"This book is a reference work on the history and technical legacy of a samurai era martial arts school called Shindo Yoshin Ryu, founded in 1864"--

The complete Japanese work on Shindo Muso Ryu Jojutsu by Fujita Seiko with full translation. The work includes numerous diagrams of the movements as well as explanation by the author with translations into English. An added section of the complete technique listing of the Shindo Muso Ryu Jojutsu as well as the attached schools within including: Shinto Ryu Kenjutsu (sword), Ikkaku Ryu Jutte (truncheon), Uchida Ryu Tanjojutsu (short stick), Ittatsu Ryu Hojojutsu (rope binding) and Isshin Ryu Kusarigama (chain and sickle).

Drawing on the vast body of styles practiced around the world, including ancient and obscure styles from every continent on the planet, The Way of the Warrior is an indispensable, one-stop reference work for anyone interested in the martial-arts canon.

A Jujutsu instruction manual for the Shinto Rikugo School, which was a blend of six different classical Jujutsu schools published in Japan in 1913. This school was set up to compete with the popular Kodokan Judo. Jujutsu 1913 was one of the earliest Japanese martial arts guides to use photographs to show how to do techniques. Jujutsu 1913 contains 200 black and white photographs and illustrations showing the proper way to set up various throws, sweeps, chokes and grappling techniques. The titles and descriptions have all been translated into English for the first time. An invaluable look into how Jujutsu was taught in the pre-war era. An excellent book for Jujutsu (Jiujitsu), Judo, BJJ or Japanese martial arts researchers or practitioners.

The complete presentation of the system developed by Wally Jay, this book brings together elements from different arts, Jay's broad-based yet focused and effective system incorporates theories, principles, and techniques essential to the development of every martial artist, whether a novice or a seasoned veteran. In this definitive instructional text, Jay covers the history of small-circle jujitsu; techniques for warm-ups, falling and resuscitation; details on weaknesses of the human body; locking techniques for wrists, fingers, arms, and legs; throwing and choking techniques; and self-defense against strikes, chokes, body grabs, and wrist grabs.

Ellis Amdur's writing on martial arts has been groundbreaking. In Dueling with O-sensei, he challenged practitioners that the moral dimension of martial arts is expressed in acts of integrity, not spiritual platitudes and the deification of fantasized warrior-sages. In Old School, he applied both academic rigor and keen observation towards some of the classical martial arts of Japan, leavening his writing with vivid descriptions of many of the actual practitioners of these wonderful traditions. His first edition of Hidden in Plain Sight was a discussion of esoteric training methods once common, but now all but lost within Japanese martial arts. These methodologies encompassed mental imagery, breath-work, and a variety of physical techniques, offering the potential to develop skills and power sometimes viewed as nearly superhuman. Usually believed to be the provenance of Chinese martial arts, Amdur asserted that elements of such training still remain within a few martial traditions: literally, 'hidden in plain sight.' Two-thirds larger, this second edition is so much more. Amdur digs deep into the past, showing the complexity of human strength, its adaptation to varying lifestyles, and the nature of physical culture pursued for martial ends. Amdur goes into detail concerning varieties of esoteric power training within martial arts, culminating in a specific methodology known as 'six connections' or 'internal strength.' With this discussion as a baseline, he then discusses the transfer of esoteric power training from China to various Japanese jujutsu systems as well as Japanese swordsman-ship emanating from the Kurama traditions. Finally, he delves into the innovative martial tradition of Daito-ryu and its most important offshoot, aikido, showing how the mercurial, complicated figures of Takeda Sokaku and Morihei Ueshiba were less the embodiment of something new, than a re-imagining of their past.