A satirical and surreal twist on the Anzac legend of Simpson and his donkey

The first scent of blooming flowers, fresh green fields, and invigorating days of sunshine. A Southern Maryland Amish spring bursts with hope, bright promise—and a practical young widow’s chance to try love anew . . . With two lively daughters, an active newborn, and a huge farm to tend, Lena Troyer has no time for impossible what-ifs. She just can’t let herself be distracted by Samuel Mast’s unexpected return. Even though her childhood sweetheart became the man she longed to marry, Samuel never saw or wrote Lena again after his family abruptly moved away. Now a widow, Lena is determined to keep Samuel's helpful ways and irresistible good humor at arm’s length—no matter how often he’s there when she needs him most . . . A restless father with a shameful secret was the reason Samuel’s many letters never got to Lena. And it’s why Samuel can’t bring himself to tell Lena the truth—though he’s doing everything he can to regain her trust and prove he’s worthy of the resourceful woman she’s become. But as a rival for his affections complicates matters, Samuel and Lena must somehow put the past to rest—and believe that faith, honesty, and rekindled love will be more than enough to finally build a family together . . .

In Photographic Returns Shawn Michelle Smith traces how historical moments of racial crisis come to be known photographically and how the past continues to inhabit, punctuate, and transform the present through the photographic medium in contemporary art. Smith engages photographs by Rashid Johnson, Sally Mann, Deborah Luster, Lorna Simpson, Jason Lazarus, Carrie Mae Weems, Taryn Simon, and Dawoud Bey, among others. Each of these artists turns to the past—whether by using nineteenth-century techniques to produce images or by re-creating iconic historic photographs—as a way to use history to negotiate the present and to call attention to the unfinished political project of racial justice in the United States. By interrogating their use of photography to recall, revise, and amplify the relationship between racial politics of the past and present, Smith locates a temporal recursivity that is intrinsic to photography, in which images return to haunt the viewer and prompt reflection on the present and an imagination of a more just future.

A collection of Bart Simpson's madcap and malevolent mishaps.

Andrews shares a collection of hilariously heartwarming memories of his hometown of Sawyerton Springs. These reflective essays can help readers remember where life's greatest treasures can still be found.

This is the story of one of the great events in the history of medicine. In 1847, challenging the firmly held convictions of the medical profession of the time, James Young Simpson demonstrated for the first time that a woman could be safely relieved of the pains of difficult and traumatic labour by the administration of a general anaesthetic. He later added to his fame when he introduced a new and better anaesthetic, chloroform, which soon became the most popular general anaesthetic for use in general surgery as well as midwifery. Its use was endorsed by Queen Victoria when she asked for it to be administered during the birth of Prince Leopold in 1853. The book also gives a history of a time of rapid change in Scottish society that allowed the seventh son of a village baker in a rural apart of Scotland to go to university and then become a successful physician, a medical professor at one of the leading university medical schools in the world and Physician to the Queen, all before he had reached the age of forty.

The 25th Anniversary ebook, now with more than 50 images. 'Touching the Void' is the tale of two mountaineer’s harrowing ordeal in the Peruvian Andes. In the summer of 1985, two young, headstrong mountaineers set off to conquer an unclimbed route. They had triumphantly reached the summit, when a horrific accident mid-descent forced one friend to leave another for dead. Ambition, morality, fear and camaraderie are explored in this electronic edition of the mountaineering classic, with never before seen colour photographs taken during the trip itself.