Reprint of the original, first published in 1865.

 From the Crimean War through the Second Boer War, the British Empire sought to solve the "Great Gun Question"--to harness improvements to ordnance, small arms, explosives and mechanization made possible by the Industrial Revolution. The British public played a surprising but overlooked role, offering myriad suggestions for improvements to the civilian-led War Office. Meanwhile, politicians and army leaders argued over control of the country's ground forces in a decades-long struggle that did not end until reforms of 1904 put the military under the Secretary of State for War. Following the debate in the press, voters put pressure on both Parliament and the War Office to modernize ordnance and military administration. The "Great Gun Question" was as much about weaponry as about who ultimately controlled military power. Drawing on ordnance committee records and contemporary news reports, this book fills a gap in the history of British military technology and army modernization prior to World War I.

In the 16th century, warships engaged at close range, sometimes with yards touching, and small arms fire and hand-to-hand combat were at least as important as the "great guns." As time went on, the big guns became more decisive and increased in destructive power, range and accuracy. This book explores how naval armament, armor, ballistics and gunnery evolved from the 16th to 20th centuries from a scientific and technological perspective. It examines the functional aspects--the guns and their distribution on warships, the propellants, the projectiles and so forth--and examines the development of each.

Since the rise of Napster and other file-sharing services in its wake, most of us have assumed that intellectual piracy is a product of the digital age and that it threatens creative expression as never before. The Motion Picture Association of America, for instance, claimed that in 2005 the film industry lost $2.3 billion in revenue to piracy online. But here Adrian Johns shows that piracy has a much longer and more vital history than we have realized—one that has been largely forgotten and is little understood. Piracy explores the intellectual property wars from the advent of print culture in the fifteenth century to the reign of the Internet in the twenty-first. Brimming with broader implications for today’s debates over open access, fair use, free culture, and the like, Johns’s book ultimately argues that piracy has always stood at the center of our attempts to reconcile creativity and commerce—and that piracy has been an engine of social, technological, and intellectual innovations as often as it has been their adversary. From Cervantes to Sonny Bono, from Maria Callas to Microsoft, from Grub Street to Google, no chapter in the story of piracy evades Johns’s graceful analysis in what will be the definitive history of the subject for years to come.