Celebrate the bond between brothers and sisters with this 2-in-1 classic storybook featuring Mercer Mayer's Little Critter and his adorable Little Sister! Like all big brothers, Mercer Mayer's Little Critter loves his sister! But sometimes, younger siblings can be a handful! This humorous picture book for girls and boys ages 3 to 7 features two classic stories: Me Too!: Mercer Mayer's Little Critter reluctantly spends time with his young sister in this heartwarming classic storybook. Little Sister just won't be left behind when her big brother wants to go fishing or hiking with his friends--she may be small, but she's ready for anything! Both parents and children alike will relate to this humorous story--a great way to celebrate the special bond between brothers and sisters! Just A Rainy Day: Little Sister is stuck inside the house on a rainy day, and she is absolutely bored! When she decides to play 'dress-up', she wakes the baby. When she tries to help Mom clean up, she makes a bigger mess! Thankfully, Mom figures out a way to make everyone happy in this adorable classic storybook featuring beloved characters from the world of Mercer Mayer's Little Critter! It's the perfect read aloud for anyone with a brother or sister, either younger or older!

From the busy marketplaces of pre-war Krakow, Poland, to the horror of the Holocaust and the haven of Schindler's factory, to the apparent peace and safety of a suburban backyard in Melbourne, Australia, this is the story of two sisters who miraculously survived. Their extraordinary life stories are interwoven with the childhood and later memories of the narrator, Anna, daughter and niece of the two sisters, Hela and Janka. Through the recollections and dreams of these three voices we learn of worlds and people forever lost, of shattered hopes, of the fragility of survival, and of the power of the human spirit. 'Sister Sister' was shortlisted for the Age Book of the Year Award and the New South Wales Premiers Award in 1998

From the bestselling author of The Girl Who Lied Alice: Beautiful, kind, manipulative, liar. Clare: Intelligent, loyal, paranoid, jealous. Clare thinks Alice is a manipulative liar who is trying to steal her life. Alice thinks Clare is jealous of her long-lost return and place in their family. One of them is telling the truth. The other is a maniac. Two sisters. One truth. What people are saying about Sue Fortin & 'The Girl Who Lied': 'Sue Fortin writes with skill and pace, filling her pages with tension. With great characters and a gripping storyline, I was immediately pulled in and found myself desperate to turn the pages' - Amanda Jennings 'Slowly but inexorably draws you in until you can hardly wait to discover the fate of the characters...you'll love Sue Fortin' - Sue Moorcroft 'A twisty romantic page-turner that will keep you guessing' - Julie Cohen 'Sue Fortin's gripping books always keep me turning the pages! Highly recommended for fans of grit-lit and suspense!' - Mandy Baggot 'The suspense, mystery and secrets to be revealed kept me turning the pages...nerve wracking and gripping' - Rachel's Random Reads 'Kept me intrigued right up until the end...a highly enjoyable read, filled with secrets' - By the Letter Book Reviews

This book is for all women who don't have a clue on how life is with others. We are here praying for you sister 2 sister. You are not alone!

From The Real Housewives of Atlanta to Flavor of Love, reality shows with predominantly black casts have often been criticized for their negative representation of African American women as loud, angry, and violent. Yet even as these programs appear to be rehashing old stereotypes of black women, the critiques of them are arguably problematic in their own way, as the notion of “respectability” has historically been used to police black women’s behaviors. The first book of scholarship devoted to the issue of how black women are depicted on reality television, Real Sister offers an even-handed consideration of the genre. The book’s ten contributors—black female scholars from a variety of disciplines—provide a wide range of perspectives, while considering everything from Basketball Wives to Say Yes to the Dress. As regular viewers of reality television, these scholars are able to note ways in which the genre presents positive images of black womanhood, even as they catalog a litany of stereotypes about race, class, and gender that it tends to reinforce. Rather than simply dismissing reality television as “trash,” this collection takes the genre seriously, as an important touchstone in ongoing cultural debates about what constitutes “trashiness” and “respectability.” Written in an accessible style that will appeal to reality TV fans both inside and outside of academia, Real Sister thus seeks to inspire a more nuanced, thoughtful conversation about the genre’s representations and their effects on the black community.