Who's the black private dick that's a sex machine with all the chicks? Shaft! (You're damn right!) Created by author Ernest Tidyman and made famous in a series of novels and films, iconic hero Shaft makes his graphic novel debut in an all-new adventure. He's gone toe-to-toe with organized crime bosses, stood up to the cops, squared off against kidnappers, and foiled assassination attempts. But who was John Shaft before he became the hardboiled investigator with a reputation as big as New York City itself? Recently arriving home from his tour of duty in Vietnam, his first case - tracking down a missing person for his girlfriend - quickly turns into a matter of life and death, making him a target of gangsters and the police!

Who is John Shaft? John Shaft is a private eye. John Shaft is a black man made of muscle and ice, and he has no prejudices. John Shaft will kill anyone... black or white. When the cloistered daughter of Harlem's crime boss discovers the true nature of her father's work, she runs off to be as bad as Dad. By the time she disappears, she's into sex, liquor, dope, and a few other scenes. Now, Big Daddy wants Shaft to get his baby back. The tough, take-no-guff detective goes to work... and the Mafia, the Black militants, the NYPD, and City Hall go to work on him. The original and unabridged Shaft novel by Ernest Tidyman, the 1970 tour de force of hardboiled crime fiction that introduced an unsuspecting world to a cultural icon.

Like an unstoppable force of nature, private detective John Shaft is back with a vengeance. Ernest Tidyman s iconic detective returns in the first original Shaft novel in more than forty years, and he s as bad as ever. When the Godfather of crime in Harlem reaches out to Shaft for a favor, the hardboiled detective finds himself caught in a web of violence and murder. No one is safe as the bullets start to fly and the bodies start to drop, leaving Shaft with only two options: kill or be killed.

WINNER OF THE EISNER AWARD • A bold and fascinating graphic novel history of the revolutionary Black Panther Party. Founded in Oakland, California, in 1966, the Black Panther Party for Self-Defense was a radical political organization that stood in defiant contrast to the mainstream civil rights movement. This gripping illustrated history explores the impact and significance of the Panthers, from their social, educational, and healthcare programs that were designed to uplift the Black community to their battle against police brutality through citizen patrols and frequent clashes with the FBI, which targeted the Party from its outset. Using dramatic comic book-style retellings and illustrated profiles of key figures, The Black Panther Party captures the major events, people, and actions of the party, as well as their cultural and political influence and enduring legacy.

Performativity, Cultural Construction, and the Graphic Narrative draws on performance studies scholarship to understand the social impact of graphic novels and their sociopolitical function. Addressing issues of race, gender, ethnicity, race, war, mental illness, and the environment, the volume encompasses the diversity and variety inherent in the graphic narrative medium. Informed by the scholarship of Dwight Conquergood and his model for performance praxis, this collection of essays makes links between these seemingly disparate areas of study to open new avenues of research for comics and graphic narratives. An international team of authors offer a detailed analysis of new and classical graphic texts from Britain, Iran, India, and Canada as well as the United States. Performance, Social Construction and the Graphic Narrative draws on performance studies scholarship to understand the social impact of graphic novels and their sociopolitical function. Addressing issues of race, gender, ethnicity, race, war, mental illness, and the environment, the volume encompasses the diversity and variety inherent in the graphic narrative medium. This book will be of interest to students and scholars in the areas of communication, literature, comics studies, performance studies, sociology, languages, English, and gender studies, and anyone with an interest in deepening their acquaintance with and understanding of the potential of graphic narratives.

A graphic novel biography of the escaped slave, abolitionist, public speaker, and most photographed man of the nineteenth century, based on his autobiographical writings and speeches, spotlighting the key events and people that shaped the life of this great American. Recently returned to the cultural spotlight, Frederick Douglass's impact on American history is felt even in today's current events. Comic book writer and filmmaker David F. Walker joins with the art team of Damon Smyth and Marissa Louise to bring the long, exciting, and influential life of Douglass to life in comic book form. Taking you from Douglass's life as a young slave through his forbidden education to his escape and growing prominence as a speaker, abolitionist, and influential cultural figure during the Civil War and beyond, The Life of Frederick Douglass presents a complete illustrated portrait of the man who stood up and spoke out for freedom and equality. Along the way, special features provide additional background on the history of slavery in the United States, the development of photography (which would play a key role in the spread of Douglass's image and influence), and the Civil War. Told from Douglass's point of view and based on his own writings, The Life of Frederick Douglass provides an up-close-and-personal look at a history-making American who was larger than life.

The tale of two very unlikely partners in crime set in New York City's Roaring Twenties. Nola is a poor white girl living on the streets who has learned to survive by any means necessary. Slim is a black pimp with a shady history, constantly looking over his shoulder in fear of his own past. When their options run out and their paths cross, Nola and Slim forge a partnership as hired killers. Miss: Better Living Through Crime is a story about what it takes two people to survive when all they have is a gun and each other.