John Robert Lee has been described as the foremost Caribbean Christian writer of his generation with a truly incarnational view of faith, anchored in the reality of human experience and expressed in richly textured images of Caribbean landscapes, dress, street life, music, dance and his native Creole language. The selected poems in Sighting and other poems of faith mark the pilgrims progress of this writer over three decades. In the poems he sees his life and experiences through the lens of the Christian faith, yet, in the words of Nobel laureate Derek Walcott, his Saint Lucian contemporary, you dont get in the poetry anything that is, in a sense, preachy or self-advertising in terms of its morality. His is a poetry that is rooted in the flesh and blood reality of his times, even as he looks beyond to the transcendent promises of his faith. St. Lucia, Boston, the Haitian earthquake of 2010 are the scenes to which he turns his perceptive gaze, with a poetry that is remarkably mature. The poetry is accessible to anyone who loves a craftsman who turns the language into startling and provocative images.

Bibliography of St. Lucian Creative Writing: Poetry, Prose, Drama by St. Lucian writers is an invaluable reference tool for those researching St. Lucian literature, including the work of internationally recognised St. Lucian-born Nobel laureate Derek Walcott. It lists published and unpublished literature by St. Lucians writing poetry, prose, and drama. Reviews and articles on St. Lucian literature are also cited in a substantial section. Also included are a listing of background readings that throw light on the literature. While the book was several years in the making, its completion was commissioned by the Cultural Development Foundation of St. Lucia.

In terms of literary history, Gerard Manley Hopkins has been difficult to pin down. Many of his concerns - industrialism, religious faith and doubt, science, language - were common among Victorian writers, but he is often championed as a proto-modernist despite that he avoids the self-conscious allusiveness and indirectness that typify much high modernist poetry. It is partly because Hopkins cannot be pigeonholed that his influence remains relevant. The Fire that Breaks brings together an international team of scholars to explore for the first time Hopkins's extended influence on the poets and novelist who defined Anglo-American literature throughout the past century.

A collection of poems inspired by my father, William T. Walsh.

"I can think of no other anthology which celebrates with such intensity the entire drama of the Christian faith. Here we have a host of poets praising God, and saying, 'Glory to God in the highest.' A Widening Light moves the reader through recognitions and meditations toward prayer." (Harold Fickett) "Luci Shaw has compiled perceptions both delicate and powerful of Jesus the 'baby prince, ' the Man, the golden Lion, Jesus Christ the Lord. For those who love poetry and those who think they don't, I recommend a slow and thoughtful reading of this lovely book. Each page reflects from a different angle the Light of the World." (Elisabeth Elliott) "A Widening Light ranks as one of the very best anthologies of Christian poetry." (John H. Timmerman)

Honorable Mention, 2020 Aldo and Jeanne Scaglione Prize, given by the Modern Language Association Uncovers the queer logics of premodern religious and secular texts Putting premodern theology and poetry in dialogue with contemporary theory and politics, Queer Faith reassess the commonplace view that a modern veneration of sexual monogamy and fidelity finds its roots in Protestant thought. What if this narrative of “history and tradition” suppresses the queerness of its own foundational texts? Queer Faith examines key works of the prehistory of monogamy—from Paul to Luther, Petrarch to Shakespeare—to show that writing assumed to promote fidelity in fact articulates the affordances of promiscuity, both in its sexual sense and in its larger designation of all that is impure and disorderly. At the same time, Melissa E. Sanchez resists casting promiscuity as the ethical, queer alternative to monogamy, tracing instead how ideals of sexual liberation are themselves attached to nascent racial and economic hierarchies. Because discourses of fidelity and freedom are also discourses on racial and sexual positionality, excavating the complex historical entanglement of faith, race, and eroticism is urgent to contemporary queer debates about normativity, agency, and relationality. Deliberately unfaithful to disciplinary norms and national boundaries, this book assembles new conceptual frameworks at the juncture of secular and religious thought, political and aesthetic form. It thereby enlarges the contexts, objects, and authorized genealogies of queer scholarship. Retracing a history that did not have to be, Sanchez recovers writing that inscribes radical queer insights at the premodern foundations of conservative and heteronormative culture.