Mahabharat is such a great saga, such a great book that has all the essence of life, present in it. This has love, hate, conspiracy, friendship, hatred, loyalty, treachery and all other such emotions. Before the great war of Mahabhrat, the great continent of India was full of brave hearts and warriors, but after the war was over, only a few warriors survived in this land. This war of Mahabharat was the result of two pledges; one that was taken by Pitamah Bhisma and the other pledge that was taken by the ruler of Gandhar, Shakuni. If Bhisma Pitamah had not taken the pledge that he would not sit on the throne, there would have been no chance that this war would have happened and if Shakuni had not taken the pledge that he would destroy the Kuru dynasty, then he would have never left Gandhar and come to Hastinapur; this would ensure that the seed of enmity between the Kauravas and Pandavas would have never grown. The situational pledges that were taken by Bhisma and Shakuni, later on turned into a curse for them. The almighty created such a situation, that both of them started regretting their decisions of taking such pledges. Shakuni never knew that, the sister he loved more that his life would one day be married to the same kuru dynasty, whose destruction has been pledged by him. I have tried to enlighten many unknown facts about the life of Shakuni so that the readers could know more and more about Shakuni. This is my first composition and I would like to dedicate this to, not only my late heavenly mother, but all other mothers too. Since father, brother and other such relations can be formed again, but the selfless love of a mother, once lost can never be found again. The pain of losing one’s mother in childhood and not finding mother like love again, stays with you forever like emptiness. Maybe this pain encourages me to hold the pen and start writing.

Indian mythology is a teeming storehouse of heroes and heroines, who are psychological studies in themselves. Did you know, for instance, how Krishna’s son, who was his father’s alter ego, tackled the curse to be the destroyer of his entire clan? Did you know that sage Gargi was the only lady amongst legendary sages who competed for the prize for the greatest sage in the sub-continent? Did you know that Sahadev, the youngest Pandava, had qualities lacking in any of his other, better-known brothers? Did you know that Shakuni is actually a tragic hero? Myth and the Mind is a collection of six short stories about very interesting personalities in Indian mythology. These men and women are all great, and they are all human beings in whom we will all discover a small part of ourselves.

Those who have never known the future have always hoped for the best. But Sahadeva, who has known the future since the past, has only hoped for it to never become the present! Not allowed to reveal about this ability of his, the youngest Pandava speaks only when he is asked for responses and opinions. Nevertheless, Sahadeva’s incessant musings about all relevant events across spaces of time prove that he indeed is ‘Sahadeva’. Via Sahadeva’s ability to envision everything about everyone and everything, ‘Sahadeva Undercover’ uncovers the unrevealed, unheard-of struggles of the wisest Pandava, Sahadeva, and explores the unexplored sub-plots of the story of Mahabharata.

In this award-winning novel, Tharoor has masterfully recast the two-thousand-year-old epic, The Mahabharata, with fictional but highly recognizable events and characters from twentieth-century Indian politics. Nothing is sacred in this deliciously irreverent, witty, and deeply intelligent retelling of modern Indian history and the ancient Indian epic The Mahabharata. Alternately outrageous and instructive, hilarious and moving, it is a dazzling tapestry of prose and verse that satirically, but also poignantly, chronicles the struggle for Indian freedom and independence.

THE MAHABHARATA ENDURES AS THE GREAT EPIC OF INDIA. But while Jaya is the story of the Pandavas, told from the perspective of the victors of Kurukshetra; Ajaya is the narrative of the ÔunconquerableÕ Kauravas, who were decimated to the last man. At the heart of IndiaÕs most powerful empire, a revolution is brewing. Bhishma, the noble patriarch of Hastinapura, is struggling to maintain the unity of his empire. On the throne sits Dhritarashtra, the blind King, and his foreign-born Queen Ð Gandhari. In the shadow of the throne stands Kunti, the Dowager-Queen, burning with ambition to see her firstborn become the ruler, acknowledged by all. And in the wings: Parashurama, the enigmatic Guru of the powerful Southern Confederate, bides his time to take over and impose his will from mountains to ocean. Ekalavya, a young Nishada, yearns to break free of caste restrictions and become a warrior. Karna, son of a humble charioteer, travels to the South to study under the foremost Guru of the day and become the greatest archer in the land. Balarama, the charismatic leader of the Yadavas, dreams of building the perfect city by the sea and seeing his people prosperous and proud once more. Takshaka, guerilla leader of the Nagas, foments a revolution by the downtrodden as he lies in wait in the jungles of India, where survival is the only dharma. Jara, the beggar, and his blind dog Dharma, walk the dusty streets of India, witness to people and events far greater than they, as the Pandavas and the Kauravas confront their searing destinies. Amidst the chaos, Prince Suyodhana, heir of Hastinapura, stands tall, determined to claim his birthright and act according to his conscience. He is the maker of his own destiny Ð or so he believes. While in the corridors of the Hastinapura palace, a foreign Prince plots to destroy India. And the dice fallsÉ

Irawati Karve studies the humanity of the Mahabharata`s great figures, with all their virtues and their equally numerous faults. Sought out by an inquirer like her, whose view of life is secular, scientific, anthropological in the widest sense, yet appreciative of literary values, social problems of the past and present alike, and human needs and responses in her own time and in antiquity as she identifies them... Seen through her eyes the Mahabharata is more than a work which Hindus look upon as divinely inspired, and venerate. It becomes a record of complex humanity and a mirror to all the faces which we ourselves wear.

Can leadership lessons be learnt from the Mahabharata? Demystifying Leadership positively asserts that we can and probes inquiry in the lives of six characters-Bhishma, Ashvatthama, Karna, Shakuni, Kunti and Krishna. It studies these characters in inescapable situations as they navigate through life by demonstrating values, decision-making ability, integrity and principles. Within the given constraints, some of these characters swim and rise, while others sink in moral turpitude. Extrapolating these successful and not-so-successful character traits to corporate leaders and linking them to scholarship, the authors provide lessons for leaders and managers operating in diverse situations. Borrowing from different disciplines, such as literature, philosophy, politics and psychology, Demystifying Leadership proposes to link essentials of leadership in the form of a Leadership Triangle comprising six levels: positive personality, peace with personal identity, purpose, positive use of power and politics, paradoxical leadership and principled pragmatism. It takes a grounded approach in amalgamating mythology and leadership through scholarship and practice.