Get ready for the War of the literary Worlds in the raucous new horror comedy, Shakespeare v Lovecraft! "I think you will enjoy the way Mr. O'Brien ties everything together and pits some of, if not the most famous characters in literature against each other. The story is fast paced with lot of action and adventure: a very enjoyable read and I wholeheartedly recommend it." FAMOUS MONSTERS OF FILMLAND "Shakespeare's characters duking it out with Lovecraft's creatures?! Sign us up immediately!!!" DREAD CENTRAL "Luckily for us it seems that D R O'Brien is tainted with just enough craziness to pull this task off. O'Brien has breathed new life into these well known and loved characters. Thrilling, horrific and funny at the same time which is no mean feat... O'Brien is a talented writer." GINGERNUTS OF HORROR BLOG "All very inventive, clever and ghoulishly entertaining... Bizarre, baroque and amusing..." CONTAINS MODERATE PERIL "We are such stuff as dreams are made on; and our little life is rounded with a sleep." William Shakespeare "In his house at R'lyeh dead Cthulhu waits dreaming." Howard Phillips Lovecraft. In the same putrid vein as Pride and Prejudice and Zombies, Shakespeare v. Lovecraft slithers hideously onto the literary mash-up scene, whispering of cosmic horrors and eldritch tales whilst espousing sweet soliloquys and profoundly contemplating mankind's place in the universe. Prospero, driven dangerously insane by prolonged exposure to the dread Necronomicon, makes a terrible pact with the titanic alien beast known only as Cthulhu. Now only his enchantress daughter Miranda and a handful of history's greatest heroes are all that stand between humanity and blasphemous eternal subjugation. It's a bloodbath of Shakespearean proportions as Cthulhu and his eldritch companions come at our protagonists from all manner of strange geometric angles in a hideous and savage battle for supremacy. This horror-comedy novella of 36,000 words will seize you in its clammy grip and not release you until you have gone positively mad with delight! Witness all this and more: Histrionic Heroes vs. Tentacled Terrors!!! Endless Soliloquys vs. Unnatural Silences!!! Romeo vs. Mi-Go!!! England's Royal Beasts vs. A Shoggoth!!! The Author vs. Iambic Pentameter!!!

Let your imagination sink deep into more than a dozen classic tales of dark horror by H. P. Lovecraft. The stories of H. P. Lovecraft have been a source of fascination for readers since they were published in the early twentieth century, and legions of fans continue to reinvent his dark and fantastical world to this day. This collection of short stories by the master of the macabre contains more than twenty of his most popular works, including "The Call of Cthulhu," "The Shadow Over Innsmouth," and "The Dunwich Horror." Each story will leave the reader feeling unsettled and uncertain, but also appreciative of the unique elements that Lovecraft introduced to the literary world. Makes a perfect gift for fans of Lovecraft, his work, and the HBO series Lovecraft Country.

Every time it is invaded the City gets a new name, but to the natives in is the Nameless City, and they survive by not letting themselves get involved--but now the fate of the City rests in the hands of Rat, a native, and Kaidu, one of the Dao, the latest occupiers, and the two must somehow work together if the City is to survive.

“[Ron Rosenbaum] is one of the most original journalists and writers of our time.” –David Remnick In The Shakespeare Wars, Ron Rosenbaum gives readers an unforgettable way of rethinking the greatest works of the human imagination. As he did in his groundbreaking Explaining Hitler, he shakes up much that we thought we understood about a vital subject and renews our sense of excitement and urgency. He gives us a Shakespeare book like no other. Rather than raking over worn-out fragments of biography, Rosenbaum focuses on cutting-edge controversies about the true source of Shakespeare’s enchantment and illumination–the astonishing language itself. How best to unlock the secrets of its spell? With quicksilver wit and provocative insight, Rosenbaum takes readers into the midst of fierce battles among the most brilliant Shakespearean scholars and directors over just how to delve deeper into the Shakespearean experience–deeper into the mind of Shakespeare. Was Shakespeare the one-draft wonder of Shakespeare in Love? Or was he rather–as an embattled faction of textual scholars now argues–a different kind of writer entirely: a conscientious reviser of his greatest plays? Must we then revise our way of reading, staging, and interpreting such works as Hamlet and King Lear? Rosenbaum pursues key partisans in these debates from the high tables of Oxford to a Krispy Kreme doughnut shop in a strip mall in the Deep South. He makes ostensibly arcane textual scholarship intensely seductive–and sometimes even explicitly sexual. At an academic “Pleasure Seminar” in Bermuda, for instance, he examines one scholar’s quest to find an orgasm in Romeo and Juliet. Rosenbaum shows us great directors as Shakespearean scholars in their own right: We hear Peter Brook–perhaps the most influential Shakespearean director of the past century–disclose his quest for a “secret play” hidden within the Bard’s comedies and dramas. We listen to Sir Peter Hall, founder of the Royal Shakespeare Company, as he launches into an impassioned, table-pounding fury while discussing how the means of unleashing the full intensity of Shakespeare’s language has been lost–and how to restore it. Rosenbaum’s hilarious inside account of “the Great Shakespeare ‘Funeral Elegy’ Fiasco,” a man-versus-computer clash, illustrates the iconic struggle to define what is and isn’t “Shakespearean.” And he demonstrates the way Shakespearean scholars such as Harold Bloom can become great Shakespearean characters in their own right. The Shakespeare Wars offers a thrilling opportunity to engage with Shakespeare’s work at its deepest levels. Like Explaining Hitler, this book is destined to revolutionize the way we think about one of the overwhelming obsessions of our time.

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