Sir Henry Parkes: Father of Federation, Premier of NSW, Statesman, Visionary, Political Leader, Poet, Humanist May 27, 2015 brings the 200th anniversary of the birth of Sir Henry Parkes. After he died, the London Times described him as 'a colonial colossus.' Henry Parkes received little schooling and worked on a rope - walk, breaking stones, as an ivory and bone turner, ironmonger, labourer and on the wharves before trying business life and ultimately politics. He and his first wife travelled to Australia on an assisted passage. Parkes steadily educated himself, reading voraciously and widely, including all the great poets. There has never been anyone else like Sir Henry Parkes in Australian public life. Not only was he the father of federation. His friends included Thomas Carlyle, fellow poet Lord Tennyson and British Prime Minister Gladstone. He convinced Florence Nightingale to send trained nurses to Australia. He conceived the international rabbit competition which led to the Pasteur affair and put Australia at the forefront of microbiology. He encouraged talented men to enter politics. Yet he shunned the limelight, rarely attending social functions. Whenever he received begging letters, (which he did, daily), Parkes always wrote back enclosing money. No wonder he went bankrupt three times! Yet he was Premier of NSW 5 times, leaving its finances well in the black every time. He married three times, the last time to a 23-year-old beauty. Clearly, Parkes loved women, and they loved him. He encouraged women to attend political meetings, even though they didn't have the vote. NSW Parliament House dining room was managed by a husband and wife; when the husband died, Parliament wanted to fire his widow, but Parkes stood up for her, saying she was perfectly capable of managing the dining room on her own, which she did for years to come. But not everyone loved Sir Henry; he had a long-running feud with poet Henry Lawson's mother after Parkes wouldn't give young Lawson the help she demanded and he constantly wrestled with political aspirants chasing his seat.

Despite the Australian Constitution having been one of the most stable since its commencement in 1901, it is becoming fatally flawed. The Naked Australian Constitution examines these flaws and the lack of public appreciation of those defects. This is due to several serious errors, including the racial basis of its origin, and the misleading nature of its text—with the High Court having interpreted it in a remarkably subjective manner, undermining the few express requirements and freedoms in the Constitution while also applying concepts that are not required by the constitutional text. As a result, the Constitution is now what the High Court says it is, instead of what it was expected to be by its drafters. Most Australians have no knowledge of the Constitution or its operation, but with the growing subjective application of the Constitution, this constitutional digression requires remedy by a Constitutional review. Ian Killey argues that without review, the Australian people will eventually see the Australian Constitution for what it is rapidly becoming—an Emperor with no clothes.

Born in Port Pirie, South Australia and moving to the UK in the 1950s where he soon established a theatrical agency, at the height of his success, in the 1970s, Robert Stigwood 'Stiggy' was the entertainment industry’s most powerful tycoon. He came to renown managing the careers of the Bee Gees, Cream and Eric Clapton. He produced films including Gallipoli, Saturday Night Fever, Tommy and Grease. He was behind West End and Broadway musicals that were huge hits. Stigwood owned the record label that issued his artists’ albums and film soundtracks, and he also controlled publishing rights. In addition to the many periods of success, there were also great crashes including an infamous Chuck Berry tour that failed to attract audiences and forced Stiggy to declare bankruptcy. In early 1966, Stigwood became the booking agent for the Who and also began managing the fledgling British group Cream, signing them to his record label Reaction, and their album was immediately successful. Stigwood’s ability to pick and promote talent was astounding and he was also known for his many fallings-out. In 1967 the Australian group the Bee Gees arrived in the UK and Stigwood claimed that they were going to be as big as the Beatles. By April, the Bee Gees had their first top 20 hit, and by September their first UK no 1. Stigwood moved into theatre production and took Hair to London. After hearing a demo of Andrew Lloyd Webber and Tim Rice’s musical Jesus Christ Superstar, Stigwood invested in the project. He oversaw the New York stage production and in 1973 produced the film adaptation. Stigwood continued to work with Lloyd Webber right up to the 1996 film of Evita. Stiggy got involved in making British television sitcoms and adapting them for US audiences. After watching John Travolta in Welcome Back Kotter, Stigwood signed him to a three-picture deal. After reading an article by British journalist Nik Cohn Stigwood developed it into the feature film Saturday Night Fever and asked the Bee Gees to write its music. The album soundtrack remains the biggest seller of its kind while the film proved a huge hit and helped make disco music an international phenomenon. Stigwood then produced the film of the musical Grease. Stigwood lived it up with private planes, yachts, a Central Park West penthouse and staff. The failure of the big-budget musical film of the Beatles’ album Sgt Pepper’s Lonely Hearts Club Band got to him and he sold his record label. Though his ability to create success had not left him entirely with musical productions and films benefitting from his involvement into the 1990s. For many years he lived a mostly reclusive life in an estate on the Isle of Wight though remained a part of the lives of the Gibb family.

Examines the images, hopes, and fears that were evoked during China’s century-long subservience to external powers.

Now updated with groundbreaking research, this award-winning classic examines the construction of sexual identity in biology, society, and history. Why do some people prefer heterosexual love while others fancy the same sex? Is sexual identity biologically determined or a product of convention? In this brilliant and provocative book, the acclaimed author of Myths of Gender argues that even the most fundamental knowledge about sex is shaped by the culture in which scientific knowledge is produced. Drawing on astonishing real-life cases and a probing analysis of centuries of scientific research, Fausto-Sterling demonstrates how scientists have historically politicized the body. In lively and impassioned prose, she breaks down three key dualisms -- sex/gender, nature/nurture, and real/constructed -- and asserts that individuals born as mixtures of male and female exist as one of five natural human variants and, as such, should not be forced to compromise their differences to fit a flawed societal definition of normality.

Includes : Catherine of Siena ; Beatrice d'Este ; Anne of Brittany ; Lucrezia Borgia ; Margaret d'Angouleme ; Renee, Duchess of Ferrara.

Opinion is still sharply divided on whether Breaker Morant and his Australian co-defendants were criminals who got what they deserved, or scapegoats used by the British Empire. Major Thomas, the bush lawyer drafted in at the last minute to defend them, is invariably depicted as either a hero or an incompetent fool. Now, for the first time, Greg Growden attempts to unravel the truth about the lawyer and soldier who returned from South Africa a broken man. Before the Boer War, Major Thomas had been a pillar of his community. He was a published poet, newspaper proprietor, lawyer and decorated soldier, but defending Breaker Morant became the defining episode of his life. The former 'King of Tenterfield' endured a stunning fall from grace, slipping into bankruptcy and imprisonment. Thomas ended his days as an eccentric recluse, his life ruined by the ignominy and frustration of finding himself on the wrong side of history. For more than a century he has been a footnote in diverging historical arguments. A proper hearing for Major Thomas is long overdue.