This book is a study of the phenomena of shadows, meant in a broader sense as “symbolic forms”. The shadow is a less real, “surface” replica of some more real form. From the Platonic point of view, empirical objects are “shadows of ideas”, while from the modern “natural” point of view, shadows are seen and conceived primarily as “weaker” replicas of bodies, which give evidence of their material reality. In the first three essays here, several topics from the Ancient Egypt and Greece to modern arts and sciences are considered, while in the fourth essay, the contemporary virtual reality, cyber-technology and the internet as our parallel “shadow world” are discussed from the philosophical point of view. The main and innovative point of this book is the connection between the meaning of shadows in philosophy and art on the one hand, and their role in modern science and technology on the other. The book will appeal to a wide span of readers, from academic circles, students, and artists, to the general reader interested in the humanities, especially in philosophy and art.

In a review of the work of Karl Jaspers composed several years before the publication of his book Being and Time, Martin Heidegger suggested that the philosophical orientations of his period had made a wrong turn and skirted by the fundamental path of thought. He suggested that instead of taking up a heritage of original questions, his contemporaries had become preoccupied with secondary issues, accepting as fundamental what was in fact only incidental. In the years that followed, Heidegger's promise to reorient philosophy in terms of the Seinsfrage, the question of Being, exercised a well-known influence on successive generations of thinkers on a global scale. The present book delves into the philosophical sources of this influence and raises the question whether Heidegger indeed made good on the promise to reveal for thought what is truly fundamental. In proposing this investigation, the author assumes that it is not sufficient to take Heidegger at his word, but that it is necessary to scrutinize what is posited as fundamental in light of its broader implications-above all for ethico-political judgment and for historical reflection. After addressing this question in the first part of the book, the second part examines the significance of Heidegger's reorientation of philosophy through the prism of its critical reception in the thought of Hannah Arendt, Emmanuel Levinas, and Paul Ricoeur.

Journalist Maximillian Potter uncovers a fascinating plot to destroy the vines of La Romance-Conti, Burgundy's finest and most expensive wine. In January 2010, Aubert de Villaine, the famed proprietor of the Domaine de la Romance-Conti, the tiny, storied vineyard that produces the most expensive, exquisite wines in the world, received an anonymous note threatening the destruction of his priceless vines by poison—a crime that in the world of high-end wine is akin to murder—unless he paid a one million euro ransom. Villaine believed it to be a sick joke, but that proved a fatal miscalculation and the crime shocked this fabled region of France. The sinister story that Vanity Fair journalist Maximillian Potter uncovered would lead to a sting operation by some of France's top detectives, the primary suspect's suicide, and a dramatic investigation. This botanical crime threatened to destroy the fiercely traditional culture surrounding the world's greatest wine. Shadows in the Vineyard takes us deep into a captivating world full of fascinating characters, small-town French politics, an unforgettable narrative, and a local culture defined by the twinned veins of excess and vitality and the deep reverent attention to the land that runs through it.

Through personal stories of six ordinary people, this narrative non-fiction book describes what it is like to experience a total eclipse for the first time. After these stories, you will understand why you MUST try to experience this eerie and awe-inspiring event yourself. Essential reading, written by an eclipse-chasing psychologist.

Tracing his story of becoming a US citizen, José Orduña’s memoir explores the complex issues of immigration and assimilation. José Orduña chronicles the process of becoming a North American citizen in a post-9/11 United States. Intractable realities—rooted in the continuity of US imperialism to globalism—form the landscape of Orduña’s daily experience, where the geopolitical meets the quotidian. In one anecdote, he recalls how the only apartment his parents could rent was one that didn’t require signing a lease or running a credit check, where the floors were so crooked he once dropped an orange and watched it roll in six directions before settling in a corner. Orduña describes the absurd feeling of being handed a piece of paper—his naturalization certificate—that guarantees something he has always known: he has every right to be here. A trenchant exploration of race, class, and identity, The Weight of Shadows is a searing meditation on the nature of political, linguistic, and cultural borders, and the meaning of “America.”

The baddest of the bad boys... Gabriel is a five hundred year old vampire with the soul of a Killer. He has defeated his mother in a battle for the territory of Baltimore, and vowed to take vengeance upon his father, the Master of Philadelphia, for a centuries-old betrayal. Jezebel, Gabriel's new fledgling, is a soul as scarred as his own, yet Gabriel finds that the ice around his heart slowly melts when she is near. But one of Gabriel's ancient enemies has targeted her--and if Gabriel wants to save her, he will have to abandon his plans for revenge and join forces with his father. The question is not whether or not Gabriel can redeem himself from his past, but whether he can ever forgive himself... At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

After her mother dies in 1975, ten-year-old Lemonade must live with her grandfather in a small town famous for Bigfoot sitings and soon becomes friends with Tobin, a quirky Bigfoot investigator.