"It was during my eighth or ninth plant medicine journey that I was finally getting a real sense of freedom. I was feeling so elated that I told the moon I had a special request. I explained that this life had been so full of pain for me that I didn't think I could do it all again. So I asked her if in my next life she could make sure that I found the plant medicine as soon as possible. Her reply floored me. She typed, ‘Gerry, that's a request about next time, but it's the same one you used last time.'" Plant medicine? The moon typing? It probably seems incomprehensible. Gerard Armond Powell was a rags-to-riches success story—a member of the 1 percent—but also an extremely unhappy person with multiple addictions. On a fast track to destroying every relationship that ever mattered to him and considering suicide, he was looking for a miracle, a way out. He found it in the form of plant medicine and a shaman who introduced him to the truth of his life, and laid the groundwork for a psycho-spiritual journey that would lead him to reconnect with his soul, heal his addictions, and, finally, achieve a lasting sense of peace and happiness. This experience changed Powell, and convinced him to share the universal truths he learned with as many people as he could, which he does at the acclaimed Rythmia Life Advancement Center in Costa Rica, and now with readers in Sh*t the Moon Said. This mesmerizing story gives readers a blueprint to chart their own course to happiness. The first step is to learn who they really are and the possibilities of what they can still become. Second, they have to achieve a reconnection with their souls. And third, they must heal their hearts. Sh*t the Moon Said provides us with an irreverent way of highlighting our shared unconscious wisdom and its life-changing potential. Powell's candid tale and unlikely journey will help inspire readers to know themselves better, and to find the path to their own greatest redemption.

“Gilbert Sorrentino has long been one of our most intelligent and daring writers. But he is also one of our funniest writers, given to Joycean flights of wordplay, punning, list-making, vulgarity and relentless self-commentary.”—The New York Times “Sorrentino’s ear for dialects and metaphor is perfect: his creations, however brief their presence, are vivid, and much of his writing is very funny and clever, piled with allusions.”—The Washington Post Book World Bearing his trademark balance between exquisitely detailed narration, ground-breaking form, and sharp insight into modern life, Gilbert Sorrentino’s first-ever collection of stories spans 35 years of his writing career and contains both new stories and those that expanded and transformed the landscape of American fiction when they first appeared in such magazines and anthologies as Harper’s, Esquire, and The Best American Short Stories. In these grimly comic, unsentimental tales, the always-memorable characters dive headlong into the wasteland of urban culture, seeking out banal perversions, confusing art with the art scene, mistaking lust for love, and letting petty aspirations get the best of them. This is a world where the American dream is embodied in the moonlit cocktail hour and innocence passes at a breakneck speed, swiftly becoming a nostalgia-ridden cliché. As Sorrentino says in the title story, “art cannot rescue anybody from anything,” but his stories do offer some salvation to each of us by locating hope, humor, and beauty amidst a prevailing wind of cynical despair. Gilbert Sorrentino has published over 20 books of fiction and poetry, including the classic Mulligan Stew and his latest novel, Little Casino, which was shortlisted for the 2003 PEN/Faulkner Award. After two decades on the faculty at Stanford University, he recently returned to his native Brooklyn.

“This book is ridiculously hilarious, and makes my father look like a normal member of society.” —Chelsea Handler “Read this unless you’re allergic to laughing.” —Kristen Bell “If you’re wondering if there is a real man behind the quotes on Twitter, the answer is a definite and laugh-out-loud yes.” —Christian Lander, New York Times bestselling author of Stuff White People Like Tuesdays with Morrie meets F My Life in this hilarious book about a son’s relationship with his foul-mouthed father by the 29-year-old comedy writer who created the massively popular Twitter feed of the same name.

A Washington Post Best Science Fiction and Fantasy Selection of the Year “Charming, sexy.” —The Washington Post John Kessel, one of the most visionary writers in the field, has created a rich matriarchal utopia, set in the near future on the moon, a society that is flawed by love and sex, and on the brink of a destructive civil war. In the middle of the twenty-second century, over three million people live in underground cities below the moon’s surface. One city-state, the Society of Cousins, is a matriarchy, where men are supported in any career choice, but no right to vote—and tensions are beginning to flare as outside political intrigues increase. After participating in a rebellion that caused his mother’s death, Erno has been exiled from the Society of Cousins. Now, he is living in the Society’s rival colony, Persepolis, when he meets Amestris, the defiant daughter of the richest man on the moon. Mira, a rebellious loner in the Society, creates graffiti videos that challenge the Society’s political domination. She is hopelessly in love with Carey, the exemplar of male privilege. An Olympic champion in low-gravity martial arts and known as the most popular bedmate in the Society, Carey’s more suited to being a boyfriend than a parent, even as he tries to gain custody of his teenage son. When the Organization of Lunar States sends a team to investigate the condition of men in the Society, Erno sees an opportunity to get rich, Amestris senses an opportunity to escape from her family, Mira has a chance for social change, and Carey can finally become independent of the matriarchy that considers him a perpetual adolescent. But when Society secrets are revealed, the first moon war erupts, and everyone must decide what is truly worth fighting for.

Aubade Those who lack a talent for love have come to walk the long Pier 7. Here at the end of the imagined world are three low-flying gulls like lies on the surface; the slow red of a pilot’s boat; the groan of a fisherman hacking a small shark— and our speech like the icy water, a poor translation that will not carry us across. What brought us west, anyway? A hunger. But ours is no Donner Party, we who feed only on scenery, the safest form of obfuscation: see how the bay is a gray deepening into gray, the color of heartbreak. Randall Mann’s Breakfast with Thom Gunn is a work both direct and unsettling. Haunted by the afterlife of Thom Gunn (1929–2004), one of the most beloved gay literary icons of the twentieth century, the poems are moored in Florida and California, but the backdrop is “pitiless,” the trees “thin and bloodless,” the words “like the icy water” of the San Francisco Bay. Mann, fiercely intelligent, open yet elusive, draws on the “graceful erosion” of both landscape and the body, on the beauty that lies in unbeauty. With audacity, anxiety, and unbridled desire, this gifted lyric poet grapples with dilemmas of the gay self embroiled in—and aroused by—a glittering, unforgiving subculture. Breakfast with Thom Gunnis at once formal and free, forging a sublime integrity in the fire of wit, intensity, and betrayal. Praise for Complaint in the Garden “We have before us a skillful, witty, passionate young poet. . . . Randall Mann is both attuned to and at odds with the natural world; he articulates the passions and predicaments of a self inside a massive, arousing, but sometimes brutal culture. And he accomplishes these things with buoyant lyric sensibilities and rejuvenating skills.”—Kenyon Review

Willow is shy. VERY shy. Her home is in an abandoned mailbox, and she'd rather stay put. Outside kids scream and soccer balls collide, trees look like monsters, and rain is noisy in a scary kind of way. It's much nicer to stay inside, drawing. But then a young boy drops a letter in Willow's mailbox: it's a note to the moon asking for a special favor. Willow knows that if she doesn't brave the world outside, the letter will never be delivered, and the boy will be heartbroken. Should she try? Can she? Cat Min delivers a breathtakingly illustrated story about shyness, the power of empathy, and what it means to make a friend.