“I was struck straightaway by the singular force of her taut, meditative, sorrowful writing.” -- Jhumpa Lahiri A diamond-sharp, Italian classic about the mysterious relationships between two partisan couples in German-occupied Italy in the wintry mountains of Piemonte This hauntingly beautiful, sharply modern novel of WWII is perfect for fans of Tove Ditlevsen, Rachel Cusk, and Lucia Berlin Translated into English for the first time, A Silence Shared is a captivating classic novel that inhabits the silent spaces between historic events, depicting the mysterious luminosity of human relationships in extraordinary circumstances. In prose of subtle, enigmatic atmospheres and acutely precise images, Lalla Romano evokes both the tension and the stillness of life in occupied Italy. Sheltering from the war in a provincial town outside of Turin, Giulia and her husband Stefano feel an instant affinity with Ada and Paolo: she a spontaneous, vibrant young woman, he a sickly intellectual, a teacher and partisan in hiding. As the Germans begin to occupy Italy, a subtle dance of attractions between the couples begins, intensified by their shared isolation and the muffled hum of threat over a long, hard winter.

Much of our faith and practice is about words—preaching, teaching, talking with others. Yet all of these words are not enough to take us into the real presence of God. This book is an invitation to meet God deeply and fully through solitude and silence. This expanded edition includes a guide for groups to use for both discussion and practice.

Liza Long, the author of “I Am Adam Lanza’s Mother"—as seen in the documentaries American Tragedy and HBO®'s A Dangerous Son—speaks out about mental illness. Like most of the nation, Liza Long spent December 14, 2012, mourning the victims of the Newtown shooting. As the mother of a child with a mental illness, however, she also wondered: “What if my son does that someday?” The emotional response she posted on her blog went viral, putting Long at the center of a passionate controversy. Now, she takes the next step. Powerful and shocking, The Price of Silence looks at how society stigmatizes mental illness—including in children—and the devastating societal cost. In the wake of repeated acts of mass violence, Long points the way forward.

Fairacres Publications 170 Wendy Robinson explores the place of silence in contemplative prayer, and the difficulty of subduing our constant internal chatter in order to reach a place of stillness. She draws on various sources of wisdom, including the teaching of Martin Buber and her own experience of Quaker and Orthodox practice.

Silence is long-established as a spiritual discipline amongst people of faith. However, its examination tends to focus on depictions within texts emerging from religious life and the development of its practices. Latterly, feminist theologians have also highlighted the silencing of women within Christian history. Consequently, silence is often portrayed as a solitary discipline based in norms of male monastic experience or a tool of women’s subjugation. In contrast, this book investigates chosen practices of silence in the lives of Christian women today, evidencing its potential for enabling profound relationality and empowerment within their spiritual journeys. Opening with an exploration of Christianity’s reclamation of practices of silence in the twentieth century, this contemporary ethnographic study engages with wider academic conversations about silence. Its substantive theological and empirical exploration of women’s practices of silence demonstrates that, for some, silence-based prayer is a valued space for encounter and transformation in relationships with God, with themselves and with others. Utilising a methodology that proposes focusing on silence throughout the qualitative research process, this study also illustrates a new model for depicting relational change. Finally, the book urges practical and feminist theologians to re-examine silence’s potential for facilitating the development of more authentic and responsible relationality within people’s lives. This is a unique study that provides new perspectives on practices of silence within Christianity, particularly amongst women. It will, therefore, be of significant interest to academics, practitioners and students in theology and religious studies with a focus on contemporary religion, spirituality, feminism, gender and research methods.

Silence exists at the edge of the world, where words break off and meaning fades into ambiguity. The numerous treatments of silence in Steven L. Bindeman’s Silence in Philosophy, Literature, and Art question the misleading clarity of certainty, which persists in the unreflective discourse of common experience. Significant philosophical problems, such as the limits of language, the perception of sound and the construction of meaning, the dynamics of the social realm, and the nature of the human self, all appear differently as a consequence of this questioning. Silence is shown to have two modes, disruptive and healing, which work together as complementary stages within a creative process. The interaction between these two modes of silence serves as the dynamic behind the entire work.

“Dad, there are things about my childhood I’d like to know.” “I don’t want to talk about it. It would only hurt your mother.” “But Dad, you’re the only one who can tell me.” “I don’t want to talk about it. It would only hurt your mother.” Secrets. Lies. Silences. Stories told by parents and their families to protect themselves. A father who defends his wife despite her damage to their daughter’s health and welfare. A mother, shielded by her husband, who perpetuates murderous acts of violence against the daughter, and keeps secret her husband’s sexual “play” with the young girl. And yet ... Nancy King, determined to learn the truth of her childhood and the heartbreaking effects it has had on her adult life, uncovers the secrets. Sees through the lies. Breaks the silence. Empowered by the stories she told herself as a child, she learns to use stories as part of her work as a university professor teaching theater, drama, world literature, and creative expression. Gradually, with the help of body work and therapy, she finds her voice. Says no to abuse and abusers. Reclaims her self and life. Writes a memoir. She climbs mountains. Weaves tapestries. Writes books. Makes friends. Creates a meaningful life. This is her story.