adrift, Kahlo traveled from the United States to France—her only trip to Europe, and the beginning of a unique period of her life when she was enjoying success on her own. Now, for the first time, this previously overlooked part of her story is brought to light in exquisite detail. Marc Petitjean takes the reader to Paris, where Kahlo spends her days alongside luminaries such as Pablo Picasso, André Breton, Dora Maar, and Marcel Duchamp. Using Kahlo’s whirlwind romance with the author’s father, Michel Petitjean, as a jumping-off point, The Heart: Frida Kahlo in Paris provides a striking portrait of the artist and an inside look at the history of one of her most powerful, enigmatic paintings.

Children will find artistic inspiration as they learn about iconic artists Frida Kahlo and Diego Rivera in these imaginative and colorful activities. The art and ideas of Kahlo and Rivera are explored through projects that include painting a self-portrait Kahlo-style, creating a mural with a social message like Rivera, making a Day of the Dead ofrenda, and crafting an Olmec head carving. Vibrant illustrations throughout the book include Rivera's murals and paintings, Kahlo's dreamscapes and self-portraits, pre-Columbian art and Mexican folk art, as well as many photographs of the two artists. Children will learn that art is more than just pretty pictures; it can be a way to express the artist's innermost feelings, a source of everyday joy and fun, an outlet for political ideas, and an expression of hope for a better world. Sidebars will introduce children to other Mexican artists and other notable female artists. A time line, listings of art museums and places where Kahlo and Rivera's art can be viewed, and a list of relevant websites complete this cross-cultural art experience.

A beautifully imagined story of the last days of Frida Kahlo?s life A few days before Frida Kahlo?s death in 1954, she wrote in her diary, ?I hope the exit is joyful?and I hope never to return.? Diagnosed with polio at the age of six and plagued by illness and injury throughout her life, Kahlo?s chronic pain was a recurrent theme in her extraordinary art. In Frida?s Bed, Slavenka Drakulic´ explores the inner life of one of the world?s most influential female artists, skillfully weaving Frida?s memories into descriptions of her paintings, producing a meditation on the nature of chronic pain and creativity. With an intriguing subject whose unusual life continues to fascinate, this poignant imagining of Kahlo?s thoughts during her final hours by another daringly original and uncompromising creative talent will attract readers of literary fiction and art lovers alike.