This volume presents a close reading of instances of Shakespearean quotations, allusions, imagery and rhetoric found in Karl Marx’s collected works and letters, which provides evidence that Shakespeare’s writings exerted a formative influence on Marx and the development of his work. Through a methodology of intertextual and interlingual close-reading, this study provides evidence of the extent to which Shakespeare influenced Marx and to which Marxism has Shakespearean roots. As a child, Marx was home-schooled in Ludwig von Westphalen’s little academy, as it were, which was Shakespeare- and literary-focused. The group included von Westphalen’s daughter, who later became Marx’s wife, Jenny. The influence of Shakespeare in Marx’s writings shows up as early as his school essays and love letters. He modelled his early journalism partly on ideas and rhetoric found in Shakespeare’s plays. Each turn in the development of Marx’s thought—from Romantic to Left Hegelian and then to Communist—is achieved in part through his use of literature, especially Shakespeare. Marx’s mature texts on history, politics and economics—including the famous first volume of Das Kapital—are laden with Shakespearean allusions and quotations. Marx's engagement with Shakespeare resulted in the development of a framework of characters and imagery he used to stand for and anchor the different concepts in his political critique. Marx’s prose style uses a conceit in which politics are depicted as performative. Later, the Marx family—Marx, Jenny and their children—was central in the late-19th-century revival of Shakespeare on the London stage, and in the growth of academic Shakespeare scholarship. Through providing evidence for a formative role of Shakespeare in the development of Marxism, the present study suggests a formative role for literature in the history of ideas.

The Shakespearean World takes a global view of Shakespeare and his works, especially their afterlives. Constantly changing, the Shakespeare central to this volume has acquired an array of meanings over the past four centuries. "Shakespeare" signifies the historical person, as well as the plays and verse attributed to him. It also signifies the attitudes towards both author and works determined by their receptions. Throughout the book, specialists aim to situate Shakespeare’s world and what the world is because of him. In adopting a global perspective, the volume arranges thirty-six chapters in five parts: Shakespeare on stage internationally since the late seventeenth century; Shakespeare on film throughout the world; Shakespeare in the arts beyond drama and performance; Shakespeare in everyday life; Shakespeare and critical practice. Through its coverage, The Shakespearean World offers a comprehensive transhistorical and international view of the ways this Shakespeare has not only influenced but has also been influenced by diverse cultures during 400 years of performance, adaptation, criticism, and citation. While each chapter is a freshly conceived introduction to a significant topic, all of the chapters move beyond the level of survey, suggesting new directions in Shakespeare studies – such as ecology, tourism, and new media – and making substantial contributions to the field. This volume is an essential resource for all those studying Shakespeare, from beginners to advanced specialists.

"This volume presents a close-reading of instances of Shakespearean quotations, allusions, imagery, and rhetoric found in Karl Marx's collected works and letters which provides evidence that Shakespeare's writings exerted a formative influence on Marx and the development of his work. Through a methodology of intertextual and interlingual close-reading, this study provides evidence of the extent to which Shakespeare influenced Marx and to which Marxism has Shakespearean roots. As a child, Marx was home-schooled in Ludwig von Westphalen's little academy, as it were, which was Shakespeare- and literary-focused. The group included von Westphalen's daughter, who later became Marx's wife, Jenny. The influence of Shakespeare in Marx's writings shows up as early as his school essays and love letters. He modelled his early journalism partly on ideas and rhetoric found in Shakespeare's plays. Each turn in the development of Marx's thought - from Romantic to Left Hegelian and then to Communist - is achieved in part through his use of literature, especially Shakespeare. Marx's mature texts on history, politics and economics - including the famous first volume of Das Kapital - are laden with Shakespearean allusions and quotations. Marx's engagement with Shakespeare resulted in the development of a framework of characters and imagery he used to stand for and anchor the different concepts in his political critique. Marx's prose style uses a conceit in which politics are depicted as performative. Later, the Marx family - Marx, Jenny and their children - was a central figure in the late-nineteenth-century revival of Shakespeare on the London stage, and in the growth of academic Shakespeare scholarship. Through providing evidence for a formative role of Shakespeare in the development of Marxism, the present study suggests a formative role for literature in the history of ideas"--

This book is a compilation of the authors articles published in the Hans India. It makes for a refreshing reading as it fuses numerous anecdotes to substantiate every lesson drawn. With a wider reach in terms of appeal, the book helps the reader to identify with the authors personal experiences. The compelling style in putting across his personal narratives makes it quite illustrative. Backed up by research findings in psychology, management, decision science, leadership studies, and so forth, the lessons learnt in life are provided in a perspective for everyone to emulate. While flipping through the pages, the reader is prompted to probe, dig deeper, and embark on an honest, soul-searching exercise. The reading reinforces the thought process to arrive at workable solutions. Each chapter has a conclusive moral as it flows from the authors profoundness at translating the lessons learnt into practicalities. In essence, life lessons in the book prepare the reader to brave the challenges and crises without making any judgmental errors and regret for a lifetime. Reading maketh a full man. Elders, too, recommend that reading autobiographies of achievers will help one to handle life with dexterity. The author, Professor K. Nageshwar, is an incredibly gifted achiever who has had a closer interface with a multitude of fields. The appeal, charm, and relevance of the authors memoirs are more pronounced as the subjects covered include decision science, stress management, motivation, personality development, leadership, art of management, facing challenges, obstacle management, organizational behavior, communication skills, judgment, self-assessment, learning skills, social connectivity, design-thinking, interpersonal relations, financial management, critical thinking, goal setting, and problem solving.

This study charts how Shakespeare's early fascination with power developed into the profoundly optimistic utopian visions suffusing his later tragicomedies. Hugh Grady shows how five of Shakespeare's most important plays presciently confront dilemmas of an emerging modernity, diagnosing and indicting instrumental politics and capitalism.

Aimed at students without philosophical training and who study literary, cultural, social or political theorists engaging with this European intellectual tradition, this textbook is an accessible guide to key figures in "The Tradition of Critique"--Critical post-Enlightenment European thinking.

With his insightful and wide-ranging theory of recognition, AxelHonneth has decisively reshaped the Frankfurt School tradition ofcritical social theory. Combining insights from philosophy,sociology, psychology, history, political economy, and culturalcritique, Honneth’s work proposes nothing less than anaccount of the moral infrastructure of human sociality and itsrelation to the perils and promise of contemporary sociallife. This book provides an accessible overview of Honneth’s maincontributions across a variety of fields, assessing the strengthsand weaknesses of his thought. Christopher Zurn clearly explainsHonneth’s multi-faceted theory of recognition and itsrelation to diverse topics: individual identity, morality, activistmovements, progress, social pathologies, capitalism, justice,freedom, and critique. In so doing, he places Honneth’stheory in a broad intellectual context, encompassing classic socialtheorists such as Kant, Hegel, Marx, Freud, Dewey, Adorno andHabermas, as well as contemporary trends in social theory andpolitical philosophy. Treating the full range of Honneth’scorpus, including his major new work on social freedom anddemocratic ethical life, this book is the most up-to-date guideavailable. Axel Honneth will be invaluable to students and scholarsworking across the humanities and social sciences, as well asanyone seeking a clear guide to the work of one of the mostinfluential theorists writing today.