In these Shakespearean essays originally published together in 1979, the distinguished literary critic L. C. Knights offers the fruits of his long-term thinking about individual plays (notably, Hamlet, Julius Caesar, Macbeth, Lear) and explores the ways in which a deep and imaginative understanding of Shakespeare's work can relate to and enrich other areas of knowledge - politics, history, social and emotional relationships, the nature of theatrical experience ... Certain critical assumptions are of course implicit here: that great works of art have a continuing life which is renewed through perception; that the vitality generated by such works is for all men and that the critic's function is to encourage all readers to see as much as they can for themselves, not to dogmatize or try to impose a particular reading. L. C. Knights admirably fulfils this function in these essays most of which have been gathered from the three volumes entitled Explorations, Further Explorations and Explorations 3.

These essays offer fresh ideas about Shakespeare. Everett argues that patterns in the major tragedies are drawn from the most common human experiences, and that Shakespeare used his great public settings to suggest myths of the personal life. The first essay "Growing," proposes a new reading that recovers an older forgotten view of the place of the young within the social order. Other essays exemplify a wide range of approaches to Shakespeare's tragic texts, including a reading of Romeo and Juliet that presents the Nurse as a key to Shakepeare's tragic conception, and an essay on the "inaction" of Troilus and Cressida that brings out the extraordinary originality of this unclassifiable play. In addition, the book provides ancillary studies of Hamlet and Othello, together with new approaches to the texts which show how these plays manifest their meanings, even in the smallest details of word and phrase.

Anne Barton's essays on Shakespeare and his contemporaries are characterized by their combination of intelligence, humanity and elegance. In this linked but wide-ranging collection, addressing such topics as Shakespeare's trust--and mistrust--of language, "hidden kings" in the Tudor and Stuart history play, and comedy and the city, Barton looks at both major and neglected plays of the period and the ongoing dialogue between them.

"This volume collects the critical prose of award-winning writer Anna Frajlich. The Ghost of Shakespeare takes its name from Frajlich's essay on Nobel Prize laureate Wisława Szymborska, but informs her approach as a comparativist more generally as she considers the work of major Polish writers of the twentieth century, including Zbigniew Herbert, Czesław Miłosz, and Bruno Schulz. Frajlich's study of the Roman theme in Russian Symbolism owes its origins to her stay in the Eternal City, the second stop on her exile from Poland in 1969. The book concludes with essays in autobiography that describe her parents' dramatic flight from Poland at the outbreak of the war, her own exile from Poland in 1969, settling in New York City, and building her career as a scholar and leading poet of her generation"--

Includes essays on Shakespeare originally published 1987-1997.

Shakespeare scholars give an account of particularly important or interesting features of Shakespeare's use of language.