"Examines various conceptions of hayâ, or feelings of shame, modesty and honor in Islam, and the practices associated with this concept in both Muslim majority and minority contexts"--

With a particular emphasis on definitions, continuities, and change, this edited volume examines the historical role and function of haya' – or feelings of shame, modesty, and honor – in Islamic theology and law, and explores contemporary Muslims' engagements with the concept. The book explores various conceptions of haya' and the practices associated with the concept in both Muslim majority and minority contexts. The empirically rich contributions reveal how haya' is socially constructed in varying social and cultural environments across the globe. From medieval Islam to the modern day, this book demonstrates the importance of haya' and its temporal and spatial transformations.

This book overturns Western notions of the veil as a symbol of women's oppression in Islamic societies. The author reveals how the veil, which has enjoyed a resurgence in popularity since the 1970s, de-marginalizes women in society and is an expression of liberation from colonial legacies as well as a symbol of resistance. She also shows how the veil has multiple and nuanced meanings which extend far beyond the narrow view that it is merely a special form of women's clothing.

Salafism, often called "Wahhabism," is widely seen as a fundamentalist interpretation of Islam that subjugates women, yet growing numbers of young British women, many of them converts or from less conservative Muslim backgrounds, are actively embracing it. With unprecedented access to Salafi women's groups in the UK, Anabel Inge provides the first in-depth account of their lives, probing the reasons for their conversion and their subsequent dilemmas and difficulties.

The first comprehensive summary of psychological studies of Arab-Muslim societies, this book examines psychological development through the life-span, describing how traditional patterns appear to be changing in both "modernizing" and "underdeveloping" sectors of Middle Eastern societies. It provides a scholarly account of the region's cultural psychology, and also offers insight into the daily lives of parents, children, and families as they struggle behind and sometimes in the headlines to modernize while conserving valued traditions.

The central aim of this encyclopedia is to give the reader a comparative perspective on issues involving conceptions of gender, gender differences, gender roles, relationships between the genders, and sexuality. The encyclopedia is divided into two volumes: Topics and Cultures. The combination of topical overviews and varying cultural portraits is what makes this encyclopedia a unique reference work for students, researchers and teachers interested in gender studies and cross-cultural variation in sex and gender. It deserves a place in the library of every university and every social science and health department. Contents:- Glossary. Cultural Conceptions of Gender. Gender Roles, Status, and Institutions. Sexuality and Male-Female Interaction. Sex and Gender in the World's Cultures. Culture Name Index. Subject Index.

At first sight, tattoos, nudity, and veils do not seem to have much in common except for the fact that all three have become more frequent, more visible, and more dominant in connection with aesthetic presentations of women over the past thirty years. No longer restricted to biker and sailor culture, tattoos have been sanctioned by the mainstream of liberal societies. Nudity has become more visible than ever on European beaches or on the internet. The increased use of the veil by women in Muslim and non-Muslim countries has developed in parallel with the aforementioned phenomena and is just as striking. Through the means of conceptual analysis, Veils, Nudity, and Tattoos: The New Feminine Aesthetics reveals that these three phenomena can be both private and public, humiliating and empowering, and backward and progressive. This unorthodox approach is traced by the three’s similar social and psychological patterns, and by doing so, Veils, Nudity, and Tattoos hopes to sketch the image of a woman who is not only sexually emancipated and confident, but also more and more aware of her cultural heritage.