Part One of a series, Shikongo- The Hero Returns follows the young man, Shikongo who runs away from home, leaving everything behind following the death of both his parents in mysterious circumstances, to find his mother's family in a neighboring kingdom. Initially afraid of his uncles, he decides to return and face them but first he must find his mothers family in a neighboring kingdom. Set in pre colonial Southern Angola and Northern Namibia, it takes you on his journey as he stumbles upon an enchanted family with age old secrets for rain making and healing and where he falls in love with the beautiful and friendly Namtenya, only to lose her to an enchanted river goddess. Not knowing what strange events await him, he sets out to find her, knowing that he must still go and find his mothers kingdom. Inspired by real events Shikongo - The Hero Returns explores life in nineteenth century Namibia and Angola and provides a look into the life of the Ovambo people before independence.

Set in Namibia just after independence in the early 1990s, Peter Orner's first novel is a chronicle of the long days, short loves, and cold nights at Goas, an all-boys Catholic primary school so deep in the veld that "even the baboons feel sorry for us." Though physically isolated in semi-desert beneath a relentless sun, the people of Goas create an alternate, more fertile universe through the stories they tell each other. The book's central character is Mavala Shikongo, a combat veteran who fought in Namibia's long war for independence against South Africa. She has recently returned to the school -- with a child, but no husband. Mavala is modern, restless, and driven, in sharp contrast to conservative Goas. All the male teachers (including a bumbling but observant volunteer from Cincinnati) try not to fall in love with her. Everyone fails -- immediately and miserably. This extraordinary first novel explores the history of a place through the stories of its people. But above all it's about the fleetingness of love and the endurance of fellowship.

Essential...this distinctive series presents 120 southern African texts that are rich, evocative. -- Library Journal

Peter Orner zeroes in on the strange ways our memories define us: A woman's husband dies before their divorce is finalized; a man runs for governor of Illinois and loses much more than an election; two brothers play beneath the infamous bridge at Chappaquiddick. Employing the masterful compression for which he has been widely praised, Orner presents a kaleidoscope of individual lives viewed in startling, intimate close-up. Whether writing of Geraldo Rivera's attempt to reveal the contents of Al Capone's vault or of a father and daughter trying to outrun a hurricane, Orner illuminates universal themes. In stories that span considerable geographic ground -- from Chicago to Wyoming, from Massachusetts to the Czech Republic -- he writes of the past we can't seem to shake, the losses we can't make up for, and the power of our stories to help us reclaim what we thought was gone forever. "A ravishing collection, full of wisdom, grief, beauty, and especially surprise." -- Anthony Doerr, author of The Shell Collectors

Alexander Popper can't stop remembering. Four years old when his father tossed him into Lake Michigan, he was told, Sink or swim, kid. In his mind, he's still bobbing in that frigid water. The rest of this novel's vivid cast of characters also struggle to remain afloat: Popper's mother, stymied by an unhappy marriage, seeks solace in the relentless energy of Chicago; his brother, Leo, shadow boss of the family, retreats into books; paternal grandparents, Seymour and Bernice, once high fliers, now mourn for long lost days; his father, a lawyer and would-be politician obsessed with his own success, fails to see that the family is falling apart; and his college girlfriend, the fiercely independent Kat, wrestles with impossible choices. Covering four generations of the Popper family, Peter Orner illuminates the countless ways that love both makes us whole and completely unravels us. A comic and sorrowful tapestry of memory of connection and disconnection, Love and Shame and Love explores the universals with stunning originality and wisdom.

Landscapes are not just backdrops to human action; people make them and are made by them. How people understand and engage with their material world depends upon particularities of time and place. These understandings are dynamic, variable, contradictory and open-ended. Landscapes are thus always evolving and are often volatile and contested. They are also always on the move - people may or may not be rooted, but they have 'legs'. From prehistoric times onwards people have travelled, but the process of people-on-the-move - as tourists, or on global business, as migrant workers or political or economic refugees - has vastly accelerated. How and why do people who share the same landscape have different and often violently opposed ways of understanding its significance? How do people-on-the-move make sense of the unfamiliar? How do they create a sense of place? How do they rework the memories of places left behind? There is nothing easeful about the landscapes discussed in this book, which are often harsh-edged and troubled both socially and politically. The contributors tackle contested notions of landscape to explain the key role it plays in creating identity and shaping human behaviour. This landmark study offers an important contribution towards an understanding of the complexity of landscape.

In 1963 Mukwahepo left her home in Namibia and followed her fiance across the border into Angola. They survived hunger and war and eventually made their way to Tanzania. There, Mukwahepo became the first woman to undergo military training with SWAPO. For nine years she was the only woman in SWAPO's Kongwa camp. She was then thrust into a more traditional women's role - taking care of children in the SWAPO camps in Zambia and Angola. At Independence, Mukwahepo returned to Namibia with five children. One by one their parents came to reclaim them, until she was left alone. Already in her fifties, and with little education, Mukwahepo could not get employment. She survived on handouts until the Government introduced a pension and other benefits for veterans. Through a series of interviews, Ellen Ndeshi Namhila recorded and translated Mukwahepo's remarkable story. This book preserves the oral history of not only the 'dominant male voice' among the colonised people of Namibia, but brings to light the hidden voice, the untold and forgotten story of an ordinary woman and the outstanding role she played during the struggle.