This book is a collection of studies of various religious groups in the changing religious markets of China. These ethnographic studies demonstrate many shades of gray in the religious market and fluidity across the red, black, and gray markets.

In Masters of Psalmody (bimo) Aurélie Névot analyses the religious, political and theoretical issues of a scriptural shamanism observed in southwestern China among the Yi-Sani. Her focus is on blood sacrifices and chants based on a secret and labile writing handled only by ritualists called bimo. Through ethnographic data, the author presents the still little known bimo metaphysics and unravels the complexity of the local text-based ritual system in which the continuity of each bimo lineage relies on the transmission of manuscripts whose writing relates to lineage blood. While illuminating the usages of this shamanistic tradition that is characterized by scriptural variability between patrilineages, Aurélie Névot highlights the radical changes it is undergoing by becoming a Chinese state tradition.

"Overseas Chinese Christians in Contemporary China explores how diasporic Chinese understandings of what it means to be Chinese is changing in post-1979 China. Ethnographically, it focuses on overseas Chinese Christian business people residing in Shanghai. Hyper-mobile, well-educated, and financially secure, these elites adopt a long-term view of their time in the country. This study examines how these elites put Christianity to work mediating their hopes, fears, and obligations in order to illuminate the ways in which this overseas Chinese experience departs from existing academic models of diasporic Chinese as either bridge-builders or pragmatic capitalists. By focusing on religion, this study offers novel insights into how overseas Chinese are making a place for themselves in a globalising and increasingly powerful China"--

In this book Ronald Suleski introduces a new category of source material, chaoben 抄本, for understanding the lives of China's semi-literate masses before 1950. It links the documents now flooding the antiques markets in China, with the hopes and fears of China's people at the end of the pre-modern era.

At long last, Sarah Britton, called the “queen bee of the health blogs” by Bon Appétit, reveals 100 gorgeous, all-new plant-based recipes in her debut cookbook, inspired by her wildly popular blog. Every month, half a million readers—vegetarians, vegans, paleo followers, and gluten-free gourmets alike—flock to Sarah’s adaptable and accessible recipes that make powerfully healthy ingredients simply irresistible. My New Roots is the ultimate guide to revitalizing one’s health and palate, one delicious recipe at a time: no fad diets or gimmicks here. Whether readers are newcomers to natural foods or are already devotees, they will discover how easy it is to eat healthfully and happily when whole foods and plants are at the center of every plate.

This biography of Candida Xu (1607-1680), granddaughter of the prominent Chinese Christian convert and statesman Xu Guangqi (1562-1633) and foremost Chinese Christian woman of the seventeenth century, is based on the biography of Candida Xu titled Histoire d'une dame chrétienne de la Chine (Paris, 1688) written by her confessor Philippe Couplet, S.J. (1623-1693), an obituary of his mother and other writings by her eldest son, and the Xu family history. Using these as well as other relevant European missionary and Chinese language sources, Candida Xu's life as daughter, wife, mother, and generous contributor to the Christian Church is recounted. Events in her life are set in the context of historical and religious circumstances in China at the time. Consideration of the situation of women, particularly Christian women, draws out how Candida Xu's faith helped her and other believing Christian women to gain greater freedom of choice and action.

The hilarious, colorful #1 New York Times bestselling phenomenon that every kid wants! Gift a copy to someone you love today. Poor Duncan just wants to color. But when he opens his box of crayons, he finds only letters, all saying the same thing: His crayons have had enough! They quit! Blue crayon needs a break from coloring all those bodies of water. Black crayon wants to be used for more than just outlining. And Orange and Yellow are no longer speaking—each believes he is the true color of the sun. What can Duncan possibly do to appease all of the crayons and get them back to doing what they do best? With giggle-inducing text from Drew Daywalt and bold and bright illustrations from Oliver Jeffers, The Day the Crayons Quit is the perfect gift for new parents, baby showers, back-to-school, or any time of year! Perfect for fans of Don't Let the Pigeon Drive the Bus by Mo Willems and The True Story of the Three Little Pigs by Jon Sciezka and Lane Smith. Praise for The Day the Crayons Quit: Amazon’s 2013 Best Picture Book of the Year A Barnes & Noble Best Book of 2013 Goodreads’ 2013 Best Picture Book of the Year Winner of the E.B. White Read-Aloud Award * “Hilarious . . . Move over, Click, Clack, Moo; we’ve got a new contender for the most successful picture-book strike.” –BCCB, starred review “Jeffers . . . elevates crayon drawing to remarkable heights.” –Booklist “Fresh and funny.” –The Wall Street Journal "This book will have children asking to have it read again and again.” –Library Media Connection * “This colorful title should make for an uproarious storytime.” –School Library Journal, starred review * “These memorable personalities will leave readers glancing apprehensively at their own crayon boxes.” –Publishers Weekly, starred review “Utterly original.” –San Francisco Chronicle