A study of comparative metaphysics that explores the concepts of Reality and Appearance and their relevance to contemporary religious consciousness. In this pioneering work of comparative metaphysics, Patrick Laude delves into Buddhist, Christian, Hindu, Islamic, and Jewish concepts of Reality and Appearance to offer a uniquely lucid exploration of metaphysical representations of reality, relativity, appearance, and illusion. Laude includes discussions of the Absolute and the Relative in Hindu Advaita Ved?nta, Kashmiri ?aivism, Sufi wahdat al-wuj?d, and Madhyamaka Buddhism; the metaphysics of salvation in Buddhist and Christian traditions; and the metaphysics of evil and the distinction between Reality and Appearance in the Jewish Kabbalah, ?aivism, Christian mysticism, and the Sufi school of Ibn al-‘Arab?. The book explores how a discerning and subtle apprehension of the relationship between Reality and Appearance may help contemporary readers and seekers respond to the acute predicaments of contemporary religious and spiritual consciousness. “I have rarely read a work that is so lucid in explaining complex philosophical theories across multiple traditions, so articulate in constructing concise ideas, and so strategic in assembling a framework for analysis. This is a unique and special work of comparative metaphysics rarely found in contemporary works on philosophies of religion.” — Lee Irwin, author of Alchemy of Soul: The Art of Spiritual Transformation

A powerful and poetic masterpiece where ordinary people’s dreams play out in a city plagued by government exploitation and crime Shortlisted for the Saif Ghobash Banipal Prize for Arabic Literary Translation As his wife delivers their child in the next room, a man wakes from the nightmare of a teenage girl’s body lying beneath his bed. In this twilight before birth, Fadel’s epic novel catches us in the confusion between exaltation and despair. The girl, Farah, once dreamed of being a singer in Casablanca, a city standing in the shadow of the tallest minaret in the world. Illuminating the aspirations of those just struggling to make a living, A Shimmering Red Fish Swims with Me is a tour-de-force, a novel of power plays and petty jealousies, deceit and corruption, love and loss, written with Fadel’s masterful, narrative control and searing, historical insight.

American writer Edith Wharton (1862-1937) once wrote in Harper's that she wanted to "penetrate ... the carefully guarded interior[s]" of her past memories and fashion them "into a little memorial like the boxes formed of exotic shells which sailors used to fabricate between voyages." For Totten (English, North Dakota State U.) this statement is a striking reminder of the connections between material objects and cultural meanings in Wharton's life and work. He presents 11 essays that explore these connections in a variety of ways. Topics include critical linkages of Wharton to materiality as a means to keep her outside the canonical, resistance to commodification in The House of Mirth, the creation of the disposable object and Wharton's characters' fears of their disposability, Wharton's ideas about the use of museum space in The Age of Innocence, and the effect of technology on domestic space in The Fruit of the Tree.

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'This book is a not-so-small joy in itself.' NIGELLA LAWSON 'Parkinson has the gift of making you look with new eyes at everyday things. The perfect daily diversion.' JOJO MOYES 'Always funny and frank and full of insight, I absolutely love Parkinson's writing.' DAVID NICHOLLS 'I loved this book . . . Parkinson's writing transports you to unexpected places of joy and comfort . . . these pages contain happiness.' MARINA HYDE 'The twenty-first century feels a lot more bearable in Parkinson's company.' CHARLOTTE MENDELSON Drawn from the successful Guardian column, these everyday exultations and inspirations will get you through dismal days. Hannah Jane Parkinson is a specialist in savouring the small pleasures of life. She revels in her fluffy dressing gown ('like bathing in marshmallow'), finds calm in solo cinema trips, is charmed by the personalities of fonts ('you'll never see Comic Sans on a funeral notice'), celebrates pockets and gleefully abandons a book she isn't enjoying. Parkinson's everyday exaltations - selected from her immensely successful Guardian column - will utterly delight. FEATURES BRAND NEW MATERIAL 'A compendium of delights.' OBSERVER 'Delightful . . . a love letter to those little moments of bliss that get us through the daily grind.' RED

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