In this riveting mystery, an old photo found in a box of Nancy Drew books could be the key to unraveling a family secret—perfect for fans of Wendy Mass and Trenton Lee Stewart. Maizy always assumed she knew everything about her grandmother, Jacuzzi. So when a box full of vintage Nancy Drew books gets left at her mom’s thrift store, Maizy is surprised to find an old photo of her grandmother and two other women tucked beneath the collection. Stranger still, when Maizy shows the photo to Jacuzzi she feigns ignorance, insisting the woman is someone else. Determined to learn the truth — and inspired by the legacy of Nancy Drew — Maizy launches her own investigation with the help of new friends, Nell and Cam. What they discover not only points to the origins of the iconic series, but uncovers a truth from the past that will lead to self-discovery in the present, connecting three generations of women. This intergenerational mystery filled with literary history, friendship, and family secrets delivers a captivating tribute to the world’s most famous girl detective. An Indie Next Pick An Amazon Top 20 Children's Book of the Year A Barnes and Noble Most Anticipated Book A Common Sense Selection for Families "Sisterhood of Sleuths reminded me of everything I loved about the Nancy Drew books, and introduced me to a new heroine worth rooting for!" —Jennifer A. Nielsen, New York Times bestselling author of The False Prince

A clever and thought-provoking mystery that pays homage to classic Nancy Drew stories, perfect for fans of Wendy Mass and Trenton Lee Stewart Maizy always assumed she knew everything about her grandmother, Jacuzzi. So when a box full of vintage Nancy Drew books gets left at her mom's thrift store, Maizy is surprised to find an old photo of her grandmother and two other women tucked beneath the collection. Stranger still, when Maizy shows the photo to Jacuzzi she feigns ignorance, insisting the woman is someone else. Determined to learn the truth -- and inspired by the legacy of Nancy Drew -- Maizy launches her own investigation with the help of new friends, Nell and Cam. What they discover not only points to the origins of the iconic series, but uncovers a truth from the past that will lead to self-discovery in the present, connecting three generations of women. This intergenerational mystery filled with literary history, friendship, and family secrets delivers a captivating tribute to the world's most famous girl detective.

Girls series books have been popular since the early 1840s, when books about Cousin Lucy, a young girl who learns about the world around her, first appeared. Since then, scores of series books have followed, several of them highly successful, and featuring some of the most enduring characters in fiction, such as Nancy Drew. In recent decades, series books like The Baby-Sitters Club and Sweet Valley High have become staples for young readers everywhere. In Sisters, Schoolgirls, and Sleuths: Girls' Series Books in America, Carolyn Carpan provides a social history of girls' series fiction published in America from the mid-19th century through the early 21st century. Carpan examines popular series, subgenres, themes, and characters found in approximately 100 series, noting how teenage girls are portrayed in girls' series fiction and how girls' series reflect or subvert the culture of the era in which they are produced. Her study also focuses on the creation, writing, and production of such books. This is the first study of American girls' series books to examine the entire genre from its beginnings in the 1840s to the present day, revealing facts about a sub-genre of children's and young adult literature that has rarely been studied. Appendixes in this volume include a listing of the girls' series covered in the book as well as important books about girls' series fiction.

From early examples of queer representation in mainstream media to present-day dissolutions of the human-nature boundary, the Gothic is always concerned with delineating and transgressing the norms that regulate society and speak to our collective fears and anxieties. This volume examines British and American Gothic texts from four centuries and diverse media – including novels, films, podcasts, and games – in case studies which outline the central relationship between the Gothic and transgression, particularly gender(ed) and sexual transgression. This relationship is both crucial and constantly shifting, ever in the process of renegotiation, as transgression defines the Gothic and society redefines transgression. The case studies draw on a combination of well-studied and under-studied texts in order to arrive at a more comprehensive picture of transgression in the Gothic. Pointing the way forward in Gothic Studies, this original and nuanced combination of gendered, Ecogothic, queer, and media critical approaches addresses established and new scholars of the Gothic alike.

A Companion to American Gothic features a collection of original essays that explore America’s gothic literary tradition. The largest collection of essays in the field of American Gothic Contributions from a wide variety of scholars from around the world The most complete coverage of theory, major authors, popular culture and non-print media available

Since the late 1970s, a subgenre of crime fiction, written by women and featuring a professional woman investigator, has exploded on the popular fiction market. Priscilla L. Walton and Manina Jones focus on this recent proliferation of women writers of detective fiction, providing the first book-length study of the historical and societal changes that fueled this popularity, along with insightful and entertaining readings of the texts themselves. Walton and Jones place the genre within its aesthetic, social, and economic contexts, reading it as an index of cultural beliefs. Addressing the ways that Sara Paretsky, Sue Grafton, Marcia Muller, and others work through the conventions of the "hard-boiled" genre made popular by writers such as Dashiell Hammett, Raymond Chandler, and Mickey Spillane, the authors show how the male hard-boiled tradition has been challenged and transformed. Issues of child, spousal, and sexual abuse are more likely to surface in women's detective novels, the authors show, and female sleuths face many of the same dilemmas as those who read about them—everyday problems with relationships, parenting, and money. Detective Agency also integrates interviews with authors and publishers, reader surveys, publication data, and analysis of internet discussion groups to present a fascinating picture of the "industry" of women's detective fiction. Authors of these works are powerful players in the publishing system as well as agents of cultural intervention, Walton and Jones claim. They conclude by examining the rise of female detectives in television and film.

Within the Euro-American literary tradition, Gothic stories of childhood and adolescence have often served as a tool for cultural propaganda, advancing colonialist, white supremacist and patriarchal ideologies. This book turns our attention to modern and contemporary Gothic texts by hemispheric American writers who have refigured uncanny youth in ways that invert these cultural scripts. In the hands of authors ranging from Octavio Paz and Maryse Condé to N. Scott Momaday and Carmen Maria Machado, Gothic conventions become a means of critiquing pathological structures of power in the space of the Americas. As fictional children and adolescents confront persisting colonial and neo-imperialist architectures, grapple with the everyday ramifications of white supremacist thinking, navigate rigged systems of socioeconomic power, and attempt to frustrate patterns of gendered, anti-queer violence, the uncanny and the nightmarish in their lives force readers to reckon affectively as well as intellectually with these intersecting forms of injustice.