"The prologue gallery provides a context within which to understand the images produced after the revolution. Included in the prologue are examples of the iconic photographs made by important photographers of the revolution s military struggle, such as Korda and Osvaldo Salas. These images reflect the heroic personalities of the revolution and establish a baseline from which three generational shifts in the conception and uses of photography can be traced.".

Cultural immersion--learning all the facets of what Chinese means--is an integral part of language learning for serious students of Chinese.

"The discovery of a strange and superior warship sends Dion, youngest son of the king of Xanthos, and Chloe, a Phalesian princess, on a journey across the sea, where they are confronted by a kingdom far more powerful than they could ever have imagined. But they also find a place in turmoil, for the ruthless sun king, Solon, is dying. In order to gain entrance to heaven, Solon is building a tomb—a pyramid clad in gold—and has scoured his own empire for gold until there’s no more to be found. Now Solon’s gaze turns to Chloe’s homeland, Phalesia, and its famous sacred ark, made of solid gold. The legends say it must never be opened, but Solon has no fear of foreigners’ legends or even their armies. And he isn’t afraid of the eldren, an ancient race of shape-shifters, long ago driven into the Wilds. For when he gets the gold, Solon knows he will live forever" -- back cover.

Chloe's quest to escape the Oracle's prophecy leads her to a magus with a secret: the eldren are not the only race to use magic in warfare. An ancient power is rediscovered, race to use magic in warfare. An ancient power is rediscovered, and a forgotten people will return. Meanwhile, cursed by his and a forgotten people will return. Meanwhile, cursed by his birth, Dion tries to forge a new life at sea, away from both the eldren and his former life in Xanthos. But the one thing he can't leave behind is his heritage.

Verse is an aggressively apathetic (former) pirate with no idea of their age and a plethora of missing memories. They--and a group of friends they may someday forget--are thrown into a conflict that is tearing the world of Elancia apart, this one far deadlier than the last. It's salvation? Well, that changes with each person you ask. Over the course of the next few months, Verse is forced to confront their missing memories, a sister in their dreams that probably doesn't exist, and a plethora of questions regarding themself. There's something locked up inside of Verse, and it may just be a monster.

“Engrossing . . . The mysterious and dangerous waterfront world of London’s ‘longest street,’ the Thames, comes to life.”—South Florida Sun-Sentinel William Monk knows London’s streets like the back of his hand. But the river Thames and its teeming docks—where wharf rats and night plunderers ply their trades—is unknown territory. Only Monk’s dire need for work persuades him to accept an assignment from shipping magnate Clement Louvain, to investigate the theft of a cargo of African ivory from Louvain’s recently docked schooner, the Maude Idris. But why didn’t Louvain report the ivory theft directly to the River Police? Another mystery is the appearance of a desperately ill woman who Louvain claims is the discarded mistress of an old friend. Is she connected to the theft, or to something much darker? As Monk endeavors to solve these riddles, he can’t imagine the trap that will soon so fatefully ensnare him. Praise for The Shifting Tide “With her visionary sensibility, Anne Perry is the master of the ‘you are there’ school of hist-myst storytelling. . . . [Here are] scenes that could have come out of Dickens's Our Mutual Friend.”—The New York Times Book Review “As always, Perry uses her characters and story to comment on ethical issues that remain as relevant today as they were in Victorian times.”—Publishers Weekly “No one writes more elegantly than Perry, nor better conjures up the rich and colorful tapestry of London in the Victorian era.”—The Plain Dealer “Among the best [of the Monk books] . . . This one has all Perry’s trademark atmosphere.”—The Globe and Mail

William Monk agrees to look into the theft of some African ivory from a ship docked in London. But why wasn't the theft reported to the River Police?