Singing Under Water is a remarkable collection of poetry and prose. As varied as its authors, the pieces give a great deal of insight into the human condition. There is suffering here, but also beauty, faith, transcendence, skill, and art. If you want to delve into the workings of the heart and soul, do read this. The above description comes from Santa Fe, NM author, Miriam Sagan.

Billie is off on an underwater adventure! But will she be able to save her friends from the great gloopy sea monster?

'I needed to breathe. Not the short, shallow breaths that keep you alive ... merely existing. I wanted that breath that starts deep down in your being and fills your lungs and limbs with life.' Claire Walsh spent her twenties living the life she thought she was supposed to live, all the while playing hide-and-seek with depression. In her thirties, finding herself single and living with her parents, she decided it was time to chart a different path. In Central America Claire discovered freediving, plunging up to 60 metres below the water's surface without the use of breathing apparatus. It taught her the power of breathwork, but more importantly it taught her how to find freedom in the present moment. Under Water is a candid and captivating story of what it's like to take part in one of the most dangerous sports in the world, and a reminder that sometimes all we need to do is take a deep breath. '20,000 leaues of sparkling adventure and tap-dancing prose.' Ruth Fitzmaurice, author of I Found My Tribe

Discover amazing and fascinating sea creatures in the hole in the bottom of the sea! Based on the traditional cumulative song, each verse introduces a new creature and its place in the food chain, with the shark chasing the eel, who chases the squid, who chases the snail. Enhanced CD includes videso animation and audio singalong.

Two-thirds of this planet is covered by water inhabited by an incredible variety of living organisms, ranging in size from microbe to whale, and in abundance from scarce to uncountable. Whales and dolphins must surface to breathe, and some fishes occupy surface waters and can easily be seen from boats or shore, but most of the marine bio-profusion is hidden from human eyes, often under thousands of feet and millions of tons of water, which is usually cold, dark, and utterly inhospitable to humans. By definition, the study of marine life has been quantitatively and qualitatively different from the study of terrestrial life--it is, if you will, a different kettle of fish. What do we know today, how have we learned it, and what remains unknown and unknowable about inner space? Because there have been so few human visitors to the uninviting world of the deep sea, scientists have had to rely on trawled specimens, photographs taken by robotic cameras, or occasionally, observations from deep-diving submersibles, to get even the vaguest idea of the nature of life in the abyss. So far, even our most elaborate efforts to penetrate the blackness have produced only minimal results. It is as if someone lowered a collecting basket from a balloon high above the tropical rain forest floor, and tried to analyze the nature of life in the jungle from a couple of random hauls. The inner space of the deep offers the last frontier on the planet. Even now, we know more about the back side of the moon than we do about the bottom of the ocean, but then the surface of the moon is not hidden under miles of impenetrable water. But we do know that living in this inaccessible medium are some of the most fascinating creatures on Earth. An understanding of the interrelationships between various creatures-including the one predator that has the power to distort, damage, or even eliminate populations of marine animals-is necessary if we are to survive in harmony with these populations. Although new technologies have given us tools to better census the whales, dolphins, and fishes, and to see heretofore unexpected life and geological forms deep under the sea, we are a long way from comprehending the nature and importance of marine biodiversity. Singing Whales, Flying Squid, and Swimming Cucumbers is an attempt to put the search for knowledge into perspective-to try to find out how we got here, and where, with the help of curiosity, science, and technology, we might be headed. With this as our Baedeker, we will voyage through time and space, tracing the history of the discovery of marine biology, from the moment that the first scientists--although for the most part, "science" had barely been invented--tried to figure out what sorts of creatures lived in the Mediterranean, the sea right off their shores. So join Richard Ellis on an underwater adventure like no other you've ever taken or heard of: a voyage to discover the mysteries and reveal the wonders of marine life--more unusual and more astonishing than you--or anyone else--ever imagined.

Ann Bridge takes the little-known country of Albania for her background recreating the primitive grandeur of the country. The Albanian way of life demonstrates a noble standard of values that is rapidly disappearing under the pressure of modern materialism. Our protagonist is an unhappy and disillusioned young widow who travels to Albania as the result of a chance encounter on the Istanbul express. A fellow passenger tells her that there she will find a life that contains something far more satisfying than the restless gaiety of her cosmopolitan clique. Later, living in the feudal household of an Albanian prince, absorbing an atmosphere of immemorial dignity, and enjoying the friendship of two remarkable women – one a mature and cultured English writer, the other a wise old American doctor – she comes to understand what he had meant. And when, for the second time, she is faced with a tragic outcome to hopes of happiness in love, she is able to find solace among the granite heights and singing waters of Albania.

What is life? What is water? What is sound? In Sounding the Limits of Life, anthropologist Stefan Helmreich investigates how contemporary scientists—biologists, oceanographers, and audio engineers—are redefining these crucial concepts. Life, water, and sound are phenomena at once empirical and abstract, material and formal, scientific and social. In the age of synthetic biology, rising sea levels, and new technologies of listening, these phenomena stretch toward their conceptual snapping points, breaching the boundaries between the natural, cultural, and virtual. Through examinations of the computational life sciences, marine biology, astrobiology, acoustics, and more, Helmreich follows scientists to the limits of these categories. Along the way, he offers critical accounts of such other-than-human entities as digital life forms, microbes, coral reefs, whales, seawater, extraterrestrials, tsunamis, seashells, and bionic cochlea. He develops a new notion of "sounding"—as investigating, fathoming, listening—to describe the form of inquiry appropriate for tracking meanings and practices of the biological, aquatic, and sonic in a time of global change and climate crisis. Sounding the Limits of Life shows that life, water, and sound no longer mean what they once did, and that what count as their essential natures are under dynamic revision.