In wartime New York City, budding reporter Jenny Ryan is chasing the biggest story of her life. Everyone said the death of her beloved research scientist father was an accident, but she knows it was her fault. When an anonymous phone call puts the blame on wealthy industrialist Marcus Forrester, Jenny doesn't hesitate to act. Armed with absolution and a tenacious drive for justice, she will stop at nothing to bring him down. She didn't count on falling for the key to her plan ? Forrester's mistress. On the surface, Kathryn Hammond has it all: a successful nightclub singing career, elegant grace, and stunning good looks that draw all eyes to her when she enters a room. No one can see her tragic past, or the demons she battles daily as she toils stateside, carrying out what she considers dead-end missions for the OSS while the real war rages in Europe. She knows nothing short of her death in service to the greater good will redeem her for the lives lost on a mission gone bad. All that changes when Jenny Ryan becomes her latest dead-end mission and awakens long dormant concepts like hope, redemption, and the worst thing that could happen to an agent toward their subject: desire. These two women, on very disparate paths, are caught in a reluctant, slow burn that will save them, but at what cost, and are they willing to pay the price?

"Based upon Star Trek created by Gene Roddenberry."

In this controversial study of postwar German's children's books, Zohar Shavit reveals a troubling perspective on the German understanding of the Holocaust.

Looks at the depiction and meaning of shadows in the history of Western art

WWW.BWESTONROOK.COM Randy Curtis was a shy backward kid who grew up in the sleepy town of Edgewater. Naturally, the girl who he loved, Lori, didnt feel the same way about him. And of course, he was always the target of schoolyard bullies, particularly Brad Bedford. On the night of graduation, he finally and dramatically taught his tormentors a lesson and revealed his feelings for Lori, and then disappeared with no intentions of ever returning. But years later, when his mothers death is clouded in suspicion, he returns to Edgewater only to find that he not only has to face his past, but also deal with a complex set of new enemies and obstacles. A Shadow From the Past is an earnest novel, deeply felt and worked out with a good deal of honesty and force. Randy Curtis, returning to Edgewater after a mysterious 10-year absence for his mothers funeral is able at last to set his life to rights, reconcile and find true love with Lori, the girl who had abandoned him (and who he in turn had abandoned), and bring to justice the four teenagers who terrorized his helpless mother. But in the process Randy is forced to become something dark, something secret, something that he fears will ultimately be his own demise.

What spam is, how it works, and how it has shaped online communities and the Internet itself. The vast majority of all email sent every day is spam, a variety of idiosyncratically spelled requests to provide account information, invitations to spend money on dubious products, and pleas to send cash overseas. Most of it is caught by filters before ever reaching an in-box. Where does it come from? As Finn Brunton explains in Spam, it is produced and shaped by many different populations around the world: programmers, con artists, bots and their botmasters, pharmaceutical merchants, marketers, identity thieves, crooked bankers and their victims, cops, lawyers, network security professionals, vigilantes, and hackers. Every time we go online, we participate in the system of spam, with choices, refusals, and purchases the consequences of which we may not understand. This is a book about what spam is, how it works, and what it means. Brunton provides a cultural history that stretches from pranks on early computer networks to the construction of a global criminal infrastructure. The history of spam, Brunton shows us, is a shadow history of the Internet itself, with spam emerging as the mirror image of the online communities it targets. Brunton traces spam through three epochs: the 1970s to 1995, and the early, noncommercial computer networks that became the Internet; 1995 to 2003, with the dot-com boom, the rise of spam's entrepreneurs, and the first efforts at regulating spam; and 2003 to the present, with the war of algorithms—spam versus anti-spam. Spam shows us how technologies, from email to search engines, are transformed by unintended consequences and adaptations, and how online communities develop and invent governance for themselves.

Who were the Native Americans? Where did they come from and how long ago? Did they have a history, and would they have a future? Questions such as these dominated intellectual life in the United States during the nineteenth century. And for many Americans, such questions about the original inhabitants of their homeland inspired a flurry of historical investigation, scientific inquiry, and heated political debate. History's Shadow traces the struggle of Americans trying to understand the people who originally occupied the continent claimed as their own. Steven Conn considers how the question of the Indian compelled Americans to abandon older explanatory frameworks for sovereignty like the Bible and classical literature and instead develop new ones. Through their engagement with Native American language and culture, American intellectuals helped shape and define the emerging fields of archaeology, ethnology, linguistics, and art. But more important, the questions posed by the presence of the Indian in the United States forced Americans to confront the meaning of history itself, both that of Native Americans and their own: how it should be studied, what drove its processes, and where it might ultimately lead. The encounter with Native Americans, Conn argues, helped give rise to a distinctly American historical consciousness. A work of enormous scope and intellect, History's Shadow will speak to anyone interested in Native Americans and their profound influence on our cultural imagination. “History’s Shadow is an intelligent and comprehensive look at the place of Native Americans in Euro-American’s intellectual history. . . . Examining literature, painting, photography, ethnology, and anthropology, Conn mines the written record to discover how non-Native Americans thought about Indians.” —Joy S. Kasson, Los Angeles Times