Shakespeare and the Soliloquy in Early Modern English Drama
Title | Shakespeare and the Soliloquy in Early Modern English Drama PDF eBook |
Author | A. D. Cousins |
Publisher | Cambridge University Press |
Pages | 289 |
Release | 2018-08-16 |
Genre | Literary Criticism |
ISBN | 1316780422 |
Encompassing nearly a century of drama, this is the first book to provide students and scholars with a truly comprehensive guide to the early modern soliloquy. Considering the antecedents of the form in Roman, late fifteenth and mid-sixteenth century drama, it analyses its diversity, its theatrical functions and its socio-political significances. Containing detailed case-studies of the plays of Marlowe, Shakespeare, Jonson, Ford, Middleton and Davenant, this collection will equip students in their own close-readings of texts, providing them with an indepth knowledge of the verbal and dramaturgical aspects of the form. Informed by rich theatrical and historical understanding, the essays reveal the larger connections between Shakespeare's use of the soliloquy and its deployment by his fellow dramatists.
Self-Speaking in Medieval and Early Modern English Drama
Title | Self-Speaking in Medieval and Early Modern English Drama PDF eBook |
Author | R. Hillman |
Publisher | Springer |
Pages | 320 |
Release | 1997-05-30 |
Genre | Philosophy |
ISBN | 0230372899 |
This book documents the changing representation of subjectivity in Medieval and Early Modern English drama by intertextually exploring discourses of 'self-speaking', including soliloquy. Pre-modern ideas about language are combined with recent models of subject formation, especially Lacan's, to theorize and analyze the stage 'self' as a variable linguistic construct. Both the approach itself and the conclusions it generates significantly diverge from the standard New Historicist/Cultural Materialist narrative of subjectivity. Plays range from the Corpus Christi pageants to the Beaumont and Fletcher canon, with Shakespeare a recurrent focus and Hamlet, inevitably, the pivotal text.
Shakespeare and the Soliloquy in Early Modern English Drama
Title | Shakespeare and the Soliloquy in Early Modern English Drama PDF eBook |
Author | A. D. Cousins |
Publisher | Cambridge University Press |
Pages | 290 |
Release | 2018-02-28 |
Genre | Literary Criticism |
ISBN | 1316782034 |
Encompassing nearly a century of drama, this is the first book to provide students and scholars with a truly comprehensive guide to the early modern soliloquy. Considering the antecedents of the form in Roman, late fifteenth and mid-sixteenth century drama, it analyses its diversity, its theatrical functions and its socio-political significances. Containing detailed case-studies of the plays of Marlowe, Shakespeare, Jonson, Ford, Middleton and Davenant, this collection will equip students in their own close-readings of texts, providing them with an indepth knowledge of the verbal and dramaturgical aspects of the form. Informed by rich theatrical and historical understanding, the essays reveal the larger connections between Shakespeare's use of the soliloquy and its deployment by his fellow dramatists.
Shakespeare and Early Modern Drama
Title | Shakespeare and Early Modern Drama PDF eBook |
Author | Pamela Bickley |
Publisher | Bloomsbury Publishing |
Pages | 353 |
Release | 2016-02-25 |
Genre | Literary Criticism |
ISBN | 1472577159 |
Where does Shakespeare fit into the drama of his day? Getting to know the work of Shakespeare's contemporaries offers an insight into Elizabethan and Jacobean preoccupations and the theatrical climate of the early modern period. This book provides an essential overview of some major dramatic works from their stage origins to today's screen productions. Each chapter includes: · a detailed analysis of a play by Shakespeare considered alongside a key work by one other significant playwright of the day (including The Merchant of Venice, Volpone, The Spanish Tragedy, Titus Andronicus, Othello, The Changeling, Romeo and Juliet, The Duchess of Malfi, Measure for Measure, 'Tis Pity She's a Whore, The Taming of the Shrew, The Tragedy of Mariam, Doctor Faustus and Hamlet) · close reading of the text · discussion of early modern theatrical practices · a focus on one ground-breaking example of early modern drama on screen · suggestions for links with other early modern texts and further reading This book provides a route map to the very latest developments in early modern drama studies, fostering confident and independent thinking, making it an ideal introduction for students of Shakespeare and his contemporaries.
William Shakespeare and John Donne
Title | William Shakespeare and John Donne PDF eBook |
Author | Angelika Zirker |
Publisher | Manchester University Press |
Pages | 444 |
Release | 2019-02-08 |
Genre | Literary Criticism |
ISBN | 1526133318 |
William Shakespeare’s The Rape of Lucrece and John Donne’s Holy Sonnets are read against the background of concepts of the soul during the early modern period. This approach provides new insights into concepts of interiority and performance as well as a new understanding of the soliloquy in both poetry and drama.
Theaters of Intention
Title | Theaters of Intention PDF eBook |
Author | Luke Andrew Wilson |
Publisher | Stanford University Press |
Pages | 388 |
Release | 2000 |
Genre | Literary Criticism |
ISBN | 9780804734141 |
Early modern Britain witnessed a transformation in legal reasoning about human volition and intentional action. Examining the relation between law and theater in this period, this book reads plays by Shakespeare, Jonson, Marlowe, and others to demonstrate how legal understanding of willful human action pervades 16th- and 17th-century English drama.
Entertaining Uncertainty in the Early Modern Theater
Title | Entertaining Uncertainty in the Early Modern Theater PDF eBook |
Author | Lauren Robertson |
Publisher | Cambridge University Press |
Pages | 269 |
Release | 2022-12-31 |
Genre | Literary Criticism |
ISBN | 100922512X |
Lauren Robertson's original study shows that the theater of Shakespeare and his contemporaries responded to the crises of knowledge that roiled through early modern England by rendering them spectacular. Revealing the radical, exciting instability of the early modern theater's representational practices, Robertson uncovers the uncertainty that went to the heart of playgoing experience in this period. Doubt was not merely the purview of Hamlet and other onstage characters, but was in fact constitutive of spectators' imaginative participation in performance. Within a culture in the midst of extreme epistemological upheaval, the commercial theater licensed spectators' suspension among opposed possibilities, transforming dubiety itself into exuberantly enjoyable, spectacular show. Robertson shows that the playhouse was a site for the entertainment of uncertainty in a double sense: its pleasures made the very trial of unknowing possible.