Like many western boomtowns at the turn of the twentieth century, Spokane, Washington, enjoyed a lively theatrical scene, ranging from plays, concerts, and operas to salacious variety and vaudeville shows. Yet even as Spokanites took pride in their city’s reputation as a “good show town,” the more genteel among them worried about its “Wild West” atmosphere. In Show Town, historian Holly George correlates the clash of tastes and sensibilities among Spokane’s theater patrons with a larger shift in values occurring throughout the Inland West—and the nation—during a period of rapid social change. George begins this multifaceted story in 1890, when two Spokane developers built the lavish Auditorium Theater as a kind of advertisement for the young city. The new venue catered to a class of people made wealthy by speculation, railroads, and mining. Yet the refined entertainment the Auditorium offered conflicted with the rollicking shows that played in the town’s variety theaters, designed to draw in the migratory workers—primarily single men—who provided labor for the same industries that made the fortunes of Spokane’s elite. As well-to-do Spokanites attempted to clamp down on the variety theaters, performances at even the city’s more respectable, “legitimate” playhouses began to reflect a movement away from Victorian sensibilities to a more modern desire for self-fulfillment—particularly among women. Theaters joined the debate over modern femininity by presenting plays on issues ranging from woman’s suffrage to shifting marital expectations. At the same time, national theater monopolies transmitted to the people of Spokane new styles and tastes that mirrored larger cultural trends. Lucidly written and meticulously researched, Show Town is a groundbreaking work of cultural history. By examining one city’s theatrical scene in all its complex dimensions, this book expands our understanding of the forces that shaped the urban American West.

"Working On A Song is one of the best books about lyric writing for the theater I've read."—Lin-Manuel Miranda Anaïs Mitchell named to TIME's List of the 100 Most Influential People in the World of 2020 An illuminating book of lyrics and stories from Hadestown—the winner of eight Tony Awards, including Best Musical—from its author, songwriter Anaïs Mitchell with a foreword by Steve Earle On Broadway, this fresh take on the Greek myth of Orpheus and Eurydice has become a modern classic. Heralded as “The best new musical of the season,” by The Wall Street Journal, and “Sumptuous. Gorgeous. As good as it gets,” by The New York Times, the show was a breakout hit, with its poignant social commentary, and spellbinding music and lyrics. In this book, Anaïs Mitchell takes readers inside her more than decade’s-long process of building the musical from the ground up—detailing her inspiration, breaking down the lyrics, and opening up the process of creation that gave birth to Hadestown. Fans and newcomers alike will love this deeply thoughtful, revealing look at how the songs from “the underground” evolved, and became the songs we sing again and again.

Where was Mark Twain born? What city has claim to a president who was only president for a day? Who has the best paddling trips in the Ozarks? What about the World's Largest Gift Store? Find these answers and more in Show Me Small-Town Missouri. Award-winning author Jake McCandless, a lover of small towns and adventures, traveled the state in search of amazing local experiences to share this treasure trove of what you can find in often-overlooked towns across Missouri. Featured are 90 sparkling gems found in all four of the state's geographical regions—the Northern Prairie, the Southwest Osage Plain, the Ozarks, and the Bootheel Lowlands. The must-see attractions, activities, restaurants, sweet shops, specialty shops, and unique vacation spots are showcased in full-color images with an easy-to-follow index to help you plan your trip. From galleries to hiking trails, candy factories to wineries, lakeside attractions to the best fireworks displays, Show Me Small-Town Missouri has everything you need to know for a day, weekend, or week full of fun.

Provides a behind-the-scenes look at the TV series which created the band, and includes photographs and background on the eight stars created by the show.

The Advocate is a lesbian, gay, bisexual, transgender (LGBT) monthly newsmagazine. Established in 1967, it is the oldest continuing LGBT publication in the United States.

'Karin Slaughter is simply one of the best thriller writers working today, and Cop Town shows the author at the top of her game... I would follow her anywhere!' Gillian Flynn _________________________________________ Atlanta, 1974 As a brutal killing and a furious manhunt rock the city, Kate Murphy wonders if her first day on the police force will also be her last. But Kate is not the only woman on the force who is finding things tough. Maggie Lawson followed her uncle and brother into the ranks to prove her worth in their cynical eyes. When Maggie and Kate become partners, and are sidelined in the search for the city's cop killer, their fury, pain, and pride finally reach boiling point. But are they prepared to risk everything as they venture into the city's darkest heart? _________________________________________ Praise for Karin Slaughter: 'Her characters, plot, and pacing are unrivalled' MICHAEL CONNELLY 'Passion, intensity, and humanity' LEE CHILD 'A writer of extraordinary talents' KATHY REICHS 'Fiction doesn't get any better than this!!' JEFFERY DEAVER

"The Big Tent relates the circus experience from the perspectives of its diverse audiences, telling what locals might have seen and done while the show was in town. Renoff digs deeper, too. He points out, for instance, that the performances of these itinerant outfits in Jim Crow-era Georgia allowed boisterous, unrestrained interaction between blacks and whites on show lots and city streets on Circus Day. Renoff also looks at encounters between southerners and the largely northern population of circus owners, promoters, and performers, who were frequently accused of inciting public disorder and purveying lowbrow prurience, in part due to residual anger over the Civil War.".