Once on the fast track to success, Helen Hawthorne is now going nowhere fast. She traded in her chic life for a shabby one. And now she's on the fun, jumping from city to city and dead-end job to dead-end job, trying to stay one step ahead of her past... After two weeks as the new salesclerk at Juliana's, Fort Lauderdale's ultra-exclusive clothing boutique, Helen still feels out of fashion. And since the only crime likely to be committed around here is being old-or worse, looking old-Helen figures she is safe. Until she discovers the manager has been embezzling money and selling designer drugs along with the designer clothes. Add murder to the mix-and Helen's dead-end job is downright deadly.

Are Americans obsessed with shopping? Shop 'til You Drop is a lively look at our consumer culture and its role in our everyday lives and society. Is the United States different from other first-world nations in the amount of time we spend shopping or in our attitudes toward consumption? Are we one unified consumer culture or are several cultures operating and battling against one another? Arthur Asa Berger uncovers the answers to these and other questions, considering the sacred roots of consumer culture, the demographics of consumption, theories about competing cultures, and the semiotics of shopping. Accessibly written and entertaining, Shop 'til You Drop is ideal for courses in cultural studies, advertising, and American studies, as well as for anyone curious about our nation's drive to consume.

Number 25 in this choose-your-own-scare series. Shut up in a haunted department store at midnight, you will have to contend with living gargoyles, a seriously disturnbed lift and a vampire night watchman whose guard dog could just be a werewolf...

Tegneserie. Samlet udgave af volume 1-4.

BIMBOS, BUSTIERS, AND BOTOX! MURDER MOST FASHIONABLE... Author Elaine Viets kicks off this funny and fresh cozy series—about a woman on the run from her ex—with a rollicking tale of crime and vanity in the shadow world of wannabe molls. When unlikely sleuth Helen Hawthorne flees St. Louis, she fetches up in Fort Lauderdale, suddenly surrounded by the beautiful and the Botoxed. They all shop at the same place—Juliana’s, the overpriced boutique where Helen works. And they’re all looking for a wealthy wise guy to take to the cleaners. It’s a dead-end job with no perks—but one that pays in cash. A little shady, but it beats leaving a paper trail. Turns out shady’s only the beginning. Juliana’s holds more secrets than a confessional, beginning with theft and drug sales, progressing to ever more ambitious scams, and inevitably, given the escalating level of crime, the murder of a felonious fashionista. The good news is there’s a reward—and Helen needs money. The bad is that she could die before she collects it. Readers will find Helen the perfect cozy protagonist—an ordinary woman squeezed by circumstance, feeling her way as she takes control of her life whatever way she has to do it, innocent yet growing savvier by the second. You root hard for her as she settles into the role of amateur detective because you just can’t help identifying with her and hoping you’d rise to the occasion as well. And you’ll laugh out loud at the sly way author Viets skewers the South Florida culture of vanity and money. Fans of everywoman heroines like those created by Joanna Campbell Slan, Donna Andrews, Joanne Fluke, CeeCee James, Jana DeLeon, and Janet Evanovich will fall in love with this plucky investigator. And they can settle in for a long and beautiful relationship. The best news is the series is fifteen books strong, and counting!

A polemic against corporate rock bands, magazines, and festivals, and anyone or anything else who commodifies rebellion.

Last Year at Betty and Bob's: A Novelty is the first in a series of novellas emerging from a writing practice that taps the cusp of consciousness between dreaming and waking. A storyline, or genealogy, tinted a shade of RGB blue, is fashioned by thinking through the felt unthought of this between space. A fabulation, an anarchive of what passes through. Lucid dreaming of this type is rife with allusions to conceptual and material goings-on, manifesting in awkward imaginaries. The dream personas are rendered as complex character amalgams with nomadic ages, sexes, genders and phenotypes. Occurrences of lived "fact" elide with a hallucinatory real as speculation. In A Novelty, Bette B, an ageing quasi-academic artist researcher, and BØB, attuned urban rodent, are palindromic variants of a generic cast of Betty's and Bob's. The happenstance of their meeting on the super slick POMOC (PostOffice MotionCorridor) affects a trans-special contagion. These are the facts of the matter. The matters that come to concern both B's are more slippery and elusive