Shifting Genres in Late Antiquity examines the transformations that took place in a wide range of genres, both literary and non-literary, in this dynamic period. The Christianisation of the Roman empire and the successor kingdoms had a profound impact on the evolution of Greek and Roman literature, and many aspects of this are discussed in this volume - the composition of church history, the collection of papal letters, heresiology, homiletics and apologetic. Contributors discuss authors such as John Chrysostom, Ambrose of Milan, Cassiodorus, Jerome, Liberatus of Carthage, Victor of Vita, and Epiphanius of Salamis as well as the Collectio Avellana. Secular literature too, however, underwent important changes, notably in Constantinople in the sixth century. Several chapters accordingly reassess the work of Procopius of Caesarea and literature of this period; attention is also given to the evolution of the chronicle genre. Technical writing, such as military manuals and legal texts, are the focus of other chapters; further genres considered include monody, epigraphy and epistolography. Changes in visual representation are also considered in chapters devoted to diptychs, monuments and coins. A common theme that emerges from the chapters is the flexibility and adaptability of genres in the period: late antique authors, whether orators or historians, were not slavish followers of their classical predecessors. They were capable of engaging with their models, adapting them to their own purposes, and producing work that deserves to be considered on its own merits. It is necessary to examine their texts and genres closely to grasp what they set out to do; on occasion, attention must also be paid to the transmission of these texts. The volume as a whole represents a significant contribution to the reassessment of late antique culture in general.

Shifting Genres in Late Antiquity examines the transformations that took place in a wide range of genres, both literary and non-literary, in this dynamic period. The Christianisation of the Roman empire and the successor kingdoms had a profound impact on the evolution of Greek and Roman literature, and many aspects of this are discussed in this volume - the composition of church history, the collection of papal letters, heresiology, homiletics and apologetic. Contributors discuss authors such as John Chrysostom, Ambrose of Milan, Cassiodorus, Jerome, Liberatus of Carthage, Victor of Vita, and Epiphanius of Salamis as well as the Collectio Avellana. Secular literature too, however, underwent important changes, notably in Constantinople in the sixth century. Several chapters accordingly reassess the work of Procopius of Caesarea and literature of this period; attention is also given to the evolution of the chronicle genre. Technical writing, such as military manuals and legal texts, are the focus of other chapters; further genres considered include monody, epigraphy and epistolography. Changes in visual representation are also considered in chapters devoted to diptychs, monuments and coins. A common theme that emerges from the chapters is the flexibility and adaptability of genres in the period: late antique authors, whether orators or historians, were not slavish followers of their classical predecessors. They were capable of engaging with their models, adapting them to their own purposes, and producing work that deserves to be considered on its own merits. It is necessary to examine their texts and genres closely to grasp what they set out to do; on occasion, attention must also be paid to the transmission of these texts. The volume as a whole represents a significant contribution to the reassessment of late antique culture in general.

Classicizing Christian poetry has largely been neglected by literary scholars, but has recently been receiving growing attention, especially the poetry written in Latin. One of the objectives of this volume is to redress the balance by allowing more space to discussions of Greek Christian poetry. The contributions collected here ask how Christian poets engage with (and are conscious of) the double reliance of their poetry on two separate systems: on the one hand, the classical poetic models and, on the other, the various genres and sub-genres of Christian prose. Keeping in mind the different settings of the Greek-speaking East and the Latin-speaking West, the contributions seek to understand the impact of historical setting on genre, the influence of the paideia shared by authors and audiences, and the continued relevance of traditional categories of literary genre. While our immediate focus is genre, most of the contributions also engage with the ideological ramifications of the transposition of Christian themes into classicizing literature. This volume offers important and original case studies on the reception and appropriation of the classical past and its literary forms by Christian poetry.

Shifting Cultural Frontiers in Late Antiquity explores the transformation of classical culture in late antiquity by studying cultures at the borders - the borders of empires, of social classes, of public and private spaces, of literary genres, of linguistic communities, and of the modern disciplines that study antiquity. Although such canonical figures of late ancient studies as Augustine and Ammianus Marcellinus appear in its pages, this book shifts our perspective from the center to the side or the margins. The essays consider, for example, the ordinary Christians whom Augustine addressed, the border regions of Mesopotamia and Vandal Africa, 'popular' or 'legendary' literature, and athletes. Although traditional philology rightly underlies the work that these essays do, the authors, several among the most prominent in the field of late ancient studies, draw from and combine a range of disciplines and perspectives, including art history, religion, and social history. Despite their various subject matters and scholarly approaches, the essays in Shifting Cultural Frontiers coalesce around a small number of key themes in the study of late antiquity: the ambiguous effects of 'Christianization,' the creation of new literary and visual forms from earlier models, the interaction and spread of ideals between social classes, and the negotiation of ethnic and imperial identities in the contact between 'Romans' and 'barbarians.' By looking away from the core and toward the periphery, whether spatially or intellectually, the volume offers fresh insights into how ancient patterns of thinking and creating became reconfigured into the diverse cultures of the 'medieval.'

Noted scholars in the field explore the rich variety of late antique literature With contributions from leading scholars in the field, A Companion to Late Antique Literature presents a broad review of late antique literature. The late antique period encompasses a significant transitional era in literary history from the mid-third century to the early seventh century. The Companion covers notable Greek and Latin texts of the period and provides a varied overview of literature written in six other late antique languages. Comprehensive in scope, this important volume presents new research, methodologies, and significant debates in the field. The Companion explores the histories, forms, features, audiences, and uses of the literature of the period. This authoritative text: Provides an inclusive overview of late antique literature Offers the widest survey to date of the literary traditions and forms of the period, including those in several languages other than Greek and Latin Presents the most current research and new methodologies in the field Contains contributions from an international group of contributors Written for students and scholars of late antiquity, this comprehensive volume provides an authoritative review of the literature from the era.

The Hagiographical Experiment: Developing Discourses of Sainthood throws fresh light on narratives about Christian holy men and women from Late Antiquity to Byzantium. Rather than focusing on the relationship between story and reality, it asks what literary choices authors made in depicting their heroes and heroines: how they positioned the narrator, how they responded to existing texts, how they utilised or transcended genre conventions for their own purposes, and how they sought to relate to their audiences. The literary focus of the chapters assembled here showcases the diversity of hagiographical texts written in Greek, Latin, Coptic, and Syriac, as well as pointing out the ongoing conversations that connect them. By asking these questions of this diverse group of texts, it illuminates the literary development of hagiography in the late antique, Byzantine, and medieval periods.

Battlefield Emotions in Late Antiquity is the first work to offer a comprehensive analysis of morale and fear. Różycki examines Roman military treatises to illustrate the methods of manipulating the human psyche.