Why do Shakespeare and the English Bible seem to have an inherent relationship with each other? How have these two monumental traditions in the history of the book functioned as mutually reinforcing sources of cultural authority? How do material books and related reading practices serve as specific sites of intersection between these two textual traditions? This collection makes a significant intervention in our understanding of Shakespeare, the Bible, and the role of textual materiality in the construction of cultural authority. Departing from conventional source study, it questions the often naturalized links between the Shakespearean and biblical corpora, examining instead the historically contingent ways these links have been forged. The volume brings together leading scholars in Shakespeare, book history, and the Bible as literature, whose essays converge on the question of Scripture as source versus Scripture as process—whether that scripture is biblical or Shakespearean—and in turn explore themes such as cultural authority, pedagogy, secularism, textual scholarship, and the materiality of texts. Covering an historical span from Shakespeare’s post-Reformation era to present-day Northern Ireland, the volume uncovers how Shakespeare and the Bible’s intertwined histories illuminate the enduring tensions between materiality and transcendence in the history of the book.

The Bible in Shakespeare is a critical study of the links between the two great pillars of English culture, the Bible and the works of Shakespeare.

Why do Shakespeare and the English Bible seem to have an inherent relationship with each other? How have these two monumental traditions in the history of the book functioned as mutually reinforcing sources of cultural authority? How do material books and related reading practices serve as specific sites of intersection between these two textual traditions? This collection makes a significant intervention in our understanding of Shakespeare, the Bible, and the role of textual materiality in the construction of cultural authority. Departing from conventional source study, it questions the often naturalized links between the Shakespearean and biblical corpora, examining instead the historically contingent ways these links have been forged. The volume brings together leading scholars in Shakespeare, book history, and the Bible as literature, whose essays converge on the question of Scripture as source versus Scripture as process—whether that scripture is biblical or Shakespearean—and in turn explore themes such as cultural authority, pedagogy, secularism, textual scholarship, and the materiality of texts. Covering an historical span from Shakespeare’s post-Reformation era to present-day Northern Ireland, the volume uncovers how Shakespeare and the Bible’s intertwined histories illuminate the enduring tensions between materiality and transcendence in the history of the book.

365 Devotions pairing Scripture from the King James Bible and lines from Shakespeare's plays and sonnets. Includes little known history, curiosities, and facts about words introduced or used in new ways by Shakespeare.

Shakespeare and the Bible are titans of English-speaking culture: their images are endlessly cited and recycled, and their language permeates everything from our public ceremonies to our private jokes. In Words of Power, Jem Bloomfield explores the cultural reverberations of these two collections of books, and how each era finds new meanings as they encounter works such as Hamlet or the Gospel of Mark.Beginning with a shrewd examination of how we have codified and standardised their canons, deciding which books and which words are included in the official collections and which are excluded, Bloomfield charts the ways in which every generation grapples with these enigmatic and complex texts. He explores the way they are read and performedin public, the institutions that use their names to legitimise their own activities, and how the texts are quoted by politicians, lords and rappers. Words of Power throws modern ideas about Shakespeare and the Bible into sharp relief by contrasting them with those of our ancestors, showing how our engagements with these texts reveal as much about ourselves as their actual meanings.

The first volume to consider how the context of early modern biblical interpretation shaped Shakespeare's plays.

A study of manuscript annotations in a curious copy of John Baret's ALVEARIE, an Elizabethan dictionary published in 1580. This revised and expanded second edition presents new evidence and furthers the argument that the annotations were written by William Shakespeare. This ebook contains text in color, and images. We recommend reading it on a device that displays both.